Wolfgang Amadeus Mozart: the Viennese musical prodigy is a household name with a prolific catalogue of work. Even to those largely unfamiliar with classical music his name calls up musical genius, Einstein with music. During his relatively short life he penned dozens of symphonies and concertos and scored several operas, both comic and tragic.
The production of “The Marriage of Figaro,” performed by students of North Dakota State University, is a classic example of romantic comedy and one of the world’s most performed operas. NDSU professor of music and show conductor Virginia Sublett was kind enough to grant me an interview about the upcoming show on the evening of Friday, February 17th and the afternoon of Sunday, February 19th at the NDSU Festival Concert Hall.
“The Marriage of Figaro” is easily one of the most famous comedic operas. The libretto features many tropes of the romantic comedy, including slapstick and mistaken identities, but it ultimately also has heart. “It’s a story of forgiveness,” Sublett said, though the pathos is lightened with comedy. “It’s about the interpersonal relationships between a man and his wife and two of their servants and the rest of the household.
The story involves the Count and Countess of Seville. The Count is a philanderer, which causes much grief for his wife. His most recent scheme is to delay the marriage of one of his servants, Figaro, to another servant named Susanna in order to exercise his “right to the first night” (droit du seigneur) as Count so he can bed Susanna himself. Ultimately, the servants and Countess work together to trick and expose the Count’s womanizing ways.
Where this particular production differs somewhat from other productions of “Figaro” is that the action, while still set in a castle in Seville, Spain, is now taking place during the “summer of love” era in 1967 and 1968.
Also, instead of the libretto being performed in the original Italian, the cast will be singing an English translation. Some opera connoisseurs might consider performing an opera in any other language than that in which it was written as sacrilege, but Sublett stood by the decision and made a strong argument for having the production sung in English.
“It’s important in opera to understand the story immediately instead of reading a synopsis or supertitles. With comedy it’s important for the audience to get the jokes.” She stressed that she believed that the language could create a “veil” between the actors and the audience. She also pointed out how some opera houses in Germany will perform operas translated into German and still bring in the audiences and do justice to the material.
“There are good English translations out there that don’t do violence to the music.” About four or five years ago NDSU held an English-language production of another one of Mozart’s famous operas, “The Magic Flute,” which was originally in German. Ultimately, she argued that this helps your average audience develop more of an emotional investment. “It treats it as theatre instead of a museum piece.”
This production of “The Marriage of Figaro” is not only conducted by Sublett, but also brought in a guest stage director, Walker Lewis from the state of New York. The entire cast of the opera is performed by students in NDSU’s music program, ranging from freshmen though students pursuing their master’s degrees. The performing orchestra is about half-and-half, comprised of both current students at NDSU and professional string and wind players from the Fargo-Moorhead Symphony Orchestra. “I hope people come out and see it. I think they will really enjoy it,” Sublett said.
If you are looking for some entertainment this coming weekend, it would be hard to go wrong with NDSU’s production of Mozart’s operatic classic. Whether you plan on bringing a date to this classic romantic comedy or going solo, you will be supporting current and future musicians as well as enjoying a comedy that touches on the mysterious and always resonant ways of the heart.
IF YOU GO
NDSU Opera: The Marriage of Figaro
Friday, February 17, 7:30pm; Sunday, February 19, 2pm
Festival Concert Hall, 1511 12th Ave N, Fargo
June 21st 2017
June 14th 2017
May 10th 2017
May 4th 2017
April 5th 2017
Albert Einstein once said, “The revolution introduced me to art, and in turn, art introduced me to the revolution.”This past Sunday marked the 58th year of the Rourke’s Great Midwestern. Though Jim O’Rourke, founder of the…
by Sabrina Hornung
The moment of truth has arrived. After seven weeks of sampling and judging some of the finest libations in the area the results for this year’s Cocktail Showdown have arrived. Christopher Larson, Raul Gomez and Sabrina Hornung…
by Christopher P. Jacobs
A couple of classic courtroom dramas and a romantic melodrama about theatrical ambition, all adapted from popular novels of their day, are among the recently released Blu-rays by Kino-Lorber. All were made by major filmmakers with…
by Paige Johnson
Author, professor, historian and now playwright: Dr. Charlie Barber has taken his love of history to the stage with his new musical, “No Backseat Driver.”Barber’s play is the story of two North Dakota heroes: “Wild Bill”…
The North Dakota Department of Health has called “Bullsh*t!” on Meridian Energy’s application to construct its Davis Oil Refinery three miles from Theodore Roosevelt National Park.In fact, in a strongly-worded letter to…