Greg Carlson

anding somewhere between “One Battle After Another” and “Eddington” on the “both sides are bad” spectrum, “Bugonia” is smaller in scale than either of those movies, even if its ideas are equally intriguing.

An antic and frantic feminist horror-comedy thriller, “The Balconettes” nods to Hitchcock’s classic “Rear Window” by way of Pedro Almodovar

“John Candy: I Like Me” is a heartfelt and star-studded appreciation of the late actor, who died in 1994 at the age of 43.

“Kim Novak’s Vertigo” reminds us exactly why certain movies make us dizzy.​

The multiple meanings of the title location in Mercedes Bryce Morgan’s “Bone Lake” cover the sex and death spectrum