Takal Celebrates ‘Black Christmas’
Filmmaker Sophia Takal’s reimagining of Bob Clark’s 1974 slasher classic “Black Christmas” improves on a tepid 2006 remake by Glen Morgan without finding the…
Read Nowby Greg Carlson | Dec 23, 2019
Filmmaker Sophia Takal’s reimagining of Bob Clark’s 1974 slasher classic “Black Christmas” improves on a tepid 2006 remake by Glen Morgan without finding the…
Read Nowby Greg Carlson | Dec 23, 2019
Greta Gerwig continues to exercise her command of cinematic storytelling with “Little Women,” a perfectly wrapped and beribboned Christmas gift as welcome as a…
Read Nowby Greg Carlson | Dec 11, 2019
Jennifer Kent’s “The Nightingale” will not attract the same cult following or breadth of widespread fan devotion as “The Babadook,” but her latest marks…
Read Nowby Greg Carlson | Dec 4, 2019
Matsoukas Makes Convincing Debut with ‘Queen & Slim’
Read Nowby Greg Carlson | Nov 26, 2019
Of the three feature films directed by Marielle Heller, all of which are based in one way or another on biographical source material, “A…
Read Nowby Greg Carlson | Nov 20, 2019
“Parasite” will be the top-grossing foreign-language film at the 2019 American box office, and deservedly so. Joon-ho Bong’s most satisfying and accomplished movie since…
Read Nowby Greg Carlson | Nov 13, 2019
Nearly forty years after Stanley Kubrick’s classic horror film conjured thousands of nightmares, director Mike Flanagan wakes up the belated sequel “Doctor Sleep,” the…
Read Nowby Greg Carlson | Nov 6, 2019
Fans of Robert Eggers’ brilliant feature debut “The Witch” have been waiting impatiently for “The Lighthouse,” and while the filmmaker decidedly avoids any kind…
Read Nowby Greg Carlson | Oct 30, 2019
Ten years later, Ruben Fleischer returns to the apocalyptic landscape of his funny, fresh, and winning feature debut “Zombieland,” but the “Double Tap” fails…
Read Nowby Greg Carlson | Oct 23, 2019
Julia Hart’s “Fast Color” moved quickly and too quietly from South by Southwest debut to skinny theatrical engagements via Lionsgate’s “Codeblack home” video. Several…
Read Nowby Greg Carlson | Oct 16, 2019
Admirers of previous television and film incarnations of Charles Addams’ legendary collection of macabre icons have another variation to contemplate, but the computer-animated feature…
Read Nowby Greg Carlson | Oct 9, 2019
Birmingham, Alabama-set “Sword of Trust” is filmmaker Lynn Shelton’s first feature to be located outside the Pacific Northwest, and the change of scenery results…
Read Nowby Greg Carlson | Oct 2, 2019
A carefully crafted and intensely observant fictionalization of writer-director Joanna Hogg’s experiences once upon a time in film school in the early 1980s, “The…
Read Nowby Brittney Goodman | Sep 25, 2019
For the second year, the Rethink Dance Film Festival is coming to Fargo, a collaboration of The Human Family and the Rethink Dance Company.…
Read Nowby Greg Carlson | Sep 25, 2019
Arthouse sensibilities converge with a major star (having a major year) and elite visual effects in James Gray’s “Ad Astra,” a movie poised to…
Read Nowby Sabrina Hornung | Sep 18, 2019
LGBT Film Festival enters its 11th year
Read Nowby Sabrina Hornung | Sep 18, 2019
FFFF celebrates 17th year
Read Nowby Greg Carlson | Sep 18, 2019
Based on “The Hustlers at Scores,” Jessica Pressler’s 2015 “New York Magazine” article, Lorene Scafaria’s “Hustlers” dives headfirst into the world of sex work…
Read Nowby Greg Carlson | Sep 11, 2019
Marketed as “The Banana Splits Movie” even though the only on screen titles stick with “The Banana Splits,” Danishka Esterhazy’s bottom-shelf slasher flick marks…
Read Nowby Greg Carlson | Sep 4, 2019
The Radio Silence creative team that includes directors Matt Bettinelli-Olpin, Tyler Gillett and producer Chad Villella mark a career highlight with “Ready or Not,”…
Read Nowby Greg Carlson | Aug 28, 2019
Based on a memoir by journalist and superfan Sarfraz Manzoor, the inoffensive music-themed bildungsroman “Blinded by the Light” licenses the songs of Bruce Springsteen…
Read Nowby Greg Carlson | Aug 28, 2019
A dispiriting negative critical consensus and the worst opening numbers to date for Melissa McCarthy and Tiffany Haddish nailed shut the coffin lid of…
Read Nowby HPR Contributor | Aug 14, 2019
By Scott Ecker [email protected] Last Tuesday I joined many local artists and audience members for Theatre B’s season preview at the Hjemkomst Center. As…
Read Nowby Greg Carlson | Aug 14, 2019
Writer-director Lulu Wang finds inventive ways to freshen up the terminal cancer tale in “The Farewell,” a worthwhile diversion to so much summer blockbuster…
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