Segan ponders the art of the steal in ‘The Only Living Pickpocket in New York’
Writer-director Noah Segan’s “The Only Living Pickpocket in New York” is a modestly budgeted independent that punches well above its weight.
Read Nowby Greg Carlson | Nov 9, 2026
Writer-director Noah Segan’s “The Only Living Pickpocket in New York” is a modestly budgeted independent that punches well above its weight.
Read Nowby Greg Carlson | Nov 2, 2026
Cinephiles should make a point to seek out director David Kittredge’s thoroughly entertaining documentary “Boorman and the Devil.”
Read Nowby Blaise Balas | Oct 29, 2026
“Godzilla” isn’t about the monster — it’s about the humanity of it all.
Read Nowby Greg Carlson | Oct 27, 2026
“Wicker” marketing has capitalized on the film’s purported horniness, but outside the initial flush of carnal passion, sex is absolutely secondary to the exploration…
Read Nowby HPR Staff | Oct 22, 2026
Come on down to the Fargo Theatre to celebrate Halloween with a screening of “The Rocky Horror Picture Show.”
Read Nowby Greg Carlson | Oct 20, 2026
We join Elizabeth Holmes as she opens her private life and personal space to the filmmakers Nathan Fielder and Lance Oppenheim.
Read Nowby HPR Staff | Oct 16, 2026
Jon Seale’s documentary “The Teachers' Protest” tells the story of 1942 Nazi occupied Norway.
Read Nowby Greg Carlson | Oct 12, 2026
Director Georgia Oakley imagines a satisfying adaptation of Jane Austen’s classic romance/social critique “Sense and Sensibility” in the first big screen attempt since the…
Read Nowby Greg Carlson | Oct 5, 2026
Spoiler Alert: The following review reveals plot information. Read only if you have seen “Digger” In “Digger,” the perpetually engaging Alejandro G. Iñárritu looks…
Read Nowby Blaise Balas | Oct 5, 2026
It is a vanishingly rare occurrence that a horror movie wins big at the Oscars. If anything, a horror nominee is likely to get…
Read Nowby Greg Carlson | Sep 28, 2026
“Primetime” pulsates with a seedy and saturated energy befitting its 2006 setting and subject.
Read Nowby John Showalter | Sep 22, 2026
After four years away, Randal Black brings Grindflicks back with a free “Total Action Cinema” night Sept. 25 at The Bomb Shelter in Fargo.
Read Nowby Greg Carlson | Sep 21, 2026
HPR film critic Greg Carlson interviewed Chris Newberry about his latest feature, “Echoes in the Night: The Search for Jacob Wetterling."
Read Nowby Blaise Balas | Sep 19, 2026
Wes Anderson’s “The Royal Tenenbaums” turns 25. Blaise Balas on the film’s sitcom bones ahead of its Sept. 22 Fargo Theatre screening.
Read Nowby Greg Carlson | Sep 15, 2026
Sequels like “Practical Magic 2” are expected to be cinematic comfort food, a recipe dependent on the reuse of many of the ingredients that…
Read Nowby Greg Carlson | Sep 8, 2026
Waters strikes a fine balance between a traditional biographical account and an artistically-minded embrace of words.
Read Nowby Greg Carlson | Sep 1, 2026
“Finding Emily” won’t threaten “When Harry Met Sally” as the modern-era gold standard for the friends-to-lovers rom-com, but the adorable Rice and Fearn play…
Read Nowby Greg Carlson | Aug 27, 2026
Schoenbrun’s follow-up to “I Saw the TV Glow” deftly blends comedy, eroticism, gore and VHS-era nostalgia into an intoxicating brew of deeply personal storytelling.
Read Nowby Greg Carlson | Aug 17, 2026
An inexplicable cross-time event drops a family struggling with internal domestic peril into a prehistoric bubble of run-for-your-life peril.
Read Nowby Greg Carlson | Aug 10, 2026
We land in a version of America in which the government has implemented a prohibition on unmarried intercourse for all but twelve free-for-all hours…
Read Nowby Blaise Balas | Aug 3, 2026
“The Philadelphia Story” is one of the only screwball comedies to actually deal with the real world repercussions of its plot points.
Read Nowby Greg Carlson | Aug 2, 2026
"I Want Your Sex" draws heavily from the filmmaker’s love for classic screwball comedy and talent for button pushing.
Read Nowby Greg Carlson | Jul 27, 2026
Talented filmmaker Sophy Romvari creates an extraordinary and extraordinarily cinematic evocation of memory and grief.
Read Nowby Greg Carlson | Jul 20, 2026
Working from a script by Rashida Jones and Will McCormack, Olivia Wilde puts her own stamp on Cesc Gay’s play “Los vecinos de arriba."
Read NowHigh Plains Reader
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