Tracker Pixel for Entry

​Basement’s Best: Natalie Prass’ stunningly strong debut is no fluke

Music | January 29th, 2015

With what sounds like the last tiptoe across the floorboards of a once-shared home, Natalie Prass presents herself to the world.

With a voice as soft as down, Prass bares her vulnerability just enough for empathy, though the astounding confidence of her tried-and-true songwriting chops, augmented by enveloping string and horn arrangements, defy any question of meekness.

In the case of all exceptional debut albums (and make no mistake, this is one), there comes an exceptional backstory. While some introductions surface to the top of the cultural conscience as successful money-piles or marketing schemes, the true gems are those built on the humble, day-in, day-out creative toiling of a dedicated artist or group.

Natalie Prass is one such artist. After cutting her teeth on tour backing up Jenny Lewis on keyboard, she promised herself “just one more year” to break through, and if this LP is any indication, she won’t need another.

With the help of high school pals Matthew E. White and Trey Pollard for their respective horn and string conjurings and production-room boardwork, Prass’s record soars from the get-go and refuses to land. Her sensibilities are firmly rooted in the balladry and soft-rock of the early ‘70s, and thus her ear for sweet-and-sour melody validates comparisons to Carole King. Every song’s a standout, lights-out, hands down.

While her exquisite voice and craft provide a solid bedrock, there is no overstating the gravity of White and Pollard’s arrangements. Every wavering speckle of flute, every skyrocketing violin run, every victorious horn punch is in it’s right place.

In an age in which a chart-topping song can be completely constructed on some producer’s hard drive, this ornate richness is even more savory, and gives the album a sense of life that no combination of mouse clicks could recreate.

Without succumbing to decade-specific tropes, schmaltz or feigned innocence, Prass delivers an unmatchably gorgeous song cycle and dares you to call it a fluke.

KNDS SUGGESTS

“Precipitation” - The Dodos

Leading their sixth effort with a familiar propulsion, The Dodos continue to polish the challenging, uncharacterizable guitar interplay that they’ve built their name on.

“Man, It Feels Like Space Again”- Pond

All-too-commonly written off as a bastard cousin of Tame Impala, Pond has never gotten their fair shake. They’re as aware of it as anybody else and play it to their advantage, pushing their songs further and further from the realm of expectation. This appropriately astral suite demonstrates the unhinged ambition lying just below their stoned-as-can-be exterior.

“Somebody Was Watching” - Pops Staples

Fifteen years since the soul patriarch’s passing, his final recordings have been dusted off and retooled by daughter Mavis and her main conspirator, Jeff Tweedy. With Tweedy and his son, Spencer, adding bass and drums, respectively, Pops’ swampy gospel-blues see the light of day, and make for a strong closing statement.

Fourfiveseconds” - Rihanna, Kanye West & Paul McCartney

Let the whole “Who’s Paul?” trolling debacle slide by; the first fruits of Yeezy and Sir Paul’s upcoming collaboration album are sweet, sweet nectar. Led by McCartney’s acoustic strumming and little else, “Fourfiveseconds” is a soulful, unexpected foray into (could it be?) country music, and a sure sign of the pair’s potential to push each other into new territory.

“Current Carry” - Vetiver

Coasting on an ocean-salted breeze, folk-rock collective Vetiver strolls through their single with a distinctly SoCal gait. Light-wristed strums, bowing steel guitar sweeps and glowingly phased keys waft together for a cool cut of sepiatone lite-rock.

Recently in:

By Alicia Underlee Nelsonalicia@hpr1.comDairy Queen restaurants across the country will raise funds for Children’s Miracle Network hospitals during Miracle Treat Day on Thursday, July 31. At least one dollar from every Blizzard…

By Michael M. Millermichael.miller@ndsu.edu The Northwest Blade, from Eureka, South Dakota, published a wonderful story in August 2020. It’s called “Granddaughter keeps Grandmother’s precious chamomile seeds,” by Cindy…

October 3-5, 2025Memorial Union at NDSU, 1401 Administrative Ave., Fargo With the theme of “Existence is Resistance: Healing Through Unity,” this year’s summit will kick off with a professional development day followed by a…

By John Strandjas@hpr1.com Yes, we know, everywhere you look, the world situation is mental. It’s almost inescapable just how tenuous life’s circumstances are. And how they are mostly — pretty much entirely — out of our…

By Ed Raymondfargogadfly@gmail.comWhat are the four freedoms of Donald John Trump? Nearly a century ago, President Franklin Delano Roosevelt said every citizen in the United States of America should have four freedoms: Freedom from…

By Rick Gionrickgion@gmail.com Holiday wine shopping shouldn’t have to be complicated. But unfortunately it can cause unneeded anxiety due to an overabundance of choices. Don’t fret my friends, we once again have you covered…

By Rick Gion and Nichole Hensenrickgion@gmail.com The wait is finally over. Those who have visited Nichole’s Fine Pastry & Cafe lately know about the recent major additions and renovations that have taken place over the past…

By Sabrina Hornungsabrina@hpr1.com Dakotah Faye is a hip-hop artist from Minot, North Dakota, and he’s had a busy year. He’s released two albums. This summer he opened for Tech N9ne in Sturgis and will be opening for Bone…

By Greg Carlsongregcarlson1@gmail.com As a follow-up to “The Whale,” a raucous adaptation of the first novel in Charlie Huston’s Henry Thompson series was a good choice for eclectic auteur Darren Aronofksy, whose bold visions…

By HPR staffsubmit@hpr1.com Mark the first weekend of October on your calendar. It’s the weekend of the Studio Crawl, which takes us all on a wonderful, metro-wide tour of our talented (and often wacky) arts community. On October…

Alicia Underlee Nelsonalicia@hpr1.comPenn & Teller are returning to their roots. The legendary magic and comedy duo will appear on the Crown Stage at the Minnesota Renaissance Festival in Shakopee, Minnesota, where they first…

By Annie Prafckeannieprafcke@gmail.com AUSTIN, Texas – As a Chinese-American, connecting to my culture through food is essential, and no dish brings me back to my mother’s kitchen quite like hotdish. Yes, you heard me right –…

By Sabrina Hornungsabrina@hpr1.comNew Jamestown Brewery Serves up Local FlavorThere’s something delicious brewing out here on the prairie and it just so happens to be the newest brewery west of the Red River and east of the…

By Ellie Liveranieli.liverani.ra@gmail.com Loneliness is on the rise in North Dakota, where there is one of the highest rates of people living alone. The challenging winter can be a major contributor, yet North Dakota is not alone.…

By Alicia Underlee NelsonProtests against President Trump’s policies and the cuts made by Elon Musk’s Department of Government Efficiency (DOGE) are planned across North Dakota and western Minnesota Friday, April 4 and…

By Vern Thompsonvern.thompson@rocketmail.com Working in the Bakken oil fields of the Williston Basin is so different from my home in Fargo. I'm not judging, because the people working and living in western North Dakota are very…