January 18th, 2024
Now playing at the Fargo Theatre.
By Greg Carlson
gregcarlson1@gmail.com
Palme d’Or recipient “Anatomy of a Fall” is now enjoying an award-season victory tour, recently picking up Golden Globe wins for both screenplay and foreign language film as well as the National Board of Review’s prize for Best International Film. Oscar nominations should be forthcoming. Filmmaker Justine Triet, who wrote the script with partner and collaborator Arthur Harari, expertly uses the framework of…
April 22nd, 2024
By Greg Carlson
Surely one of the year’s unlikeliest and most wondrous theatrical experiences, “Sasquatch Sunset,” from beloved indie storytellers David and Nathan Zellner, premiered at the Sundance Film Festival to a range of critical responses that match the breadth of the film’s own expansive agenda. Following a quartet of hairy hominids — of the familiar bipedal cryptid sort that has fueled legends of Bigfoot and Yeti in cultures around the world — …
April 15th, 2024
By Greg Carlson
Documentarian Lance Oppenheim’s “Spermworld” boasts a killer hook to attract the curious: unregulated sperm donors who use social media to offer services to women unhappy with the options provided by traditional “banks.” The filmmaker’s latest feature was inspired by the 2021 New York Times article by Nellie Bowles titled “The Sperm Kings Have a Problem: Too Much Demand.” Using a range of techniques that often mirror the way dramatic…
April 8th, 2024
By Greg Carlson
Nobody will mistake director Thea Sharrock’s undercooked “Wicked Little Letters” for Henri-Georges Clouzot’s 1943 “Le Corbeau.” Or, for that matter, Otto Preminger’s “Le Corbeau” remake “The 13th Letter” (1951). The poison pen concept has fueled many film plots, and this latest iteration at least has the good sense (or fortune) to feature first-rate performances by Jessie Buckley and Olivia Colman, along with a sturdy…
April 3rd, 2024
By Greg Carlson
In Sundance standout “Love Lies Bleeding,” filmmaker Rose Glass improves on all the promises announced in her 2021 debut “Saint Maud.” While “Maud” explored the familiar territory of the psychological horror thriller, “Love Lies Bleeding” mines the fertile grit of the neo-noir. Working with a cast of well-known performers, Glass fashions the story of a menacing criminal’s daughter and her desperate romance with a musclebound…
March 22nd, 2024
By Greg Carlson
Writer-director J.D. Shields, whose television credits include work on “Emperor of Ocean Park” and “The Company You Keep,” has also written for DreamWorks TV Animation, Wondery, and Sony Pictures Entertainment. J.D. has also participated in the Disney Writing Program, the HBO Access Writing Program, Film Independent’s Project Involve and the American Film Institute's Directing Workshop for Women.
Her BAFTA-qualified short film “Blue…
March 19th, 2024
By Greg Carlson
The chief reason to see “The Prank,” a lumpy and unappetizing stew that could use a lot more salt, is legend Rita Moreno. The now 92-year-old phenomenon and EGOT winner (who was also the first Latin American woman to collect an acting Oscar) continues to perform like an unstoppable force. As the last working star who appeared in “Singin’ in the Rain,” Moreno links the present to Hollywood’s shimmering past. In 2021, she was the subject…
March 11th, 2024
By Greg Carlson
Denis Villeneuve’s “Dune: Part Two” concludes, for the most part, the adaptation of Frank Herbert’s original 1965 science fiction epic while (inevitably?) making room for a further onscreen investigation of “Dune Messiah,” the sequel Herbert described as the inversion of the first section’s “heroic melody.” Even at two hours and forty-five minutes, Villeneuve’s version, which he wrote with Jon Spaihts, truncates and streamlines…
March 4th, 2024
Veteran editor Carla Gutiérrez’s new documentary “Frida,” on the subject of the famed painter whose star has continued to shine with blinding incandescence since a 1980s popular cultural renaissance, premiered to mixed reviews at the 2024 Sundance Film Festival in January. At Sundance, Gutiérrez’s film received the festival's Jonathan Oppenheim Editing Award in the U.S. Documentary category, and the movie’s combination of archival photographs, stock footage, journal entries,…
February 26th, 2024
By Greg Carlson
In a short piece published recently in The New York Times, author Callie Holtermann summarizes the responses to director S.J. Clarkson’s “Madame Web,” attempting to make some sense of the many sticky strands of social media hot-takes, as well as fan and critical backlash to the latest installment in the SSU – Sony’s Spider-Man Universe. Like the existential dread and loneliness captured in Dan Walsh’s webcomic “Garfield Minus…