July 1st, 2025
By Greg Carlson
As we continue to deal with the ongoing horrorshow of racism, misogyny and transphobia embraced by the current administration, films like “Sally” can serve as an important reminder that love triumphs over hate time and again. News broke just this month that the Pentagon had officially renamed the John Lewis-class oiler USNS Harvey Milk for World War II officer Oscar V. Peterson. National Public Radio reported that “Under [Secretary of Defense…
June 24th, 2025
By Greg Carlson
The June 9 death of musician Sylvester Stewart, known much better by stage name Sly Stone, saw an outpouring of tributes, memorials and appreciations from some who knew him personally and many who never made his acquaintance. The groundbreaking visionary and multi-instrumentalist launched hit after hit into the cosmos, defining and redefining genre boundaries with a core group of players that included Black and white, male and female, years before…
June 17th, 2025
By JD Provorse
Horror movie fans of the valley, our time has come! Darkest Day of Horror Film Festival comes to the Fargo Theatre on Saturday, June 21. I sat down with JD Provorse, the creator and curator of DDHF (who also happens to be me), to talk about what horror fans can expect.
Hi, JD. Thanks for taking the time to chat with us today.
The pleasure is all mine, JD.
So, what is Darkest Day of Horror Film Festival, and how did it come about?
DDHFF is a one-day…
June 17th, 2025
By Greg Carlson
Celine Song’s thrilling debut “Past Lives” was nominated for Best Picture and Best Original Screenplay Oscars. It was one of the most memorable and rewarding films of 2023. The writer-director’s sophomore effort, “Materialists,” is another triangle-based romance. “Materialists” centers on a successful NYC matchmaker played by Dakota Johnson. Johnson’s Lucy Mason, whose occupation requires a curious blend of deception and candor,…
June 9th, 2025
By Greg Carlson
Wes Anderson’s twelfth full-length feature, “The Phoenician Scheme,” sees the idiosyncratic auteur pull back from the elaborate storytelling scaffolding and structures of “The Grand Budapest Hotel” and “Asteroid City,” movies that dazzled viewers with metanarrative gymnastics nesting stories inside stories. Even so, “The Phoenician Scheme” bears enough of the familiar stylistic rigor identified with Anderson to be instantly…
June 2nd, 2025
By Greg Carlson
The writing/directing partnership of Anna Boden and Ryan Fleck has to be one of the most curious cases of crazy connect-the-dots career moves in recent cinema. From short documentaries and safe-sex content for the Centers for Disease Control to television work, Boden and Fleck broke through in 2006 with the fantastic feature “Half Nelson,” adapted from their own Sundance prize-winner “Gowanus, Brooklyn.” “Half Nelson,” a captivating…
May 28th, 2025
By Greg Carlson
Filmmaker Antonella Sudasassi Furniss constructs an engaging sophomore feature with “Memories of a Burning Body,” selected by Costa Rica to be entered for consideration as a possible Oscar nominee for Best International Feature Film. While the movie would not go on to make the final roster of Academy Award hopefuls, its spot as an art house attention-getter was already secure. “Memories” won the audience award for best feature in the…
May 19th, 2025
By Greg Carlson
In a Sundance profile for feature debut “The Ugly Stepsister,” which opened the festival’s 2025 Midnight section, filmmaker Emilie Blichfeldt described growing up “in a tiny village above the Arctic Circle on the rough coast of northern Norway” where her parents initially chose books over movies. By her early teens, however, repeat viewings of “Amelie” and the galvanizing impact of “Dogville” inspired the future storyteller.…
May 12th, 2025
By Greg Carlson
Of the many photographs that help tell the story “I Know Catherine, the Log Lady,” the one of David Lynch dressed as FBI Regional Bureau Chief (and later Deputy Director) Gordon Cole saying something amusing to a laughing, slightly out of focus Catherine E. Coulson is my favorite. Director Richard Green, Coulson’s friend of decades, has access to many images and uses dozens — from childhood portraits to surprisingly saucy candids — that add…
May 5th, 2025
By Greg Carlson
Anchored by the dependable Florence Pugh, “Thunderbolts*” easily tops “Captain America: Brave New World” to make it the most satisfying MCU movie of 2025 — so far. The asterisk alludes to an alternative title that appears onscreen as one of several end-credits revelations, but an equally welcome surprise is the realization that Kevin Feige could revitalize widespread interest in Marvel on the big screen as we look ahead to renditions of the…