November 30th, 2016
“The Story of the Last Chrysanthemum” (1939) is an ambitious and idiosyncratic work by master filmmaker Kenji Mizoguchi (1898-1956), based on a stage play adaptation of a novel about Japan’s stylized kabuki theatre. This September the Criterion Collection released to Blu-ray the Shochiku Studios’ new 4k digital restoration of the film.
Mizoguchi was one of Japan’s major directors, making about 75 films from 1923 until his death, but little of his earlier career survives, and he…
November 30th, 2016
Admirers of Barry Jenkins’ excellent 2008 feature “Medicine for Melancholy” waited years for the filmmaker’s next project. “Moonlight,” one of 2016’s finest films, was worth that lengthy silence. In between the two movies, Jenkins made a handful of shorts and directed an episode of a TV series, but one viewing of “Moonlight” will convince anyone who loves the cinema that the prodigiously talented artist should keep telling long-form stories.
Inspired by Tarell Alvin…
November 22nd, 2016
A month ago I reviewed a pair of William Castle horror films released on a double-feature Blu-ray this summer by Mill Creek Entertainment. The same day, Mill Creek released another Castle double-bill with titles that sound like horror films but are really something else, especially the second.
Castle aimed his memorable thrillers “Homicidal” and “Mr. Sardonicus” (both 1961) mainly at teen and adult audiences. Both were serious horror films played straight, except for Castle’s…
November 22nd, 2016
Following Oscar-nominated breakthrough “Incendies,” filmmaker Denis Villeneuve put together a hat trick of beautifully shot features, stylish enough to straddle the line between auteurist individuality/prestige and studio-massaged commercial aspirations.
“Prisoners,” “Enemy,” and “Sicario” are now joined by “Arrival,” a cerebral, or ersatz cerebral – depending on your tolerance for beautiful people expressing deep thoughts – science fiction drama in the thematic…
November 16th, 2016
The subgenre of crime thrillers known as “film noir” was at its height during the 1940s and 1950s. It is noted for cynical anti-heroic characters, a pervasive sense of inexorable fate, usually leading to the doom of one or more characters, and moody low-key cinematography featuring plenty of shadows with expressionistic lighting and camera angles.
Often there is a strong female character, frequently an aggressive “femme fatale,” and as often as not a seething sexual subtext that…
November 16th, 2016
“Orphans of the Nile” is a 30-minute documentary shot by award-winning WDAY TV reporter Kevin Wallevand and cameraman David Krinke, that describes their September 2016 travel to Uganda with the organization African Soul, American Heart (ASAH) – particularly, with Deb Dawson, ASAH President and three local sponsors Gina Sandgren, Kim Baird, and John Baird. ASAH is a nonprofit with a mission to “protect, educate, and empower” orphans from the Republic of South Sudan during…
November 16th, 2016
In Laura Gabbert’s “City of Gold,” which unfolds like a gustatory companion to Thom Andersen’s “Los Angeles Plays Itself,” chef Andrew Zimmern summarizes the appeal of Pulitzer Prize-winning subject Jonathan Gold’s approach to food writing by saying, “…the great human ill is contempt prior to investigation.” That statement, which alludes to the way in which Gabbert weaves together her portrait of another celebrated, middle-aged white man by focusing as much on Los…
November 9th, 2016
Two decades have passed since the surreal and shocking events that transformed Orenthal James Simpson from USC legend, Heisman Trophy recipient, Buffalo Bills star, professional football Hall of Fame inductee, sports broadcaster, and actor into a divisive reminder of America’s ongoing struggle to come to terms with its legacy of racism.
And while the seemingly bottomless coverage of the so-called “Trial of the Century” may have exhausted widespread interest in the years following…
November 9th, 2016
This Friday, November 11, is Veterans Day, once called Armistice Day, to mark the ceasefire that ended World War I hostilities on that date in 1918. It’s one of the very few national holidays that does not move to the nearest Monday (although it did for several years in the 1970s). The date still calls to mind “the war to end all wars,” but after World War II and the Korean War the name was changed to Veterans Day. Since 1954 it officially honors military veterans in general, not…
November 2nd, 2016
Finally winding its way through a limited theatrical release following a 2015 Toronto International Film Festival debut, Marcin Wrona’s “Demon” blends folklore, supernatural mystery, and wedding disaster comedy.
Adapted by Wrona and Pawel Maslona from Piotr Rowicki’s 2008 play “Adherence,” the film starts with plenty of promise, intrigue, and atmosphere, but fails to maintain those qualities through the concluding frame.
As possessed protagonist Piotr, a young man traveling…
By Josette Ciceronunapologeticallyanxiousme@gmail.com What does it mean to truly live in a community —or should I say, among community? It’s a question I have been wrestling with since I moved to Fargo-Moorhead in February 2022.…