November 24th, 2025
By Greg Carlson
Japanese director Hikari, born in Osaka and originally named Mitsuyo Miyazaki, is poised for a significant stateside breakthrough with “Rental Family,” the new film she co-wrote with Stephen Blahut. Already generating some limited (and possibly wishful) Oscar nomination buzz for lead Brendan Fraser, “Rental Family” joins “The Phoenician Scheme,” “One Battle After Another,” and “Sentimental Value” in a curious group of recent…
November 18th, 2025
By Greg Carlson
In “Hedda,” Nia DaCosta’s bold adaptation of Henrik Ibsen’s celebrated 1891 play, the filmmaker reunites with longtime collaborator Tessa Thompson, who starred in DaCosta’s directorial debut “Little Woods” (screened, among other places, in the Fargo Film Festival). DaCosta makes several audacious alterations to the original text, switching the setting from Kristiania (Oslo) to 1950s England. The writer-director also centralizes a queer…
November 12th, 2025
By Greg Carlson
Scottish moviemaker Lynne Ramsay adds the fifth feature to her filmography with “Die My Love,” an adaptation of Argentine writer Ariana Harwicz’s 2012 novel. Co-written by Ramsay, Enda Walsh and Alice Birch, the movie eavesdrops on the unraveling of a young woman struggling to adjust to life following the acquisition of a new husband, a new home and a new baby. Jennifer Lawrence, in an expectedly committed performance, plays the tellingly…
November 3rd, 2025
By Greg Carlson
As a reflection on our perilous political landscape, “Bugonia,” from the ever curious and boundary-stretching auteur Yorgos Lanthimos, joins several other 2025 releases that have something to say about a deeply divided populace and the fine line between order and chaos. Landing somewhere between “One Battle After Another” and “Eddington” on the “both sides are bad” spectrum, “Bugonia” is smaller in scale than either of those…
October 28th, 2025
By Greg Carlson
Noémie Merlant, working from a script she wrote with Pauline Munier and her “Portrait of a Lady on Fire” collaborator Celine Sciamma, directs herself in “The Balconettes” (the clever/cheeky English-language retitling of the original French “Les femmes au balcon”). An antic and frantic feminist horror-comedy thriller, “The Balconettes” nods to Hitchcock’s classic “Rear Window” by way of Pedro Almodovar’s many candy-colored…
October 20th, 2025
By Greg Carlson
Now available on Amazon Prime following its world premiere last month as the opening night selection of the Toronto International Film Festival’s golden anniversary, “John Candy: I Like Me” is a heartfelt and star-studded appreciation of the late actor, who died in 1994 at the age of 43. The movie’s director is actor/filmmaker Colin Hanks, and his connections prove most valuable in attracting a phenomenal gallery of household-name talent who…
October 13th, 2025
By Greg Carlson
Dream-factory documentarian Alexandre O. Philippe connects with a Hollywood legend in “Kim Novak’s Vertigo,” the latest in a series of features exploring the filmmaker’s many movie-related passions and obsessions. In my 2022 review for the fascinating and accomplished “Lynch/Oz,” I wrote, “Philippe has continued to develop a confident storytelling voice somewhere between the accessibility of Laurent Bouzereau and Jamie Benning and the…
October 6th, 2025
By Greg Carlson
The multiple meanings of the title location in Mercedes Bryce Morgan’s “Bone Lake” cover the sex and death spectrum that will flummox Diego (Marco Pigossi) and Sage (Maddie Hasson) as soon as they discover their well-appointed getaway rental has been double-booked to Will (Alex Roe) and Cin (Andra Nechita). Well before the age of Airbnb and Vrbo, storytellers have enjoyed toying with the possibilities of frustrated travelers who must figure…
September 29th, 2025
By Greg Carlson
“One Battle After Another,” the brilliant new masterwork from Paul Thomas Anderson, joins Wes Anderson’s “The Phoenician Scheme” on the short list of the year’s best films. Along with the shared directorial surname and the perfect casting of Benicio del Toro, the two movies balance rich text/subtext with vital father-daughter narratives (not to mention huge laughs and several tears). The films make a handsome double feature. The…
September 23rd, 2025
By Greg Carlson
Filmmaker Melanie Oates follows 2019 feature debut “Body and Bones” with another thoughtful and well-observed drama in which the challenges and limitations of the small town put pressure on a young woman yearning for something greater than provincial dead-ends. In “Sweet Angel Baby,” which premiered last year in the Toronto Film Festival’s Centerpiece program, Eliza (Michaela Kurimsky) hides two significant secrets from the close-knit…