March 30th, 2026
By Greg Carlson
Filmmaker Julia Ducournau’s third feature, a mashup of body horror, family melodrama and AIDS allegory set in a grim and gray dystopia, fails to live up to the promise of her wild debut “Raw” and Palme d’Or winner “Titane.” “Alpha” premiered at the 2025 Cannes Film Festival and now makes its way through a stateside theatrical release sponsored by Neon. The wobbly screenplay, focused on the triangular dynamics connecting the teenage…
March 25th, 2026
By Sabrina Hornung
JD Provorse is a horror movie enthusiast and Fargo-based podcast host. Both he and cohost Michelle Roller have a comedy background and started the wildly entertaining podcast “We Watch Shudder” in 2022 as an outlet to discuss new original and exclusive releases from Shudder. If you’re not familiar with Shudder, it’s essentially the Netflix of the horror genre.
In 2024 their passion for slashin’ jumped off the podcast waves and into the Fargo Theatre. This…
March 23rd, 2026
By Greg Carlson
Filmmaker Elizabeth Chatelain returned to the Fargo Film Festival with the new feature “Bigfoot Woods,” which screened on Saturday, March 21 at the Fargo Theatre. She was joined by several members of the production team for a conversation following the movie. HPR film editor Greg Carlson spoke with Chatelain about moviemaking, physical media, film studies and their shared admiration for Richard Linklater.
Greg Carlson for High Plains Reader: How did you get into film?…
March 16th, 2026
By Greg Carlson
A number of critics and media outlets have already noted the variety of cinematic antecedents that have influenced writer-director Amy Wang’s movie “Slanted,” pointing out how the story of a frustrated teenager mashes “Mean Girls” with “The Substance” in a body horror package that misses the bullseye. Wang borrows peak prom humiliation from “Carrie,” but her film lacks the depth of characterization for any of the social commentary to penetrate with the…
March 16th, 2026
By Greg Carlson
Before she takes the stage of the Dolby Theatre on March 15 to collect her Oscar for Best Actress in a Leading Role for her work in “Hamnet,” Jessie Buckley will find a few new fans as she transforms into the title monster in writer-director Maggie Gyllenhaal’s “The Bride!” Buckley’s vigorous portrayal of both Mary Shelley and the wholly cinematic sequel concoction designed as a “mate” for Christian Bale’s Frank pays tribute to Elsa Lanchester’s…
March 2nd, 2026
By Greg Carlson
The great documentary filmmaker Laura Poitras had to work diligently to convince Pulitzer Prize-winning journalist Seymour Hersh to be the subject of one of her films. Most accounts and reviews of “Cover-Up,” the movie that would eventually be born from a collaboration between Poitras and co-director Mark Obenhaus, describe the famous investigator as a reluctant participant. Whether out of a desire to protect the identities of the often anonymous sources with whom…
February 23rd, 2026
By Reagan Mueller
Movie theaters have always been a place for people to take time out of their busy lives to watch the latest releases on the silver screen. In such a bustling world, it can be difficult to find the motivation to make it out to the theater when streaming services have monopolized our living rooms. Movies, however, are not the only commodity a good theater can offer.
In the cold of the winter surrounding the Fargo-Moorhead area, the 26th edition of the Fargo Film Festival…
February 23rd, 2026
By Greg Carlson
In what turns out to be a safe, sedate and fairly dusty two-hander, novelist Bernard MacLaverty adapts his own 2017 book “Midwinter Break” with co-screenwriter Nick Payne. Experienced theatre director and first-time feature filmmaker Polly Findlay guides veteran talents Ciarán Hinds and Lesley Manville in their roles as Gerry and Stella, a long-married couple whose crumbling union reaches a critical point during an Amsterdam vacation. Admirers of MacLaverty’s…
February 16th, 2026
By Sabrina Hornung
There's a certain kind of magic to the Fargo Theatre. It’s a place to escape to for the small fee of the price of admission. It's a place of shared communal joy (or any other kind of shared emotion for that matter), which almost feels rare these days, in the era of “Netflix and chill.”
There’s a rich history that's housed within those theatre walls. It managed to persist through the vaudeville era, onto the silent era, then evolved to accommodate the…
February 16th, 2026
By Greg Carlson
Literature purists who will judge Emerald Fennell’s decadent, gorgeous, horny and high-calorie interpretation of “Wuthering Heights” on the basis of its fidelity to the 1847 novel by Emily Brontë are certainly not the principal demographic sought by the new movie’s exhibitor. And anyone who admired the audacity of the Academy Award-winning filmmaker’s previous two features — “Promising Young Woman” in 2020 and “Saltburn” in 2023 — could have guessed…