May 19th, 2025
By Greg Carlson
In a Sundance profile for feature debut “The Ugly Stepsister,” which opened the festival’s 2025 Midnight section, filmmaker Emilie Blichfeldt described growing up “in a tiny village above the Arctic Circle on the rough coast of northern Norway” where her parents initially chose books over movies. By her early teens, however, repeat viewings of “Amelie” and the galvanizing impact of “Dogville” inspired the future storyteller.…
May 12th, 2025
By Greg Carlson
Of the many photographs that help tell the story “I Know Catherine, the Log Lady,” the one of David Lynch dressed as FBI Regional Bureau Chief (and later Deputy Director) Gordon Cole saying something amusing to a laughing, slightly out of focus Catherine E. Coulson is my favorite. Director Richard Green, Coulson’s friend of decades, has access to many images and uses dozens — from childhood portraits to surprisingly saucy candids — that add…
May 5th, 2025
By Greg Carlson
Anchored by the dependable Florence Pugh, “Thunderbolts*” easily tops “Captain America: Brave New World” to make it the most satisfying MCU movie of 2025 — so far. The asterisk alludes to an alternative title that appears onscreen as one of several end-credits revelations, but an equally welcome surprise is the realization that Kevin Feige could revitalize widespread interest in Marvel on the big screen as we look ahead to renditions of the…
April 28th, 2025
By Greg Carlson
Toronto-based filmmaker Alison Duke shines a light on a pioneering Jamaican recording artist and her most famous and durable song in the documentary feature “Bam Bam: The Sister Nancy Story.” Duke’s movie, which premiered at the 2024 Tribeca Film Festival, is a must-see for music fans, but the big personality of its principal subject is appealing enough to attract any curious viewer who might cross paths with the colorful and engrossing tale.…
April 21st, 2025
By Greg Carlson
Ryan Coogler goes big and bold with “Sinners,” a sweaty, bloody vampire movie set in 1932. The filmmaker stuffs this universe with enough ideas to serve a limited-series season of episodic television, but the feature format ultimately suits something that brings together Coogler’s large canvas experiences at the helm of massive Marvel hits and the more intimate contours of debut “Fruitvale Station.” Close collaborator Michael B. Jordan has…
April 14th, 2025
By Greg Carlson
Given the volume of existing media material on the topic, longtime admirers of legendary documentarian Errol Morris might wonder why he would elect to become the umpteenth person to cover the horrific crimes of the Manson Family. Whether or not the fee paid to Morris by Netflix factored into the decision I cannot say, but “Chaos: The Manson Murders,” while typical in many ways of the established Morris style, never rises to the top-tier level of…
April 7th, 2025
By Greg Carlson
Tracie Laymon draws from her own unbelievable-but-true life experience to shape feature directorial debut “Bob Trevino Likes It,” a well-meaning if slight comedy-drama featuring Barbie Ferreira as a young woman whose fractured relationship with her father leads to an unexpected bond with a stranger she befriends through social media. Unfolding as a slow but steady story of two friends who depend on each other to light twin pathways toward…
March 31st, 2025
By Greg Carlson
Making her feature directorial debut, Rachael Abigail Holder guides “Love, Brooklyn” to a satisfying conclusion, even if some viewers might have hoped for a different outcome for the central trio. A carefully observed romance that attempts to frame its title borough with the same kind of affection that Woody Allen applied to mythologize his favorite parts of NYC in 1979, the movie places a charismatic Andre Holland at the center of a love…
March 29th, 2025
By Greg Carlson
Some of the conversations surrounding the theatrical release of “The Day the Earth Blew Up” (tagged offscreen in promotional material with the subtitle “A Looney Tunes Movie”) address the hard-to-believe fact that director Peter Browngardt’s film is the first entirely original animated feature using the legendary Warner Bros. cartoon characters. The designation disqualifies Joe Pytka’s 1996 “Space Jam,” Joe Dante’s 2003 “Looney…
March 27th, 2025
By Tylar Frame
Photo by Tylar Frame, Brent Brandt outside the Fargo Theatre, March 19, 2025
Over the past few years, Brent Brandt, a local teacher and lover of cinema, has welcomed a number of well-known actors to the stage of the Fargo Theatre. Most recently he served as emcee for the screening of The Breakfast Club with actress Molly Ringwald to close out the 25th annual Fargo Film Festival.
On Friday, March 28, Brandt will bring a familiar face to the theater…