Tracker Pixel for Entry

​Artist Rashid Johnson Makes Feature Debut with ‘Native Son’

Cinema | April 10th, 2019

Screenshot of Native Son

Following a world premiere as one of the opening night selections of the Sundance Film Festival in January, conceptual visual artist Rashid Johnson’s adaptation of Richard Wright’s venerable “Native Son” debuts April 6 on HBO. The third big screen version of the story of Bigger Thomas, Wright’s film retains many of the book’s central plot points and its ideological critique of institutional racism. The screenplay, by Pulitzer-winner Suzan-Lori Parks, updates sparingly and, for the most part, efficiently. Only committed devotees of the literature will notice the significant alterations, the most prominent of which revolves around the fate of the character Bessie and the resolution of the drama. Johnson’s movie, despite several shortcomings, is well worth a look.

Ashton Sanders, memorable as both the teenage Chiron in 2016’s “Moonlight” and opposite Denzel Washington in last year’s “The Equalizer 2,” makes an excellent Bigger Thomas (called Big this time out). Enveloped in several stylized trappings of artistically-inclined hipsterism -- including fingernail polish, green hair, Malcolm X-evoking eyeglasses, and a safety-pinned leather motorcycle jacket decorated with a painted “Freaking Out” motif ala classic punk rock -- Big’s got smarts of both the book and street varieties. Working as a bike messenger but living in less-than-ideal conditions with his family, Big accepts a “golden” opportunity to become the live-in chauffeur for rich white man Henry Dalton (Bill Camp, never better).

All too quickly Big realizes that his principal responsibilities entail driving Dalton’s manipulative daughter Mary (Margaret Qualley) wherever she wishes to go, which more often than not fails to correspond to Mr. Dalton’s assumptions regarding her activities. Mary’s companion Jan (Nick Robinson), a social activist who, like Mary, is oblivious to his own privilege, rides along. For those unfamiliar with the classic 1940 novel, an almost surreal and certainly absurd tragedy marks the turning point of the narrative. Johnson handles it with the necessary horror, balancing on Wright’s carefully constructed tightrope that supports the weight of not one, but two victims.

Arguably, the scenes in which Big navigates the white world of the Daltons ring out with the most punch, especially in terms of dialogue and performance. The pressure on Big to perform multiple roles, dependent on the shifting contexts in which he operates, brings code-switching into the equation in a way that allows the filmmakers to explore the most contemporary aspects of Wright’s ideas (along with, of course, the unchanged realities of two Americas). Whether or not Johnson overcomes the arguments made by James Baldwin in essays contained within “Notes of a Native Son” rests largely with the viewer’s sympathies with the objectives and sensibilities of Wright (and Johnson).

As tech credits go, first-time feature helmer Johnson’s not-so-secret weapon is the presence of ace cinematographer Matthew Libatique, who also serves as one of the film’s producers. Johnson’s striking vision is enhanced by Libatique’s photography, which perfectly outlines the discomfort experienced by Big as he tries -- and fails -- to fit in anywhere. The vivid images, which capture the ironic juxtapositions of beautiful graffiti in economically depressed neighborhoods as well as the weight of seeing the work of celebrated contemporary African American painters decorating the walls of the Dalton mansion, mirror Big’s pain and his struggle to deal with the liminal state between his own sense of self and the version of it acted out for others.  

Recently in:

By Alicia Underlee Nelsonalicia@hpr1.comDairy Queen restaurants across the country will raise funds for Children’s Miracle Network hospitals during Miracle Treat Day on Thursday, July 31. At least one dollar from every Blizzard…

By Alicia Underlee Nelsonalicia@hpr1.comFM Pride Week returns to the Fargo-Moorhead metro August 3-10. A snapshot of events are listed below. Discover event descriptions and locations as well as volunteer opportunities online at…

August 28, 6-8 p.m.Plains Art Museum, 704 1st Ave. N., Fargo See this major exhibition firsthand and hear about Rimer Cardillo’s work from the artist himself at 7 p.m. Cardillo is an internationally renowned multidisciplinary…

By Sabrina Hornungsabrina@hpr1.com I’m going to go ahead and say it. I have trust issues with a lot of things and artificial intelligence (AI) is one of them. Yes, it’s a tool that can sit shotgun and make your everyday tasks…

By Ed Raymondfargogadfly@gmail.comTrump: the new man for all seasonsFive hundred years ago, Lord Chancellor Sir Thomas More of England refused to write a letter to Pope Clement VII of the Roman Catholic Church asking that he annul…

By Rick Gionrickgion@gmail.com Holiday wine shopping shouldn’t have to be complicated. But unfortunately it can cause unneeded anxiety due to an overabundance of choices. Don’t fret my friends, we once again have you covered…

By Rick Gionrickgion@gmail.com There seems to be a renaissance in Italian restaurants in the Fargo-Moorhead metro area. It’s a welcome change from just sporting an Olive Garden as a lone option. No offense to Marilyn Hagerty’s…

By John Showalterjohn.d.showalter@gmail.com Bluegrass is a genre of music that is often associated with the American South. Many people would express incredulity at being told there is a thriving bluegrass and folk music community…

By Greg Carlsongregcarlson1@gmail.com There are so many memorable moments in the short life of musician Jeff Buckley that filmmaker Amy J. Berg could easily have gotten lost in an endless highlight reel. The veteran documentarian,…

By Sabrina Hornungsabrina@hpr1.com 2025 marks three years of the Annual Vergas Area Backroads Art Crawl. The art crawl is sponsored by the Vergas Arts Club. The Arts Club also happens to be part of the Vegas Community Club and both…

Alicia Underlee Nelsonalicia@hpr1.comPenn & Teller are returning to their roots. The legendary magic and comedy duo will appear on the Crown Stage at the Minnesota Renaissance Festival in Shakopee, Minnesota, where they first…

By Annie Prafckeannieprafcke@gmail.com AUSTIN, Texas – As a Chinese-American, connecting to my culture through food is essential, and no dish brings me back to my mother’s kitchen quite like hotdish. Yes, you heard me right –…

By Sabrina Hornungsabrina@hpr1.comNew Jamestown Brewery Serves up Local FlavorThere’s something delicious brewing out here on the prairie and it just so happens to be the newest brewery west of the Red River and east of the…

By Dr. Marc Sapir, MD, MPHjessica@pellienpublicrelations.com Across America, families are quietly struggling with a rising challenge: how to care for aging parents, siblings, grandparents, neighbors and friends. Most seniors want…

By Alicia Underlee NelsonProtests against President Trump’s policies and the cuts made by Elon Musk’s Department of Government Efficiency (DOGE) are planned across North Dakota and western Minnesota Friday, April 4 and…

By Vern Thompsonvern.thompson@rocketmail.com Working in the Bakken oil fields of the Williston Basin is so different from my home in Fargo. I'm not judging, because the people working and living in western North Dakota are very…