Tracker Pixel for Entry

​Ghost in the Living Machine

Cinema | May 10th, 2015

Self-conscious, geeky coder Caleb Smith (Domhnall Gleeson) wins a contest to visit the sprawling, private compound of his boss Nathan (Oscar Isaac), a computer genius using his billions to pursue artificial intelligence in the form of an erotically charged machine named Ava (Alicia Vikander).

Screenwriter/novelist Alex Garland makes his directorial debut with “Ex Machina,” the alternately intriguing and infuriating result of Nathan’s scheme to use Caleb as human bait in a twisted version of the Turing Test. “Ex Machina” is pretty shaky as far as anything resembling an earnest exploration of the philosophy of AI goes, but as a heterosexual male fantasy, it’s what Bryant in “Blade Runner” would call a “basic pleasure model.”

It doesn’t take more than a minute to figure out that Nathan is not to be trusted, and despite the ostentatiousness of his modernist keep, the bachelor pad/research facility is strangely susceptible to power outages that shut down the audio and video surveillance that Nathan uses to monitor the meetings between Caleb and Ava.

While theoretically, Nathan’s invention could have taken any form, its manifestation as a kind of motorized Aphrodite requires Garland to confront the competing impulses of lust and intellect. Like Jason Lee’s lonely tech mogul discovers in the largely forgotten “Mumford,” money can’t buy love, but it can pay for “a line of robotic sex surrogates that are virtually indistinguishable from flesh-and-blood humans,” as Stephen Holden noted.

In one sequence, previous iterations of Nathan’s full body experiments are revealed like a perverse, Frankensteinian cross between Bluebeard’s wives and next gen RealDolls. David Edelstein identifies the plot’s indebtedness to classic crime ménage à trois, writing that the movie has “everything to do with James M. Cain and the noir-ish world of abusive husband-masters, wily female slaves, and poor-sap male ingénues.”

An emergent femme fatale, Ava perfectly exudes a Marilyn Monroe-like combination of childlike vulnerability and potential sexual availability certain to cause trouble for anyone foolish enough to offer protection or rescue.

After Vikander, the most entertaining thing about “Ex Machina” is the bugged-out comic presence of Isaac, who more often than not gives the distinct impression that he recognizes the ridiculousness of the movie’s “deep” thoughts and is just having a blast winking at the audience. His Nathan is bright, petulant, aggressive, grating and confident to the extent that you can see him compensating for a fragile insecurity with every backslap and faux sincere use of “bro.”

The fantastic, synchronized disco routine by Isaac and Sonoya Mizuno set to Oliver Cheatham’s “Get Down Saturday Night” is solid gold.

Tasha Robinson identifies the “unmistakable masculine collusion between [Caleb] and Nathan over [Ava], as if Nathan were pimping her out,” and Garland stays firmly and purposefully in the orbit of the boys. Garland’s move might deliberately occlude Ava’s intentions until late in the game, but it also keeps her at a distance that puts a huge strain on the film, since she is by far the most interesting character and her absences are always keenly felt.

In this sense, “Ex Machina” is a far cry from Spike Jonze’s “Her” and Jonathan Glazer’s “Under the Skin,” two superior examples of science fiction that better understand – and are unafraid to engage with – nuances within the politics of gender. 

Recently in:

By Winona LaDukewinona@winonaladuke.comIt’s been eight years since the Water Protectors were cleared off the banks of the Cannonball and Missouri Rivers. It was a bitter ending to a battle to protect the water; and for most of us…

By Sabrina Hornungsabrina@hpr1.com Rodeo is a family tradition for sisters Kate and Tera Flitton. The duo performs under the moniker Stellar Trick Riding Cowgirls. The Utah natives will be performing along with bareback riders,…

Saturday, April 19, 8 p.m. doors open at 7 p.m.Fargo Theatre, 314 N Broadway, FargoCheck out this cult classic on the big screen as a live band performs along with David Bowie’s vocals, all while basking in the Art Deco glory…

By Sabrina Hornungsabrina@hpr1.com I feel like reading a newspaper is the equivalent of listening to music on vinyl. Not only is it analog, it’s an experience. I might be a little biased, but there's something about the rustling…

By Ed Raymondfargogadfly@gmail.comA column on How Trumusklicans are trying to change historyIt took William L. Shirer a couple decades to write and then publish “The Rise and Fall of the Third Reich: A History of Nazi Germany,”…

By Rick Gionrickgion@gmail.com Holiday wine shopping shouldn’t have to be complicated. But unfortunately it can cause unneeded anxiety due to an overabundance of choices. Don’t fret my friends, we once again have you covered…

By Rick Gionrickgion@gmail.com Photos by Rick GionLiving in downtown Fargo has its perks. One of them is taking walks along Broadway and peeking into the restaurants and shops for a glimpse of what’s new. Sometimes this makes a…

Mooncats and Pert Near Sandstone play Empire TheatreBy Sabrina Hornungsabrina@hpr1.comThe MoonCats describe themselves as “Americonscious Campfire Folk.” They have a clear acoustic folk sound with a sense of whimsy — think…

By Greg Carlsongregcarlson1@gmail.com Making her feature directorial debut, Rachael Abigail Holder guides “Love, Brooklyn” to a satisfying conclusion, even if some viewers might have hoped for a different outcome for the…

By Sabrina Hornungsabrina@hpr1.comTelling Queer History is an LGBTQIA+ organization that utilizes oral storytelling and community building to educate, honor and collect oral histories. To honor its final year in operation, the …

By John Showalterjohn.d.showalter@gmail.comHigh Plains Reader had the opportunity to interview two mysterious new game show hosts named Milt and Bradley Barker about an upcoming event they will be putting on at Brewhalla. What…

By Annie Prafckeannieprafcke@gmail.com AUSTIN, Texas – As a Chinese-American, connecting to my culture through food is essential, and no dish brings me back to my mother’s kitchen quite like hotdish. Yes, you heard me right –…

By Sabrina Hornungsabrina@hpr1.comNew Jamestown Brewery Serves up Local FlavorThere’s something delicious brewing out here on the prairie and it just so happens to be the newest brewery west of the Red River and east of the…

By Josette Ciceronunapologeticallyanxiousme@gmail.com What does it mean to truly live in a community —or should I say, among community? It’s a question I have been wrestling with since I moved to Fargo-Moorhead in February 2022.…

By Faye Seidlerfayeseidler@gmail.com Somewhere lost in the cultural scuffle of what it means to be transgender is that it is an absolute joy to experience the world in such a way. When you take away the societal prejudice and…

By Gilbert Kuipersgilbertkuipers@outlook.com I live in North Dakota District 24 and have been challenging the district Republicans about their understanding of climate science for years. There has been no serious response to my…