Tracker Pixel for Entry

​Jordan Peele’s ‘Us’ Tethers Audience to Gut-Check Self-Examination

Cinema | April 3rd, 2019

With enough mirrors, doublings, and doppelgangers to make Hitchcock, Kubrick and Welles proud, Jordan Peele’s “Us” cements the filmmaker’s reputation as a master craftsman and visual stylist. Creepy, funny, and wicked sharp, the film’s genre is horror, the ideas are expansive and the execution clean. An ominous text prologue alludes to the networks of unused and abandoned tunnels snaking underneath the streets and communities of the United States (shortly, a glimpse of the VHS spine of “C.H.U.D.” next to a television sweetens the allusion). Next comes another prologue introducing viewers to Addie, a child traumatized during a solo visit to an amusement park funhouse on the beach of Santa Cruz, California in the mid-1980s.

We reconnect to the grown-up Addie (Lupita Nyong’o) more than thirty years later as a married mother of two, trepidatious and secretive about an upcoming return to the location of her childhood nightmare. Along with husband Gabe (a terrific Winston Duke), daughter Zora (Shahadi Wright Joseph), and son Jason (Evan Alex), Addie sets out for the family vacation home and eventually gives in to Gabe’s desire to meet up with friends Kitty (Elisabeth Moss) and Josh (Tim Heidecker). Peele’s world-constructing unfolds at a deliberate pace, but the director laces this entire build-up with a wealth of important detail that pays dividends in the wild second half.

Peele’s inclination to invert the 1986 Hands Across America fundraising effort as a means of critiquing the dark forces of wall-building, racism and selfishness works. Really works. “Us” interrogates the deep divides within and among the population, literalizing the other as the very worst parts of ourselves. In that way, the movie’s timing is perfect, but it also thinks carefully about economic and class divisions by situating the action among families of wealth and privilege. The links between the America of Ronald Reagan and America under Donald Trump don’t intrude on the value of “Us” as entertainment, even though Peele’s thematic interests look poised to inspire a healthy supply of essays.

Screen capture from the movie

“Us” also owes a considerable debt to “Invasion of the Body Snatchers,” and both Don Siegel’s brilliant 1956 classic and the 1978 Philip Kaufman edition inform a great deal of the social commentary explored by Peele. The structure of “Us” follows conventional horror tropes, and some viewers may have less patience with the long-simmering arrival of the home invasion component teased in the trailer. Others, however, will delight in Peele’s affinity for tension-breaking comic touches, several of which stand out as highlights -- especially those that grapple with the suspension-of-disbelief requirements governing the specific rules of the “Us” universe.

All the principal actors are called into service for a pair of distinct performances; each plays the twisted and malevolent simulacrum as well as the above-ground “normal” person under attack. Nyong’o, who drew fire from organizations including RespectAbility for partly basing her character Red’s voice on the sounds of sufferers of spasmodic dysphonia, anchors the movie as Addie and Red. Ultimately, the brilliance of “Us” is found in the complex duality offered by Peele’s fascinatingly sympathetic reading of the duplicates called the Tethered. “Us” will make your head spin as you attempt to tell the difference between the heroes and the villains.  

Recently in:

By Alicia Underlee NelsonLocal groups will speak out against current and projected federal budget cuts in downtown Fargo this Saturday, April 26. The Red River Valley chapters of Fearless and Indivisible will lead a protest from…

By Prairie Rose Seminolems.prairierose@gmail.com I was a child who walked behind my parents into classrooms and kitchens, spaces of song and prayer, where teachings lived in the air and settled on my shoulders. I didn’t yet have…

Saturday, April 26, 1:30-3:30 p.m.Rourke Art Gallery + Museum, 521 Main Ave., MoorheadThings are coming up rosy at the Rourke in a true feast of the senses during the third annual “Gallery in Bloom” exhibit. The pop-up…

By Sabrina Hornungsabrina@hpr1.com I feel like reading a newspaper is the equivalent of listening to music on vinyl. Not only is it analog, it’s an experience. I might be a little biased, but there's something about the rustling…

By Ed Raymondfargogadly@gmail.comThe wizards and kleagles in whites now wear blue suits and red tiesA hundred years ago, more than 30,000 members of the Ku Klux Klan from virtually every state in the Union wearing their white…

By Rick Gionrickgion@gmail.com Holiday wine shopping shouldn’t have to be complicated. But unfortunately it can cause unneeded anxiety due to an overabundance of choices. Don’t fret my friends, we once again have you covered…

By Rick Gionrickgion@gmail.com After a very inspiring conversation with Kayla Houchin of Sonder Bakehouse a few weeks ago, I decided that it’s an appropriate time to write a column about some of the sweet people who are involved…

Mooncats and Pert Near Sandstone play Empire TheatreBy Sabrina Hornungsabrina@hpr1.comThe MoonCats describe themselves as “Americonscious Campfire Folk.” They have a clear acoustic folk sound with a sense of whimsy — think…

By Greg Carlsongregcarlson1@gmail.comRyan Coogler goes big and bold with “Sinners,” a sweaty, bloody vampire movie set in 1932. The filmmaker stuffs this universe with enough ideas to serve a limited-series season of episodic…

By Raul Gomez Modern Man was a gentle soul. If you were down or just wanted a friend, he’d be there for you. I remember the first day I met Modern Man. It was Jeremiah Fuglseth and me. He wanted to write about this legendary…

By John Showalterjohn.d.showalter@gmail.comHigh Plains Reader had the opportunity to interview two mysterious new game show hosts named Milt and Bradley Barker about an upcoming event they will be putting on at Brewhalla. What…

By Annie Prafckeannieprafcke@gmail.com AUSTIN, Texas – As a Chinese-American, connecting to my culture through food is essential, and no dish brings me back to my mother’s kitchen quite like hotdish. Yes, you heard me right –…

By Sabrina Hornungsabrina@hpr1.comNew Jamestown Brewery Serves up Local FlavorThere’s something delicious brewing out here on the prairie and it just so happens to be the newest brewery west of the Red River and east of the…

By Josette Ciceronunapologeticallyanxiousme@gmail.com What does it mean to truly live in a community —or should I say, among community? It’s a question I have been wrestling with since I moved to Fargo-Moorhead in February 2022.…

By Alicia Underlee NelsonProtests against President Trump’s policies and the cuts made by Elon Musk’s Department of Government Efficiency (DOGE) are planned across North Dakota and western Minnesota Friday, April 4 and…

By Faye Seidlerfayeseidler@gmail.com In 2023, the Superintendent of Fargo Public Schools, Rupak Ghandi, gave a passionate plea to the Fargo School Board to follow federal law, because a recently passed state law would increase…