Tracker Pixel for Entry

Linklater takes a long look at ‘Boyhood’

Cinema | August 21st, 2014

“Boyhood,” Richard Linkater’s 12-years-in-the-making adventure that follows the lives of a familial quartet, carries in its DNA one of the Texas auteur’s most durable paradoxes: the easygoing, everyday and quotidian markers of cyclical middle class life onscreen contrast sharply with the vision, commitment and work ethic that Linklater applies to his profession. From the fascinating and entertaining connect-the-dots vignettes that propel “Slacker” to the unfolding poignancy and brilliance of the “Before” series, Linklater’s continued interest and investment in chronicling the deliberately uneventful routines, intimate conversations, observational silences and tiny epiphanies experienced by his characters make “Boyhood” one of the year’s most vital movies.

The lengthy production period undertaken by the intrepid cast and crew is nearly without precedent in mainstream fictional narrative cinema, although comparisons have been made to Francois Truffaut’s two-decade spanning Antoine Doinel series of five films (featuring the character played by Jean-Pierre Leaud). Rumors of Stanley Kubrick hiring a young actor and shooting material for a month at a time every few years turned out to be false. In the non-fiction realm, Michael Apted’s remarkable “Up” series continues to check in every seven years with a core group of participants who were children when the first installment, directed by Paul Almond, debuted in 1964.

While outliers like Kenneth Turan have employed apophasis to “rain on the parade” of the movie’s almost universal acclaim, the recent film world discussion of “Boyhood” was assessed by Indiewire’s Sam Adams in a piece called “Why the Unanimous Praise for Boyhood Is Bad for Film Criticism – and for Boyhood” that called attention to issues that may not have occurred to Linklater as he designed, altered, shaped and nurtured the project for more than a decade. Adams collects the varying thoughts of Armond White, Rebecca Cusey, Mark Judge and Rebecca Mead to summarize the complexities of the movie’s polarizing affect. Where some see cliché, banality and a kind of “liberal conditioning” that allow audience members to validate their privilege, others will point to a Bressonian transcendence in the movie’s quiet concerns.

For many, the sight of Ellar Coltrane aging from six to 18 in the course of the movie’s 164 minute running time will be more than enough to put a lump in the throat. Alongside Lorelei Linklater, who plays sister Samantha and whose transformation is just as emotionally concussive, Coltrane reacts and responds to the scenarios from the perspective allowed by his chronological age at any given point in time (not unlike the evolving concerns acted by Daniel Radcliffe, Emma Watson and Rupert Grint as they grew up throughout the “Harry Potter” movies). Lorelei Linklater has received a fraction of the attention enjoyed by Coltrane, but she is every bit as valuable to the film. One imagines that a companion piece titled “Girlhood” could be equally compelling.

The movie’s most deeply felt thematic exploration, however, emerges not from the remarkable changes that often occur when a single cut reveals the startling growth and maturation of the children, but rather through Linklater’s portrait of parenthood. While Ethan Hawke’s Mason, Sr. comes and goes, seemingly at his own pace and convenience, into the lives of his children, Patricia Arquette’s Olivia represents the glorious, frustrating peaks and valleys of trying to raise a daughter and a son the best that you can without the full support and presence of a committed partner. Others, including Kyle Buchanan, have suggested that the movie could just as easily be titled “Motherhood,” and Wesley Morris argues that the film contains “the most poignant depiction of a single mother I can think of.” Whether one identifies primarily with the kids or the adults, growing up is hard to do, but watching your children grow up might be harder.

Recently in:

By Alicia Underlee NelsonLocal groups will speak out against current and projected federal budget cuts in downtown Fargo this Saturday, April 26. The Red River Valley chapters of Fearless and Indivisible will lead a protest from…

By Prairie Rose Seminolems.prairierose@gmail.com I was a child who walked behind my parents into classrooms and kitchens, spaces of song and prayer, where teachings lived in the air and settled on my shoulders. I didn’t yet have…

Saturday, April 26, 1:30-3:30 p.m.Rourke Art Gallery + Museum, 521 Main Ave., MoorheadThings are coming up rosy at the Rourke in a true feast of the senses during the third annual “Gallery in Bloom” exhibit. The pop-up…

By Sabrina Hornungsabrina@hpr1.com I feel like reading a newspaper is the equivalent of listening to music on vinyl. Not only is it analog, it’s an experience. I might be a little biased, but there's something about the rustling…

By Ed Raymondfargogadly@gmail.comThe wizards and kleagles in whites now wear blue suits and red tiesA hundred years ago, more than 30,000 members of the Ku Klux Klan from virtually every state in the Union wearing their white…

By Rick Gionrickgion@gmail.com Holiday wine shopping shouldn’t have to be complicated. But unfortunately it can cause unneeded anxiety due to an overabundance of choices. Don’t fret my friends, we once again have you covered…

By Rick Gionrickgion@gmail.com After a very inspiring conversation with Kayla Houchin of Sonder Bakehouse a few weeks ago, I decided that it’s an appropriate time to write a column about some of the sweet people who are involved…

Mooncats and Pert Near Sandstone play Empire TheatreBy Sabrina Hornungsabrina@hpr1.comThe MoonCats describe themselves as “Americonscious Campfire Folk.” They have a clear acoustic folk sound with a sense of whimsy — think…

By Greg Carlsongregcarlson1@gmail.comRyan Coogler goes big and bold with “Sinners,” a sweaty, bloody vampire movie set in 1932. The filmmaker stuffs this universe with enough ideas to serve a limited-series season of episodic…

By Raul Gomez Modern Man was a gentle soul. If you were down or just wanted a friend, he’d be there for you. I remember the first day I met Modern Man. It was Jeremiah Fuglseth and me. He wanted to write about this legendary…

By John Showalterjohn.d.showalter@gmail.comHigh Plains Reader had the opportunity to interview two mysterious new game show hosts named Milt and Bradley Barker about an upcoming event they will be putting on at Brewhalla. What…

By Annie Prafckeannieprafcke@gmail.com AUSTIN, Texas – As a Chinese-American, connecting to my culture through food is essential, and no dish brings me back to my mother’s kitchen quite like hotdish. Yes, you heard me right –…

By Sabrina Hornungsabrina@hpr1.comNew Jamestown Brewery Serves up Local FlavorThere’s something delicious brewing out here on the prairie and it just so happens to be the newest brewery west of the Red River and east of the…

By Josette Ciceronunapologeticallyanxiousme@gmail.com What does it mean to truly live in a community —or should I say, among community? It’s a question I have been wrestling with since I moved to Fargo-Moorhead in February 2022.…

By Alicia Underlee NelsonProtests against President Trump’s policies and the cuts made by Elon Musk’s Department of Government Efficiency (DOGE) are planned across North Dakota and western Minnesota Friday, April 4 and…

By Faye Seidlerfayeseidler@gmail.com In 2023, the Superintendent of Fargo Public Schools, Rupak Ghandi, gave a passionate plea to the Fargo School Board to follow federal law, because a recently passed state law would increase…