Tracker Pixel for Entry

​Philippe Follows the Yellow Brick Road in Fascinating ‘Lynch/Oz’

Cinema | June 20th, 2022

By Greg Carlson

gregcarlson1@gmail.com

Alexandre O. Philippe has steadily become one of the most devoted contemporary chroniclers of our silver screen dreamworlds. The roots of the filmmaker’s movie obsessions can be found in “The People vs. George Lucas” and “Doc of the Dead,” but the major turning point was “78/52,” in which Hitchcock’s “Psycho” – and especially the mythology, allure, and impact surrounding the shower scene – received an illuminating and entertaining reading that blended internet-era geekery/fandom with university-level film studies. Since then, Philippe has continued to develop a confident storytelling voice somewhere between the accessibility of Laurent Bouzereau and Jamie Benning and the erudition of Mark Rappaport and Thom Andersen.

“Lynch/Oz,” which premiered this week at Tribeca, contemplates the intersection of “The Wizard of Oz” and the filmography of David Lynch. Lynch addicts will need no convincing to seek out this latest look at their idol, but cinephiles of all stripes will discover that Philippe is not shy about going big. In other words, come for Lynch and stay for the feverish celluloid love lessons that reach far beyond DKL’s oeuvre. “Lynch/Oz” weaves together dozens of movies in an intertextual kaleidoscope. From “Star Wars,” “It’s a Wonderful Life” and “Gone With the Wind” to “The Brain From Planet Arous,” “I Wake Up Screaming” and “Under the Rainbow,” Philippe can stitch like Arachne.

The director divides “Lynch/Oz” into six chapters, each tagged with an enticing one-word title (“Wind,” “Membranes,” “Kindred,” “Multitudes,” “Judy” and “Dig”) and hosted by an offscreen admirer of Lynch. Veteran film critic Amy Nicholson sets the stage with observations on the meaning and mystery of the breezes and gales that can blow us from the known and familiar to the dark and dangerous. Nicholson says, “I think if there is a driving question, or driving goal that really connects David Lynch in all of his films, it is that nothing should be taken for granted and that nothing is exactly what it is.” Nicholson initializes her argument by pointing out that the sound of wind that opens “The Wizard of Oz” is made by human voices. It works.

Speculative documentarian Rodney Ascher begins his section with some thoughts on “Back to the Future,” which Philippe split-screens with rhyming shots from “The Wizard of Oz.” The director uses this technique to great effect throughout the entirety of “Lynch/Oz,” suggesing that the 1939 text, via the repetition of repertory theatrical bookings and annual television screenings, enjoys a monumental influence that goes far beyond the homages and references in Lynch. Philippe’s own maximalism aligns perfectly with Ascher’s note that “The idea of going on a great journey, extending yourself beyond your comfort level – it’s a story that’s what? Three-quarters of American movies?”

Ascher declares that “The Miracle Worker” feels like “an early, lost David Lynch film.” The similarities between the dinner scene in Penn’s 1962 movie and Henry’s visit to Mary X’s house in “Eraserhead” are marked by what Ascher (like so many Lynch scholars) identifies as the contrast of the comic and the horrifying. Later, in the chapter featuring creative partners Justin Benson and Aaron Moorhead, the filmmakers maintain that Lynch’s use of doppelgangers – yet another ingredient from “Oz” – interrogates the false nostalgia that everything was better in mid-20th century America.

The brutal treatment of women in the films of Lynch, so often decried as misogyny, could be – according to Benson and Moorhead – the opposite; a kind of stealth feminism, a working through the ways in which patriarchal systems have destroyed women. Benson and Moorhead use “Blue Velvet” as a prime example, claiming that the movie addresses the issue through Jeffrey Beaumont’s discovery of something terrible he had no idea even existed. Their consideration of how Lynch stylizes characters and/or costumes after iconic personalities like Marlon Brando, Elvis Presley, Humphrey Bogart, Jayne Mansfield, Marilyn Monroe, and Bettie Page presents Lynch as a “populist surrealist,” an appellation that could just as readily describe “The Wizard of Oz.”

Karyn Kusama particularly appreciates Lynch’s interaction with the meta-story of “The Wizard of Oz,” as illustrated in the betrayal and tragedy of Judy Garland by the motion picture industry. Kusama’s thesis, that Lynch is always telling the story outside the story, is arguably the most perceptive in the whole film. Her breakdown of Betty’s contrasting auditions in “Mulholland Dr.” exemplifies what Kusama pinpoints as the quintessence of Lynch: multiple realities/multiple interpretations “as the rule, not the exception – a multiplicity of possibilities.”

Lynch is my favorite living filmmaker, perhaps my most cherished filmmaker of any era, so I acknowledge my bias here. But Philippe strikes a balance between the mesmerizing, endlessly fascinating constructions of the David Lynch Cinematic Universe and the durability of the powerful spell on moviemaking enjoyed for decades by “The Wizard of Oz.” I love the freedom that Philippe gives to his interview subjects to scamper down their own respective rabbit holes (John Waters and David Lowery are the other two who bring some real gifts to the party). And whether the references are as overt as those in “Wild at Heart” or are integrated with a lighter touch, when it comes to David Lynch, there’s no place like home.

Recently in:

By Alicia Underlee Nelsonalicia@hpr1.comDairy Queen restaurants across the country will raise funds for Children’s Miracle Network hospitals during Miracle Treat Day on Thursday, July 31. At least one dollar from every Blizzard…

By Alicia Underlee Nelsonalicia@hpr1.comFM Pride Week returns to the Fargo-Moorhead metro August 3-10. A snapshot of events are listed below. Discover event descriptions and locations as well as volunteer opportunities online at…

September 12-13Brewhalla, 1666 1st Ave N, Fargo Hold onto your hats and step right up to the main event! DrekkerFest 11 kicks off with Timebomb Pro Wrestling on Friday night from 8-10 p.m. Enjoy an evening of suplexes, steel kegs,…

By Sabrina Hornungsabrina@hpr1.com I’m going to go ahead and say it. I have trust issues with a lot of things and artificial intelligence (AI) is one of them. Yes, it’s a tool that can sit shotgun and make your everyday tasks…

By Ed Raymondfargogadfly@gmail.comIf a child is drowning in a ditch, will you get your shoes muddy? “Big Moma” Leah Drumwright was a Black slave in the 19th century who had one of her numerous babies and was nursing an infant.…

By Rick Gionrickgion@gmail.com Holiday wine shopping shouldn’t have to be complicated. But unfortunately it can cause unneeded anxiety due to an overabundance of choices. Don’t fret my friends, we once again have you covered…

By Rick Gionrickgion@gmail.com There seems to be a renaissance in Italian restaurants in the Fargo-Moorhead metro area. It’s a welcome change from just sporting an Olive Garden as a lone option. No offense to Marilyn Hagerty’s…

By John Showalterjohn.d.showalter@gmail.com Bluegrass is a genre of music that is often associated with the American South. Many people would express incredulity at being told there is a thriving bluegrass and folk music community…

By Greg Carlsongregcarlson1@gmail.com Now available on HBO after a theatrical debut earlier this year at Tribeca in the Spotlight Documentary section, “Dear Ms.: A Revolution in Print” considers the groundbreaking impact of the…

By Sabrina Hornungsabrina@hpr1.com 2025 marks three years of the Annual Vergas Area Backroads Art Crawl. The art crawl is sponsored by the Vergas Arts Club. The Arts Club also happens to be part of the Vegas Community Club and both…

Alicia Underlee Nelsonalicia@hpr1.comPenn & Teller are returning to their roots. The legendary magic and comedy duo will appear on the Crown Stage at the Minnesota Renaissance Festival in Shakopee, Minnesota, where they first…

By Annie Prafckeannieprafcke@gmail.com AUSTIN, Texas – As a Chinese-American, connecting to my culture through food is essential, and no dish brings me back to my mother’s kitchen quite like hotdish. Yes, you heard me right –…

By Sabrina Hornungsabrina@hpr1.comNew Jamestown Brewery Serves up Local FlavorThere’s something delicious brewing out here on the prairie and it just so happens to be the newest brewery west of the Red River and east of the…

By Dr. Marc Sapir, MD, MPHjessica@pellienpublicrelations.com Across America, families are quietly struggling with a rising challenge: how to care for aging parents, siblings, grandparents, neighbors and friends. Most seniors want…

By Alicia Underlee NelsonProtests against President Trump’s policies and the cuts made by Elon Musk’s Department of Government Efficiency (DOGE) are planned across North Dakota and western Minnesota Friday, April 4 and…

By Vern Thompsonvern.thompson@rocketmail.com Working in the Bakken oil fields of the Williston Basin is so different from my home in Fargo. I'm not judging, because the people working and living in western North Dakota are very…