Tracker Pixel for Entry

​Philippe Follows the Yellow Brick Road in Fascinating ‘Lynch/Oz’

Cinema | June 20th, 2022

By Greg Carlson

gregcarlson1@gmail.com

Alexandre O. Philippe has steadily become one of the most devoted contemporary chroniclers of our silver screen dreamworlds. The roots of the filmmaker’s movie obsessions can be found in “The People vs. George Lucas” and “Doc of the Dead,” but the major turning point was “78/52,” in which Hitchcock’s “Psycho” – and especially the mythology, allure, and impact surrounding the shower scene – received an illuminating and entertaining reading that blended internet-era geekery/fandom with university-level film studies. Since then, Philippe has continued to develop a confident storytelling voice somewhere between the accessibility of Laurent Bouzereau and Jamie Benning and the erudition of Mark Rappaport and Thom Andersen.

“Lynch/Oz,” which premiered this week at Tribeca, contemplates the intersection of “The Wizard of Oz” and the filmography of David Lynch. Lynch addicts will need no convincing to seek out this latest look at their idol, but cinephiles of all stripes will discover that Philippe is not shy about going big. In other words, come for Lynch and stay for the feverish celluloid love lessons that reach far beyond DKL’s oeuvre. “Lynch/Oz” weaves together dozens of movies in an intertextual kaleidoscope. From “Star Wars,” “It’s a Wonderful Life” and “Gone With the Wind” to “The Brain From Planet Arous,” “I Wake Up Screaming” and “Under the Rainbow,” Philippe can stitch like Arachne.

The director divides “Lynch/Oz” into six chapters, each tagged with an enticing one-word title (“Wind,” “Membranes,” “Kindred,” “Multitudes,” “Judy” and “Dig”) and hosted by an offscreen admirer of Lynch. Veteran film critic Amy Nicholson sets the stage with observations on the meaning and mystery of the breezes and gales that can blow us from the known and familiar to the dark and dangerous. Nicholson says, “I think if there is a driving question, or driving goal that really connects David Lynch in all of his films, it is that nothing should be taken for granted and that nothing is exactly what it is.” Nicholson initializes her argument by pointing out that the sound of wind that opens “The Wizard of Oz” is made by human voices. It works.

Speculative documentarian Rodney Ascher begins his section with some thoughts on “Back to the Future,” which Philippe split-screens with rhyming shots from “The Wizard of Oz.” The director uses this technique to great effect throughout the entirety of “Lynch/Oz,” suggesing that the 1939 text, via the repetition of repertory theatrical bookings and annual television screenings, enjoys a monumental influence that goes far beyond the homages and references in Lynch. Philippe’s own maximalism aligns perfectly with Ascher’s note that “The idea of going on a great journey, extending yourself beyond your comfort level – it’s a story that’s what? Three-quarters of American movies?”

Ascher declares that “The Miracle Worker” feels like “an early, lost David Lynch film.” The similarities between the dinner scene in Penn’s 1962 movie and Henry’s visit to Mary X’s house in “Eraserhead” are marked by what Ascher (like so many Lynch scholars) identifies as the contrast of the comic and the horrifying. Later, in the chapter featuring creative partners Justin Benson and Aaron Moorhead, the filmmakers maintain that Lynch’s use of doppelgangers – yet another ingredient from “Oz” – interrogates the false nostalgia that everything was better in mid-20th century America.

The brutal treatment of women in the films of Lynch, so often decried as misogyny, could be – according to Benson and Moorhead – the opposite; a kind of stealth feminism, a working through the ways in which patriarchal systems have destroyed women. Benson and Moorhead use “Blue Velvet” as a prime example, claiming that the movie addresses the issue through Jeffrey Beaumont’s discovery of something terrible he had no idea even existed. Their consideration of how Lynch stylizes characters and/or costumes after iconic personalities like Marlon Brando, Elvis Presley, Humphrey Bogart, Jayne Mansfield, Marilyn Monroe, and Bettie Page presents Lynch as a “populist surrealist,” an appellation that could just as readily describe “The Wizard of Oz.”

Karyn Kusama particularly appreciates Lynch’s interaction with the meta-story of “The Wizard of Oz,” as illustrated in the betrayal and tragedy of Judy Garland by the motion picture industry. Kusama’s thesis, that Lynch is always telling the story outside the story, is arguably the most perceptive in the whole film. Her breakdown of Betty’s contrasting auditions in “Mulholland Dr.” exemplifies what Kusama pinpoints as the quintessence of Lynch: multiple realities/multiple interpretations “as the rule, not the exception – a multiplicity of possibilities.”

Lynch is my favorite living filmmaker, perhaps my most cherished filmmaker of any era, so I acknowledge my bias here. But Philippe strikes a balance between the mesmerizing, endlessly fascinating constructions of the David Lynch Cinematic Universe and the durability of the powerful spell on moviemaking enjoyed for decades by “The Wizard of Oz.” I love the freedom that Philippe gives to his interview subjects to scamper down their own respective rabbit holes (John Waters and David Lowery are the other two who bring some real gifts to the party). And whether the references are as overt as those in “Wild at Heart” or are integrated with a lighter touch, when it comes to David Lynch, there’s no place like home.

Recently in:

By Alicia Underlee Nelsonalicia@hpr1.comThe Fargo Park District will host the Kids Triathlon on Wednesday, July 9, from 5:30 to 7:30 p.m. The event will be held at Madison Park and Bicycle Playground, located at 3010 11th Avenue N.…

Back-to-school season is on the horizon, but there's still plenty of summer left. Check out our favorite August attractions and events in North Dakota and western Minnesota. And if if you missed them, here are a few excellent May…

July 18-19, 25-26 and August 2-3North Dakota Horse Park, 5180 19th Ave. N., FargoLadies and gentlemen, prepare to place your bets — racing season is upon us! Not just horses will be racing this year; word on the street suggests…

By Sabrina Hornungsabrina@hpr1.com On July fourth, Nathan's Famous International Hot Dog Eating Contest took place at Coney Island. The winners, Joey Chestnut and Miki Sudo, reigned victorious. Chestnut earned his 17th title by…

By Ed Raymondfargogadfly@gmail.comWhy doesn’t the world require politicians to leave office at 60?Most of the leaders of countries, whether gods, fascists, democrats or socialists, are not doing very well these days. David Van…

By Rick Gionrickgion@gmail.com Holiday wine shopping shouldn’t have to be complicated. But unfortunately it can cause unneeded anxiety due to an overabundance of choices. Don’t fret my friends, we once again have you covered…

By Rick Gion and Simone Wairickgion@gmail.com The Red River Market returned to downtown Fargo on Saturday, July 12. The event will take place every Saturday except July 19. (That date will be moved to Sunday, July 20, due to the…

By Alicia Underlee Nelsonalicia@hpr1.comThe Moorhead Public Library will offer three free, all-ages outdoor concerts featuring regional bands this summer. The series begins on June 12 with the Meat Rabbits, a group that blends…

By Sabrina Hornungsabrina@hpr1.comPhoto by Sabrina Hornung Wing, North Dakota is a town of 132 located about an hour northwest of Bismarck on Highway 36. There’s a shiny new Cenex on the intersection of the highway and the high…

By Deb Wallworkdwallwork@icloud.comI first met Catherine Mulligan at a party at her house. It was a small gathering, spontaneous, just a few people over for dinner. Directed toward a stack of plates and bowls and a big pot warming…

By John Showalterjohn.d.showalter@gmail.comPhoto by Yvonne Denault There is something intimate and personal about plays. Even in our age of multimillion dollar Hollywood productions and droves of streaming services, watching actors…

By Annie Prafckeannieprafcke@gmail.com AUSTIN, Texas – As a Chinese-American, connecting to my culture through food is essential, and no dish brings me back to my mother’s kitchen quite like hotdish. Yes, you heard me right –…

By Sabrina Hornungsabrina@hpr1.comNew Jamestown Brewery Serves up Local FlavorThere’s something delicious brewing out here on the prairie and it just so happens to be the newest brewery west of the Red River and east of the…

The drug that keeps re-purposing itselfBy Ellie Liveranieli.liverani.ra@gmail.com There is a drug that is getting a lot of attention nowadays all over the world. It has various commercial names (Ozempic, Wegovy and Rybelsus), but…

By Alicia Underlee NelsonProtests against President Trump’s policies and the cuts made by Elon Musk’s Department of Government Efficiency (DOGE) are planned across North Dakota and western Minnesota Friday, April 4 and…

By Vern Thompsonvern.thompson@rocketmail.com Working in the Bakken oil fields of the Williston Basin is so different from my home in Fargo. I'm not judging, because the people working and living in western North Dakota are very…