Tracker Pixel for Entry

Some Kind of Friend: “Purple Rain” Returns to Cinemas

Cinema | May 11th, 2016

Following the death of Prince on April 21, 2016, televised and theatrical screenings of “Purple Rain” were among the first and most potent opportunities for public expressions of grief. While unavailable on Netflix and HBO Go, the movie was scheduled by MTV and VH1 immediately, and several multiplex chains, including AMC, Carmike and Marcus, booked limited engagements of the cinematic phenomenon.

Originally produced on a budget of 7.2 million dollars with no guarantee of full studio support or a wide theatrical release, “Purple Rain” earned more than 68 million dollars from just over 1000 screens (about half the number of theaters showing the year’s biggest moneymaker, “Beverly Hills Cop”). A huge return-on-investment, “Purple Rain” would be 1984’s eleventh highest grossing domestic release.

For Prince fans, the film marked an incredible turning point – a passing of the Rubicon from stardom to superstardom. The accompanying album, with 22 million copies sold worldwide, is currently the sixth best selling soundtrack of all time.

Deservedly, “Purple Rain” earned an Academy Award for Best Original Song Score in the final year of that category (really, how could you top it?). The brilliance – even genius – of “Purple Rain” can be discovered and rediscovered in the movie’s perfect distillation of the backstage and integrated musical forms. From the courtship duet of “Take Me with U” to the intentionally hurtful “Darling Nikki,” every song, without exception, simultaneously reflects and propels the narrative.

Pauline Kael’s classic New Yorker review, in which the venerable critic unforgettably described Prince’s carefully calculated appearance as something “like Dionysus crossed with a convent girl on her first bender,” typifies a near consensus on the film: Prince and the Revolution’s performances of the songs on stage are great, but the acting, writing, and direction are terrible.

Other reviews, like Vincent Canby’s pan in The New York Times, are less charitable (Canby can’t resist a pair of bullsh*t sizeist remarks on Prince’s physical presence, including a cruel crack calling him “Kermit the Frog on a Harley-Davidson”). But as a rock movie, the bona fides of “Purple Rain” are impeccable.

Over the years, multiple aspects of the film have been subjected to ongoing critical scrutiny, and music aside, possibly the most investigated single thematic dimension of the film is the script’s questionable gender politics. While Morris Day’s intimate relationship with Jerome Benton is far more interesting than the degrading displays of grotesque behavior that treat Sandra Gershman like garbage and most other women like playthings or prostitutes, it is The Kid’s physical and emotional abuse of Apollonia that suggests a desire on the part of the filmmakers to explore the main character’s complex psychological link to the beatings Francis L. inflicts on The Kid’s mother.

Arguably, director Albert Magnoli is a little out of his depth in reconciling The Kid’s grim tendency or predisposition to “follow in the footsteps” of his dysfunctional and self-destructive father with the desire to treat Apollonia with dignity and respect, but the filmmaker clearly makes an effort to connect the dots regarding The Kid’s against-the-odds underdog status, even if that result appears to be at the expense of Apollonia’s dreams and desires.

We must infer The Kid’s internal conflict when Francis L. advises his son to never marry, but Apollonia – whose emotional intelligence far surpasses The Kid’s – always makes clear her intentions to seek a headlining club spot, communicating with her new boyfriend in a way he struggles to appropriately support and process.

In another of the film’s misogynist asides, Matt Fink makes an old “joke” about menstruation to account for the frustration expressed by Wendy and Lisa over their inability to get The Kid to consider using their music (one of the movie’s running subplots). But in a surprise move that finally illustrates The Kid jettisoning his previous reluctance to collaborate, and also clearly suggests that he has begun to come to terms with his family tragedies, the Revolution launch into the scorching title track.

In the back to back to back numbers that conclude the film, a montage informs the viewer/listener of The Kid’s offstage victories, which are every bit as important as his onstage transformation. It’s an exhilarating sequence that, no matter how many times you’ve seen it, you don’t want to end. 

Recently in:

By Alicia Underlee Nelsonalicia@hpr1.comDairy Queen restaurants across the country will raise funds for Children’s Miracle Network hospitals during Miracle Treat Day on Thursday, July 31. At least one dollar from every Blizzard…

By Alicia Underlee Nelsonalicia@hpr1.comFM Pride Week returns to the Fargo-Moorhead metro August 3-10. A snapshot of events are listed below. Discover event descriptions and locations as well as volunteer opportunities online at…

August 28, 6-8 p.m.Plains Art Museum, 704 1st Ave. N., Fargo See this major exhibition firsthand and hear about Rimer Cardillo’s work from the artist himself at 7 p.m. Cardillo is an internationally renowned multidisciplinary…

By Sabrina Hornungsabrina@hpr1.com I’m going to go ahead and say it. I have trust issues with a lot of things and artificial intelligence (AI) is one of them. Yes, it’s a tool that can sit shotgun and make your everyday tasks…

By Ed Raymondfargogadfly@gmail.comTrump: the new man for all seasonsFive hundred years ago, Lord Chancellor Sir Thomas More of England refused to write a letter to Pope Clement VII of the Roman Catholic Church asking that he annul…

By Rick Gionrickgion@gmail.com Holiday wine shopping shouldn’t have to be complicated. But unfortunately it can cause unneeded anxiety due to an overabundance of choices. Don’t fret my friends, we once again have you covered…

By Rick Gionrickgion@gmail.com There seems to be a renaissance in Italian restaurants in the Fargo-Moorhead metro area. It’s a welcome change from just sporting an Olive Garden as a lone option. No offense to Marilyn Hagerty’s…

By John Showalterjohn.d.showalter@gmail.com Bluegrass is a genre of music that is often associated with the American South. Many people would express incredulity at being told there is a thriving bluegrass and folk music community…

By Greg Carlsongregcarlson1@gmail.com There are so many memorable moments in the short life of musician Jeff Buckley that filmmaker Amy J. Berg could easily have gotten lost in an endless highlight reel. The veteran documentarian,…

By Sabrina Hornungsabrina@hpr1.com 2025 marks three years of the Annual Vergas Area Backroads Art Crawl. The art crawl is sponsored by the Vergas Arts Club. The Arts Club also happens to be part of the Vegas Community Club and both…

Alicia Underlee Nelsonalicia@hpr1.comPenn & Teller are returning to their roots. The legendary magic and comedy duo will appear on the Crown Stage at the Minnesota Renaissance Festival in Shakopee, Minnesota, where they first…

By Annie Prafckeannieprafcke@gmail.com AUSTIN, Texas – As a Chinese-American, connecting to my culture through food is essential, and no dish brings me back to my mother’s kitchen quite like hotdish. Yes, you heard me right –…

By Sabrina Hornungsabrina@hpr1.comNew Jamestown Brewery Serves up Local FlavorThere’s something delicious brewing out here on the prairie and it just so happens to be the newest brewery west of the Red River and east of the…

By Dr. Marc Sapir, MD, MPHjessica@pellienpublicrelations.com Across America, families are quietly struggling with a rising challenge: how to care for aging parents, siblings, grandparents, neighbors and friends. Most seniors want…

By Alicia Underlee NelsonProtests against President Trump’s policies and the cuts made by Elon Musk’s Department of Government Efficiency (DOGE) are planned across North Dakota and western Minnesota Friday, April 4 and…

By Vern Thompsonvern.thompson@rocketmail.com Working in the Bakken oil fields of the Williston Basin is so different from my home in Fargo. I'm not judging, because the people working and living in western North Dakota are very…