Cinema

Filmworker: In Kubrick’s Shadow

by Greg Carlson | .(JavaScript must be enabled to view this email address) | October 31st, 2018

Unknown to the general public but fascinating to followers of Stanley Kubrick, the name Leon Vitali takes center stage in Tony Zierra’s “Filmworker.” Vitali, who moved from the onscreen role of Lord Bullingdon in “Barry Lyndon” to the offscreen one as Kubrick’s general factotum for a quarter of a century, may have been credited as the famous director’s “personal assistant,” but Zierra reveals the astonishing extent of Vitali’s loyalty. Drawing from a deep trove of…

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Turkish flix mega mix

by Greg Carlson | .(JavaScript must be enabled to view this email address) | October 24th, 2018


design by Raul Gomez

On Thursday, November 15 at the Sanctuary Events Center, Grindflicks will present “Turkish Movie Showcase: A Mega Mix of Turkish Flix.” Tickets for the 21+ event are five dollars at the door, which opens at 7:00 p.m. The movie starts at 8:00 p.m.

HPR film editor Greg Carlson talked to Grindflicks founder and events coordinator Randal Black, who has been bringing the best in exploitation cinema to Fargo audiences since 2010, about the wild allure of unofficial re-imaginings of some…

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First Man: Chazelle and Gosling Take a Moonwalk

by Greg Carlson | .(JavaScript must be enabled to view this email address) | October 17th, 2018

Damien Chazelle’s fourth feature follows the trajectory common to the careers of many ambitious and talented filmmakers honored with Academy Awards: the dissipation of rawness and experimentation as budgets, expectations, and stakes increase. “First Man,” a deeply self-serious adaptation of James R. Hansen’s Neil Armstrong biography of the same name, is the first of Chazelle’s features written by someone other than the director (the screenplay is the work of “Spotlight”…

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A Star Is Born

by Greg Carlson | .(JavaScript must be enabled to view this email address) | October 10th, 2018


Carlson - A Star is Born

WARNING: The following review reveals plot information. Read only if you have seen “A Star Is Born”

Bradley Cooper directs himself and Lady Gaga in the fourth version of the show business perennial “A Star Is Born.” Despite looking, at least on the surface, like a calculated shot at Oscar recognition and glory, Cooper’s own history with substance abuse and suicidal ideation marks the familiar story with a deep personal connection. The chemistry between the leads and the…

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Comedy Icon Gets Well-Deserved Bio with ‘Love, Gilda’

by Greg Carlson | .(JavaScript must be enabled to view this email address) | October 3rd, 2018

“Love, Gilda,” Lisa D’Apolito’s biography of founding “Saturday Night Live” member Gilda Radner, treats comedy fans to an earnest assessment of the brilliant performer’s life and career, which was cut far too short at age 42 as a result of ovarian cancer. As one of the trailblazing Not Ready for Prime Time Players, Radner originated a healthy share of some of the show’s most memorable characters during her five seasons on SNL. Competing for space and time against the…

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Deadly Clicks in Levinson’s “Assassination Nation”

by Greg Carlson | .(JavaScript must be enabled to view this email address) | September 26th, 2018

Slipping and sliding through its blood-soaked climax, “Assassination Nation” attempts to reconcile the lurid and exploitative embrace of its milieu with an in-your-face polemic on the modern hellscape of rape culture and toxic masculinity. As channeled through the hypersexualized noise of social media (where everyone can be a “star” or cultivate a personal “brand”) as well as the private-until-they’re-not exchanges of person-to-person text messages, writer-director Sam…

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Sevigny Takes Up the Axe in “Lizzie”

by Greg Carlson | .(JavaScript must be enabled to view this email address) | September 19th, 2018

Director Craig William Macneill speculates on the infamous legend surrounding Massachusetts murder suspect Lizzie Borden in “Lizzie,” a long-germinating labor of love for star Chloe Sevigny. Working from a screenplay by Bryce Kass, Macneill’s stylish direction will satisfy a good cross-section of true crime fans as well as admirers of Sevigny and Kristen Stewart, who plays live-in Irish housemaid Bridget Sullivan. The continuing cultural fascination with the gruesome deaths of…

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​Dinklage Is the Last Man Standing in ‘I Think We’re Alone Now’

by Greg Carlson | .(JavaScript must be enabled to view this email address) | September 12th, 2018

Filmmaker Reed Morano’s “I Think We’re Alone Now” doesn’t match the levels of heat surrounding the tireless veteran cinematographer’s other recent successes on “The Handmaid’s Tale.” Working from an original script by Mike Makowsky, Morano cannot be faulted for the film’s exquisite visual design, but the story -- another post-apocalyptic, last-person-on-earth dystopia winding up to some kind of bombshell -- stumbles following a riveting set-up.

Peter Dinklage is Del,…

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LGBT Film Festival Celebrates 10 Years

by HPR Contributor | .(JavaScript must be enabled to view this email address) | September 12th, 2018

by Ryan Janke
ryanjanke@hpr1.com

The lights are down and the energy is up at the Fargo Theatre this week as the Fargo-Moorhead LGBT Film Festival kicks off, celebrating its 10th anniversary in Fargo. Festival director Raymond Rea, a professor of film at the School of Media Arts & Design at Minnesota State University Moorhead, spearheaded the project shortly after arriving in the area in 2008.

Ten years after he curated the Queer Film Series at the university, Fargo-Moorhead LGBT Film…

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​Blindspotting: Oakland in Black and White

by Greg Carlson | .(JavaScript must be enabled to view this email address) | September 5th, 2018

With first-time feature director Carlos Lopez Estrada at the helm, friends/screenwriters/producers/stars Daveed Diggs and Rafael Casal collaborate on “Blindspotting,” one of the year’s most innovative and thought-provoking movies. Just as given to imaginative flights of fantasy as Boots Riley’s “Sorry to Bother You” -- another Sundance premiere examining the twined Romulus and Remus of race and Oakland, California -- “Blindspotting” skips Riley’s wild swerve into…

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