Cinema

​Mike Flanagan Does King by Way of Kubrick in ‘Doctor Sleep’

by Greg Carlson | .(JavaScript must be enabled to view this email address) | November 13th, 2019

Doctor Sleep screenshot

Nearly forty years after Stanley Kubrick’s classic horror film conjured thousands of nightmares, director Mike Flanagan wakes up the belated sequel “Doctor Sleep,” the strongest work of his promising career. Smartly striking a balance between the iconic status of Kubrick’s sound and vision and the Stephen King signatures that spread out to connect many people, places, and things — as seen, for example, in Andy Muschietti’s sprawling telling of “It” — Flanagan threads the…

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​Eggers Unlocks ‘The Lighthouse’

by Greg Carlson | .(JavaScript must be enabled to view this email address) | November 6th, 2019

Screenshot of The Lighthouse

Fans of Robert Eggers’ brilliant feature debut “The Witch” have been waiting impatiently for “The Lighthouse,” and while the filmmaker decidedly avoids any kind of sophomore slide, the new movie will probably not attract the widespread fervor and devotion bestowed upon Black Phillip, Thomasin, and company. In “The Witch,” Eggers applied dialect evoking 1630s New England, and “The Lighthouse” follows suit with some wonderfully inscrutable 19th-century nautical nonsense.…

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​Fleischer Gets the Gang Back Together for ‘Zombieland: Double Tap’

by Greg Carlson | .(JavaScript must be enabled to view this email address) | October 30th, 2019

Zombieland screenshot

Ten years later, Ruben Fleischer returns to the apocalyptic landscape of his funny, fresh, and winning feature debut “Zombieland,” but the “Double Tap” fails to live up to the quality of the inaugural outing. The principal quartet of performers -- three Oscar nominees and one winner -- are game, but the screenplay by Dave Callaham and original writers Rhett Reese and Paul Wernick, leaves Tallahassee (Woody Harrelson), Wichita (Emma Stone), Little Rock (Abigail Breslin), and…

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​Julia Hart Powers Up with ‘Fast Color’

by Greg Carlson | .(JavaScript must be enabled to view this email address) | October 23rd, 2019

Screenshot of Fast Color

Julia Hart’s “Fast Color” moved quickly and too quietly from South by Southwest debut to skinny theatrical engagements via Lionsgate’s “Codeblack home” video. Several articles have already lamented the disappointing 77K box office take, wondering how such an intelligent spin on the indie superhero genre failed to make a bigger splash with viewers. Whatever the reason, the movie deserves a close look, especially from fans of kindred spirit Jeff Nichols, whose “Take…

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​Animators Tiernan and Vernon Pay a Call on “The Addams Family”

by Greg Carlson | .(JavaScript must be enabled to view this email address) | October 16th, 2019

Screenshot of The Addams Family

Admirers of previous television and film incarnations of Charles Addams’ legendary collection of macabre icons have another variation to contemplate, but the computer-animated feature from “Sausage Party” directors Conrad Vernon and Greg Tiernan fails to measure up to either the 1960s ABC series or the pair of Barry Sonnenfeld-directed features released in the early 1990s. Certainly, the new movie could be much worse, but very little of Addams’ brilliant satire is on display.…

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​Lynn Shelton Goes South in ‘Sword of Trust’

by Greg Carlson | .(JavaScript must be enabled to view this email address) | October 9th, 2019

Screenshot of the movie Sword of Trust

Birmingham, Alabama-set “Sword of Trust” is filmmaker Lynn Shelton’s first feature to be located outside the Pacific Northwest, and the change of scenery results in what might be the writer-director’s most satisfying movie to date. Sharing screenplay credit with “Saturday Night Live” writing veteran Mike O’Brien, Shelton continues to encourage the improvisational work of her cast members. That approach can often backfire, but the impressive skills of the ensemble turn the…

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​Joanna Hogg Directs a Dazzling Honor Swinton Byrne in ‘The Souvenir’

by Greg Carlson | .(JavaScript must be enabled to view this email address) | October 2nd, 2019

'The Souvenir' screenshot

A carefully crafted and intensely observant fictionalization of writer-director Joanna Hogg’s experiences once upon a time in film school in the early 1980s, “The Souvenir” is essential viewing for devoted cinephiles. Semi-autobiography may be an appropriate descriptor for the movie, but “The Souvenir,” which collected the World Cinema Dramatic Prize at the 2019 Sundance Film Festival, should not be confined to a lone category like memoir. Hogg’s wide embrace folds around…

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​Rethink Dance Film Festival

by Brittney Goodman | .(JavaScript must be enabled to view this email address) | September 25th, 2019

For the second year, the Rethink Dance Film Festival is coming to Fargo, a collaboration of The Human Family and the Rethink Dance Company. The program is on Tuesday, October 8 at the Fargo Theatre’s Second Screen at 7 pm. Nine films from all over the world will screen in this program of dance films. Tickets are $7 in advance and $10 at the door. The event sold out last year, so advance tickets are a wise idea.

The Rethink Dance Film Festival showcases artists in front of and behind…

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​James Gray Takes Brad Pitt to Outer Space in ‘Ad Astra’

by Greg Carlson | .(JavaScript must be enabled to view this email address) | September 25th, 2019

Arthouse sensibilities converge with a major star (having a major year) and elite visual effects in James Gray’s “Ad Astra,” a movie poised to earn the filmmaker his best notices to date in a career spanning 25 years. Set in a near future where space travel to outposts on the moon and Mars functions with the charmless tedium of our contemporary airlines, astronaut Roy McBride (Brad Pitt) is tapped to participate in a curious mission: reach out with a message to his previously…

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Hear our voice!

by Sabrina Hornung | .(JavaScript must be enabled to view this email address) | September 18th, 2019

Cover design by Raul Gomez

When asked about the origins of the LGBT Film Festival, Raymond Rea, MSUM film instructor and LGBT Film Festival founder said, “When I lived and taught in San Francisco I taught many classes on many variations of Queer Film. So, on moving to F-M and starting to teach in the Film program at MSUM I had the drive to keep that area of focus going by leading a Queer Film Series.”He went on to say, “We met on Wednesdays nights, I introduced a film, we watched and then discussed. That…

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by HPR Staff

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Theatre

Fargo Film Festival 2020

by HPR Contributor

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Wellness

Discover Yoga Differently

by HPR Contributor

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