Cinema

Every saint has a past and Coogler’s ‘Sinners’ has a future

April 21st, 2025

By Greg Carlson

gregcarlson1@gmail.com

Ryan Coogler goes big and bold with “Sinners,” a sweaty, bloody vampire movie set in 1932. The filmmaker stuffs this universe with enough ideas to serve a limited-series season of episodic television, but the feature format ultimately suits something that brings together Coogler’s large canvas experiences at the helm of massive Marvel hits and the more intimate contours of debut “Fruitvale Station.” Close collaborator Michael B. Jordan has…

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Morris mulls Manson in Netflix documentary

April 14th, 2025

By Greg Carlson

gregcarlson1@gmail.com

Given the volume of existing media material on the topic, longtime admirers of legendary documentarian Errol Morris might wonder why he would elect to become the umpteenth person to cover the horrific crimes of the Manson Family. Whether or not the fee paid to Morris by Netflix factored into the decision I cannot say, but “Chaos: The Manson Murders,” while typical in many ways of the established Morris style, never rises to the top-tier level of…

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​Ferreira and Leguizamo make great friends in ‘Bob Trevino Likes It’

April 7th, 2025

By Greg Carlson

gregcarlson1@gmail.com

Tracie Laymon draws from her own unbelievable-but-true life experience to shape feature directorial debut “Bob Trevino Likes It,” a well-meaning if slight comedy-drama featuring Barbie Ferreira as a young woman whose fractured relationship with her father leads to an unexpected bond with a stranger she befriends through social media. Unfolding as a slow but steady story of two friends who depend on each other to light twin pathways toward…

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​Holder debuts ‘Love, Brooklyn’

March 31st, 2025

By Greg Carlson

gregcarlson1@gmail.com

Making her feature directorial debut, Rachael Abigail Holder guides “Love, Brooklyn” to a satisfying conclusion, even if some viewers might have hoped for a different outcome for the central trio. A carefully observed romance that attempts to frame its title borough with the same kind of affection that Woody Allen applied to mythologize his favorite parts of NYC in 1979, the movie places a charismatic Andre Holland at the center of a love…

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​That’s not all, folks: Porky and Daffy rescue us from ‘The Day the Earth Blew Up’

March 29th, 2025

By Greg Carlson

gregcarlson1@gmail.com

Some of the conversations surrounding the theatrical release of “The Day the Earth Blew Up” (tagged offscreen in promotional material with the subtitle “A Looney Tunes Movie”) address the hard-to-believe fact that director Peter Browngardt’s film is the first entirely original animated feature using the legendary Warner Bros. cartoon characters. The designation disqualifies Joe Pytka’s 1996 “Space Jam,” Joe Dante’s 2003 “Looney…

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Brent Brandt brings big names to the Fargo Theatre

March 27th, 2025

By Tylar Frame

tylarframephoto@gmail.com

Photo by Tylar Frame, Brent Brandt outside the Fargo Theatre, March 19, 2025

Over the past few years, Brent Brandt, a local teacher and lover of cinema, has welcomed a number of well-known actors to the stage of the Fargo Theatre. Most recently he served as emcee for the screening of The Breakfast Club with actress Molly Ringwald to close out the 25th annual Fargo Film Festival.

On Friday, March 28, Brandt will bring a familiar face to the theater…

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​‘Speak.’ to open 2025 Fargo Film Festival

March 17th, 2025

By Greg Carlson

gregcarlson1@gmail.com

The opening night showcase of the 2025 Fargo Film Festival is Jennifer Tiexiera and Guy Mossman’s excellent documentary feature “Speak.” The movie premiered during the Sundance Film Festival as part of the U.S. Documentary Competition section and now seeks wider distribution while it screens in select festivals. Many locals already know of the film’s special community connection. One of the five central subjects is current Moorhead High…

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​Bong sends in the clones: ‘Mickey 17’

March 10th, 2025

By Greg Carlson

gregcarlson1@gmail.com

Bong Joon-ho’s highly anticipated follow-up to the game-changing Oscar-winner “Parasite” was set to arrive in theaters last year, but the 2023 SAG-AFTRA strike pushed the date. Was the wait worth it? Longtime Bong fans and admirers — the sort who groove on “The Host,” “Snowpiercer” and “Okja,” in particular will find much to love in the imaginative filmmaker’s adaptation of Edward Ashton’s 2022 novel “Mickey7,” upgraded…

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​Zhu’s debut feature “Bunnylovr” premieres at Sundance

March 4th, 2025

By Greg Carlson

gregcarlson1@gmail.com

Writer/director/performer Katarina Zhu’s feature debut “Bunnylovr” premiered to mixed reviews in the U.S. Dramatic Competition section of the 2025 Sundance Film Festival. Despite the lack of critical consensus, the movie succeeds as a portrait of loneliness and isolation intensified by our reliance on the technology that is supposed to facilitate connection, but only alienates us from the warmth and intimacy we desire and need. Several of the…

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​Joseph Tunes In with Vital Film Experience: ‘BLKNWS: Terms & Conditions’

February 24th, 2025

By Greg Carlson

gregcarlson1@gmail.com

Of the sixteen features I saw during the 2025 Sundance Film Festival, none left as big an impression as filmmaker/artist Kahlil Joseph’s astonishing “BLKNWS: Terms & Conditions.” Behind-the-scenes controversy, documented more thoroughly elsewhere, confirms the kind of drama worthy of a movie plot — the film was briefly removed from the schedule, only to return at what seemed like the last minute following a buyout by Rich Spirit and BN Media…

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