Cinema

​Martin Scorsese Examines Grim Racist History: ‘Killers of the Flower Moon’

October 22nd, 2023

By Greg Carlson

gregcarlson1@gmail.com

Doing press for “Killers of the Flower Moon,” Martin Scorsese has defended the movie’s three and a half hour running time (presented during its theatrical engagement with no intermission), but the results on the screen do the real talking.

The master director’s latest American original – a sturdy blend of genres and conventions including the Western, the “based on a true story” lesson and history-by-suggestion, the family epic, the…

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Tugboats and Tugged Hearts: Rebecca Miller’s ‘She Came to Me’

October 16th, 2023

By Greg Carlson

gregcarlson1@gmail.com

Peter Dinklage plays a creatively blocked opera composer married to Anne Hathaway’s frustrated therapist in Rebecca Miller’s “She Came to Me,” a lighthearted if lightweight film that depends heavily on the outsize talents of its ensemble as it circles issues of love, freedom, and commitment to self and others.

On the way to becoming decidedly unblocked, Dinklage’s Steven meets tugboat captain Katrina (Marisa Tomei, making it work), whose…

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You Beautiful Doll: Gardner’s ‘Living With Chucky’ a Family Affair

October 8th, 2023

By Greg Carlson

gregcarlson1@gmail.com

Kyra Elise Gardner, the daughter of special effects legend Tony Gardner, writes and directs “Living With Chucky,” an affectionate labor-of-love account covering the long evolution of the “Child’s Play” horror franchise.

Beginning in 1988, the series built a devoted cult following around the popularity of Chucky, the seemingly innocent toy inhabited by the soul of a foul-mouthed serial killer and psychopath voiced by the great Brad Dourif.…

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Sweet Autumn Treat: Anderson Shares ‘Sugar’ and Three More on Netflix

October 1st, 2023

By Greg Carlson

gregcarlson1@gmail.com

As reactions and reviews of Wes Anderson’s return to the world of Roald Dahl attest, the quartet of short story adaptations undoubtedly would have been better experienced as a theatrical omnibus akin to “The French Dispatch” rather than the one-a-day releases selected for streaming by Netflix, where the set now resides.

At 40 minutes, “The Wonderful Story of Henry Sugar” – which enjoyed a Venice Film Festival premiere at the beginning of…

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Castel’s ‘My Animal’ a Fresh Take on the Werewolf Movie

September 24th, 2023

By Greg Carlson

gregcarlson1@gmail.com

Filmmaker Jacqueline Castel’s “My Animal” premiered at the 2023 Sundance Film Festival in January, but its vibes are better suited to the rising blood moon of autumn’s spooky season.

Now available on major streaming services following a brief theatrical run in select cinemas, Castel’s feature directorial debut is poised to scratch the itch of discerning horror hounds who appreciate slow-burn smarts as much as gory violence.

The film’s…

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Schrader Concludes His ‘Man in a Room’ Trilogy with ‘Master Gardener’

September 21st, 2023

By Greg Carlson

gregcarlson1@gmail.com

Many films have used the unsettling revelation of tattoos as a device to startle the viewer with a visual roadmap to a deeper understanding of character. The “love” and “hate” lettering across the knuckles of Robert Mitchum’s Reverend Harry Powell in “The Night of the Hunter,” in the context of the character’s chilling speech, still inspires nightmares. In “Cape Fear,” Mitchum’s Lieutenant Elgart quips of Robert De Niro’s Max…

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‘Bottoms’ Up: Seligman and Sennott Re-Team for Wild Comedy

September 17th, 2023

By Greg Carlson

gregcarlson1@gmail.com

Rachel Sennott and Ayo Edebiri play best pals PJ and Josie, woebegone nerds hot for cheerleaders Brittany (Kaia Gerber) and Isabel (Havana Rose Liu) in a high school caste system that looks and feels quite familiar to fans of the durable teen sex comedy.

In “Bottoms,” directed by Emma Seligman – who co-wrote the screenplay with her “Shiva Baby” star Sennott – the satire, the visual gags, the gross-outs, and the gusto combine to form one…

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​Regan Takes Sundance Grand Jury Prize with Debut ‘Scrapper’

September 3rd, 2023

By Greg Carlson

gregcarlson1@gmail.com

In Sundance Grand Jury Prize winner “Scrapper,” her feature debut as writer and director, Charlotte Regan establishes a much more whimsical tone than the darker notes sounded by Charlotte Wells in her masterful “Aftersun.” There are more than enough stories exploring difficult father-daughter relationships to chalk up the similarities between the two movies as a fluke of timing, but Regan’s film faces the unenviable challenge of premiering…

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Jalali Welcomes Viewers to ‘Fremont’

August 27th, 2023

By Greg Carlson

gregcarlson1@gmail.com

In Sundance standout “Fremont,” the outwardly mundane and inwardly tumultuous experiences of a young woman from Afghanistan are spun by filmmaker Babak Jalali into gold.

Donya (Anaita Wali Zada) has left her home country for the California community of the title after spending time as a military translator. Hiding, repressing, or simply refusing to deal with complex emotions and likely PTSD (though she would deny it), Donya takes up residence in…

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Beckermann Talks About Sex in ‘Mutzenbacher’

August 21st, 2023

By Greg Carlson

gregcarlson1@gmail.com

Ruth Beckermann’s “Mutzenbacher” invites viewers to consider the traditional dynamics of the erotic novel – and subsequent filmic depictions of eroticism – by rearranging the visual furniture most closely associated with the voyeuristic gaze privileging the straight, white, male producer/consumer.

The filmmaker uses “Josephine Mutzenbacher or, The Story of a Viennese Whore as Told by Herself,” the anonymously published 1906 book, as a…

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