May 18th, 2022
By Greg Carlson
gregcarlson1@gmail.com
Writer-director Mariama Diallo’s satirical short “Hair Wolf” attracted attention at the 2018 Sundance Film Festival, earning a jury award for its funny/scary social commentary. Diallo returned to the festival in 2022 with debut feature “Master,” a promising extension of her interests in the contemporary politics and historical hegemony of insidious, institutionalized white supremacy. “Master” drops the humor of “Hair Wolf” but…
May 8th, 2022
By Greg Carlson
gregcarlson1@gmail.com
Photo credit: Amazon Studios
Amy Poehler’s nonfiction feature debut as director is a solid and informative account of the inextricably linked personal and professional lives of two visionary entertainers and broadcasting pioneers. The title “Lucy and Desi” doesn’t require the last names Ball and Arnaz for viewers to instantly identify the powerful pair (or to guess why Poehler would be drawn to the story). They are still household names,…
May 1st, 2022
By Greg Carlson
gregcarlson1@gmial.com
Speaking Truth to Power and Profit
Filmmaker Rory Kennedy lays out damning evidence in “Downfall: The Case Against Boeing,” which premiered at the 2022 Sundance Film Festival and is now available to stream on Netflix. Kennedy’s sobering, infuriating film is peak advocacy storytelling, a focused takedown equally interested in the human cost of corporate greed and the chain of bad decisions that led to a pair of preventable crashes. Air travel has…
April 25th, 2022
By Greg Carlson
gregcarlson1@gmail.com
Finnish filmmaker Hanna Bergholm’s feature debut “Hatching” is a satisfying creature-feature delight. A coming-of-age, body horror nightmare with a sharp sense of social critique and a nose for the adolescent challenges of complicated mother-daughter relationships, Bergholm’s film critiques the contemporary obsession with self-centered personal branding and the pursuit of clicks, likes, and followers. Better yet, Bergholm commits to the…
April 21st, 2022
By Greg Carlson
gregcarlson1@gmail.com
Robert Eggers’s friend Robert Pattinson tries out “I’m vengeance” as the Batman’s latest cinematic catchphrase. In “The Northman,” Alexander Skarsgård’s Prince Amleth takes it up a few notches, preparing himself in the style of Beatrix Kiddo and Maximus Decimus Meridius for a roaring rampage of bloody, gladiatorial revenge on his nasty uncle Fjölnir (Claes Bang, whose character is soon enough “Fjölnir the Brotherless”). Loosely…
April 10th, 2022
By Greg Carlson
gregcarlson1@gmail.com
The Daniels – Kwan and Scheinert – further cement their cult status with the hellzapoppin and appropriately titled “Everything Everywhere All at Once,” the team’s follow-up to “Swiss Army Man.” That joint theatrical feature debut, the buzziest word-of-mouth must-see at the 2016 Sundance Film Festival, remains the finest film ever made about a friendship between a marooned loner and a flatulent corpse. So what do you do for an encore?…
April 3rd, 2022
By Greg Carlson
gregcarlson1@gmail.com
“Cow,” Andrea Arnold’s first nonfiction feature, opens theatrically and on-demand in the United States on April 8. The talented writer-director, whose “Red Road,” “Fish Tank,” and “American Honey” received jury prizes at Cannes, spent more than four years working on the project.
The result of the filmmaker’s labor is as beautiful as it is painful. “Cow” is a stirring, contemplative, and observational examination of the life of…
March 27th, 2022
By Greg Carlson
gregcarlson1@gmial.com
Abiding enthusiasm for continued discussion of the life and work of Stanley Kubrick manifests once again in feature-length documentary “A Forbidden Orange” (also known by its original Spanish title “La naranja prohibida”). Delving into the exhibition history of “A Clockwork Orange” in Spain, director Pedro González Bermúdez shines his flashlight into all kinds of nooks and crannies, but the movie – now available to watch in the United…
March 21st, 2022
By Greg Carlson
gregcarlson1@gmail.com
Krystin Ver Linden's feature debut "Alice" premiered in the U.S. Dramatic Competition section at the 2022 Sundance Film Festival and arrived in theaters March 18.
The Sundance press notes described the movie as "equal parts earthy Southern Gothic and soulful Blaxploitation," but critical reactions since its January debut have been decidedly mixed. The imaginative genre-mashup works in fits and starts, but there is no question about the quality of…
March 13th, 2022
By Greg Carlson
gregcarlson1@gmail.com
Filmmakers Kevin Smokler and Christopher Boone have added a worthwhile document to the group of movies devoted in one way or another to the world of record collecting. “Vinyl Nation” will appeal principally to those already familiar with the activity, but the directors make clear a desire to reach beyond the hobby’s traditional demographic of middle-age white men by including the voices of those who have been marginalized for a long time.…