March 8th, 2021
Tom Brandau (1960-2021)
By Greg Carlson
gregcarlson1@gmail.com
When I first made his acquaintance, I didn’t think I liked Tom Brandau.
And I was certain the feeling was mutual.
Following the unexpected death of Minnesota State University Moorhead film studies professor Ted Larson -- a mentor to me and to Rusty Casselton and to many others -- Rusty left Concordia to direct the film program at MSUM and I moved from MSUM into Rusty’s spot at Concordia.
Tom arrived a few years later to…
March 1st, 2021
By Greg Carlson
gregcarlson1@gmail.com
19 February 2021
Photo courtesy Mari Mur.
Dava Whisenant received the Best New Documentary Director Award at the 2018 Tribeca Film Festival for her feature debut “Bathtubs Over Broadway,” which opened the 2019 Fargo Film Festival. Whisenant continues to collaborate with Steve Young, and their short comedy “Photo Op” is part of the 2021 Fargo Film Festival, which is being held as a virtual event from March 18 to 28.
Greg Carlson: How did you get…
February 23rd, 2021
By Greg Carlson
gregcarlson1@gmail.com
19 February 2021
Filmmaker Sabrina Doyle’s “Lorelei” aims for hardscrabble, working-class romance. Good onscreen chemistry between Jena Malone and Pablo Schreiber lifts the filmmaker’s debut feature out of traps set by occasionally mundane dialogue and predictable complications. Tonal and stylistic swings trade off between grim realism and dreamy expressionism. Savvy viewers will be able to say they’ve seen most of this world before -- in…
February 16th, 2021
By Greg Carlson
gregcarlson1@gmail.com
18 February 2021
Filmmaker and activist Iara Lee’s “Stalking Chernobyl: Exploration After Apocalypse” ventures into the sites and surroundings of the abandoned Chernobyl Nuclear Power Plant, introducing an assortment of “stalkers” drawn to the growing popularity of this upside-down variant on eco-tourism.
Lee incorporates excellent, pre-disaster archival footage that emphasizes a constructed, utopian, Soviet-era idealism. And she balances…
February 11th, 2021
By Greg Carlson
2/5/21
Rodney Ascher’s previous two nonfiction features, “Room 237” and “The Nightmare,” played out like the cinematic equivalent of staying up late with friends to swap scary stories, conspiracy theories, and the kind of half-remembered word-of-mouth urban legends that have only grown more potent in the internet age. The filmmaker’s new movie premiered at Sundance last week and debuts February 5, 2021. “A Glitch in the Matrix”… |
February 11th, 2021
By Greg Carlson
1/26/21
Maite Alberdi’s “The Mole Agent” is currently enjoying some award season love, with late January recognition from the National Board of Review in the Foreign Language Film group and steady buzz as a possible feature…
February 11th, 2021
By Greg Carlson
1/14/21
Tucker Lucas works in media production for H2M in Fargo, North Dakota and is an ensemble member of Theatre B.
Greg Carlson: What is your collecting philosophy?
Tucker Lucas:…
January 20th, 2021
By Greg Carlson
gregcarlson1@gmail.com
Talented hyphenate Emerald Fennell, the season two “Killing Eve” showrunner, unleashes one of the most audacious and provocative films of the year with “Promising Young Woman,” the writer-director-producer’s feature debut. A pitch-black commentary on the unrelenting and insidious misogyny that keeps a tight grip on the culture even in the face of head-on confrontation and critique, Fennell’s uproariously funny film showcases a powerhouse…
January 11th, 2021
By Greg Carlson
27 December 2020
Alicia Coombs is an archivist and the head of business affairs for the American Genre Film Archive in Austin, Texas. Outside of watching and collecting movies, she likes to drink coffee, read about cults, and turn down plans so she can hang out with her cats instead.
Greg Carlson: How did you get into movies?
Alicia Coombs: I was raised to love movies. There are a lot of collectors in my family. My uncle, who I am really close to, is a…
December 17th, 2020
By Greg Carlson
gregcarlson1@gmail.com
David Fincher lays down plenty of track on the great big electric train set of “Mank,” the filmmaker’s return to the director’s chair after “Gone Girl” in 2014. Depending on one’s interest in the evergreen legend of “Citizen Kane” and the politics of classic Hollywood, mileage may vary, but Fincher’s detailed visual style and an invested performance from Gary Oldman -- not to mention the talents of several entertaining supporting…
By Josette Ciceronunapologeticallyanxiousme@gmail.com What does it mean to truly live in a community —or should I say, among community? It’s a question I have been wrestling with since I moved to Fargo-Moorhead in February 2022.…