October 7th, 2020
By Greg Carlson
gregcarlson1@gmail.com
Veteran cinematographer and documentarian Kirsten Johnson follows one directorial masterwork -- 2016’s “Cameraperson” -- with another. Stylistically distinct from “Cameraperson,” “Dick Johnson Is Dead” captures the filmmaker’s relationship with her father, a longtime Seattle-based psychiatrist whose declining health necessitates retirement and a move across the country to Kirsten’s place in Manhattan. During the physical and…
October 7th, 2020
By Kris Gruber
High Plains Reader spoke to Ryan Hardy, President of the Red River Organ Society, about the 47th annual fundraiser for the Mighty Wurlitzer. This year will be the first fully virtual event, with some special additions to the performances.
HIGH PLAINS READER: Can you share some of the discussion points that came up in planning this event, such as the logistics of performing virtually as opposed to in person?
RYAN HARDY: Our in-person Silent Movie Night has…
October 2nd, 2020
Rachel Carey is a New York-based writer and director. Her feature debut “Ask for Jane” is now available to view on demand from Amazon, Apple, Google Play, and other streaming services.
In addition to her work in the film industry, Rachel has also written and directed several plays and a television pilot. Her novel “Debt” was published by Silver Birch Press. You can learn more about Rachel’s projects at www.rachelcarey.net.
Greg Carlson: Where did you grow up?
Rachel Carey: I…
September 25th, 2020
Polymath artist Miranda July adds an excellent new title to her filmography with “Kajillionaire.” As hard to reduce or simplify as “Me and You and Everyone We Know” and “The Future,” July’s latest movie -- which contemplates parenthood and family ties under the idiosyncratic lens of the filmmaker’s built-from-scratch microscope -- blends slapstick and sorrow like a latter-day Charles Chaplin. Like July’s previous films, “Kajillionaire” fixates on the human,…
September 15th, 2020
Well-deserved praise for writer-director Amy Seimetz’s efficient and provocative “She Dies Tomorrow” almost inevitably points to the film’s eerie timeliness as a metaphor for pandemic-inspired malaise and disequilibrium. More interesting, however, is the split among observers who interpret Seimetz’s intended tone in different ways. Some claim the movie is hilarious, others see it as terrifying, and another faction argues that it is tragic. Of course, it’s entirely possible…
September 7th, 2020
Charlie Kaufman, the unfairly talented and imaginative cinematic magician whose screenplays and films have explored the realms of art, artifice, and identity over the course of a dizzying career, lifts the curtain on another masterful storytelling exercise. “I’m Thinking of Ending Things” is based on Iain Reid’s 2016 novel, but like the hall-of-mirrors treatment Kaufman gave to “The Orchid Thief” in “Adaptation,” the source material is twisted in several significant…
August 31st, 2020
Director Arthur Jones makes his auspicious feature debut with “Feels Good Man,” an engrossing and timely documentary that examines the phenomenon of artist Matt Furie’s Pepe the Frog. Created by Furie in 2005 for the comic “Boy’s Club,” Pepe’s now iconic visage morphed into a surprisingly durable meme -- made all the more confusing and controversial when internet trolls and supporters of the alt-right nationalist movement adopted and appropriated Pepe as a symbol of white…
August 24th, 2020
Matt Dreiling worked for twelve years as a cameraman, gaffer, and cinematographer on feature films, documentaries and commercials. A few years ago, he fled Hollywood with his girlfriend for the wilds of Montana to begin the second act of his career.
Dreiling is the author of “Black Sunday,” a graphic novel about the horrors of the American Dust Bowl. “Black Sunday,” published by American Gothic Press, is available at Comixology.com.
Greg Carlson: What is the current state of your…
August 19th, 2020
Peter Medak, the veteran filmmaker who met with early career success directing Peter O’Toole in “The Ruling Class,” puts together a fascinating cautionary tale in “The Ghost of Peter Sellers.” Haunted for more than four decades by the catastrophic disaster of his ill-fated relationship with the legendary comic genius, Medak revisits the painful memories of his “collaboration” with Sellers on the DOA feature “Ghost in the Noonday Sun.” Approaching 80 when he decided to…
August 13th, 2020
The line is repeated so often that it does an instant, sexist disservice to the band’s greatness: The Go-Go’s were the first group composed entirely of women who wrote their own songs and played their own instruments to climb to the top of the charts. And the next cold fact, cited more than once in Alison Ellwood’s new documentary on the group, rings with the subtext that no matter how good they were, in an industry dominated by men, misogyny, and the gatekeeping of the…