March 8th, 2017
The genre, or as some say the style, of film noir, which deals with crime and various other unsavory activities usually happening at night, developed in Hollywood around 1940.
Its focus on mostly antiheroic protagonists and a pervasive sense of doom separates it from standard crime or mystery-thrillers, consciously or unconsciously reflecting the dark times of a troubled world during World War II. Even the “good guys” have their bad points and sometimes may be nearly as corrupt…
March 8th, 2017
In Raoul Peck’s monumental documentary “I Am Not Your Negro,” one of the best moments – and there are several dozen from which to choose – comes courtesy of a clip from the 74th episode from the first season of “The Dick Cavett Show.”
Originally aired June 13, 1968, the broadcast included an intellectual joust between James Baldwin and the Yale philosopher Paul Weiss. After listening to a ponderous, condescending, and clueless Weiss counter his initial comments, Baldwin…
March 1st, 2017
Grapevine Video has recently started releasing a few films on Blu-ray (BD-R), films that major distributors are unlikely to consider worth their effort. This is partly due to the films’ extreme obscurity, but also the fact that many survive only in old 16mm prints that often look quite sharp, but cannot quite rival the clarity of films whose camera negatives or original 35mm prints still exist.
Grapevine’s Blu-rays present the films “as-is,” with no digital cleanup work or…
March 1st, 2017
The U.S. documentary grand jury prize winner at the 2017 Sundance Film Festival, Antonio Santini and Dan Sickles’ “Dina” is an empathetic portrait of love and resilience.
Following the ups and downs of the wedding preparations undertaken by title subject Dina Buno and her husband-to-be Scott Levin in greater Philadelphia, the film cultivates and carefully manages its precise point of view. Buno and Levin live with a number of recognizable neurodevelopmental disorders, and the…
February 22nd, 2017
A virtually critic-proof three-ring circus of toy-based programming and winking self-reference guaranteed to give even the most devoted admirer whiplash, “The Lego Batman Movie” duplicates some of the charm of its 2014 Phil Lord and Christopher Miller-directed predecessor.
Led by Chris McKay, the “new” adventure is pure postmodern pastiche: a feature-length fantasia of Easter eggs, throwbacks, inside jokes, and mock lessons fully trading on the Dark Knight’s most commonly…
February 22nd, 2017
The weather has been unseasonably fair this past week, although it probably won’t last.
MGM’s classic Gene Kelly-Cyd Charisse musical “It’s Always Fair Weather” (1955), a film perhaps more timely today than it was when first shown theatrically, made its Blu-ray debut last November. Not a big hit when it came out over six decades ago, the basic plot and characters have a timelessness that helped it last through two or three generations and still seem fresh, while other musical…
February 15th, 2017
Two brothers, Juan Manuel and Sergio, stand in the middle of a field of ripe, green wheat. The wind causes the plant life surrounding them to sway and hiss, and is refreshing after their day of travel by tandem bike. The brothers have been riding for a long time, but are nearing the end of their 800 mile journey from Cuenca, Spain to the Atlas Mountains in Morocco.
Sergio, who is blind and autistic, cannot see his surroundings, but nonetheless sways his head almost in time with the tall…
February 15th, 2017
Veteran filmmaker Barak Goodman’s “Oklahoma City” is a timely and sobering historical document with unsettling connections to the ugly “alt right” rhetoric touching the increasingly tense national political climate.
Following a Sundance Film Festival world premiere, the feature debuted on PBS’ “American Experience” February 7, 2017. In the film, Goodman uses the shocking events of April 19, 1995 as the foundation for a larger discussion about the toxicity of…
February 8th, 2017
Next Tuesday is Valentine’s Day, and to get movie lovers in the mood, this coming Sunday afternoon MSUM will have a free public screening of classic silent comedies with romantic themes, all accompanied live on the Mighty Wurlitzer pipe organ in Weld Hall’s Glasrud Auditorium. Showtime starts at 2:00 p.m. February 12. Admission is free.
The program entitled “My Funny Valentine” will include three short examples of how movie legends Charlie Chaplin, Harold Lloyd, and Buster Keaton…
February 8th, 2017
A sinewy, blood-drenched feast of old-fashioned gore and fresh storytelling, first-time feature writer-director Julia Ducournau’s “Raw” is the cannibal horror comedy you never knew you needed. Made with a level of confidence not seen in filmmakers with half a dozen completed movies, “Raw” builds a wholly engrossing and fully functioning universe in which to contain its walloping frights and freak-outs.
Ducournau explores several juicy themes without shortchanging any one of…