Cinema

​Fargeat Takes Ferocious “Revenge”

May 16th, 2018

Earning a limited theatrical release following a successful run of festival appearances and a streaming deal with Shudder, writer-director Coralie Fargeat’s “Revenge” simultaneously embraces and subverts many tropes of the rape-revenge subgenre. Powered by a supercharged central performance by Matilda Lutz, Fargeat’s film also draws from the implied isolation of its evocative locations and the saturated hues of Robrecht Heyvaert’s dazzling cinematography. Given the nature of…

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​‘Don’t Worry, He Won’t Get Far on Foot:’ Van Sant finally brings John Callahan’s story to the scree

May 9th, 2018

In the most Gus Van Sant scene in a very Gus Van Sant movie, John Callahan (Joaquin Phoenix) spills out of his wheelchair and into the street after picking up a little too much speed. The predicament elicits immediate concern for Callahan’s well-being, so the kind assistance from a group of skateboarding kids melts our fear into a glimmer of faith and hope for the world. “Don’t Worry, He Won’t Get Far on Foot” is named for the pitiless, Vantablack caption accompanying one of…

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​Bergman Documentary Screens as Part of MSPIFF Retrospective

May 2nd, 2018

Jane Magnusson and Hynek Pallas’ “Trespassing Bergman,” an often playful deconstruction of the work and life of the legendary Swedish filmmaker through the eyes of a murderer’s row of auteurs, is a guaranteed ticket for the hardcore cinephile. Stacked with observations from Tomas Alfredson, Woody Allen, Wes Anderson, Harriet Andersson, Pernilla August, Francis Ford Coppola, Wes Craven, Claire Denis, Laura Dern, Daniel Espinosa, Michael Haneke, Holly Hunter, Alejandro Gonzalez…

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Schumer Explores the Beauty Myth in “I Feel Pretty”

April 25th, 2018

Longtime writing partners Abby Kohn and Marc Silverstein make their joint directorial debut but don’t quite get everything right in “I Feel Pretty,” an Amy Schumer vehicle that jettisons the hard-R ribaldry of “Trainwreck” and “Snatched” for the potentially wider-appeal territory of PG-13 content. Schumer, who has long been the target of relentless trolls on platforms including Reddit, plays Renee, a woman -- according to the official film website -- “who struggles with…

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​“Truth or Dare” Tries to Scare Up More Blumhouse Magic

April 18th, 2018

Leveraging whatever name-brand clout it might carry with the target demographic, “Blumhouse’s Truth or Dare” -- the onscreen title for the pre and post-credit sequences -- won’t make the kind of impact previously enjoyed by “Get Out” or, for that matter, the “Purge” series. Even so, the Jeff Wadlow-directed horror feature should draw teen viewers intrigued by the “And Then There Were None”-style trailer. Populated by a cast of young actors with plenty of television…

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Anderson Comments on Resistance in Controversial “Isle of Dogs”

April 4th, 2018

Wes Anderson returns to animation with “Isle of Dogs,” a showcase of expectedly eye-popping production design and art direction that partially obscures a pricklier, flintier corner of the world than the one adapted from Roald Dahl’s “Fantastic Mr. Fox” in 2009. Writing the screenplay from a story credited to himself, Roman Coppola, Jason Schwartzman, and Konichi Nomura (who also performs in the film as Mayor Kobayashi), the particular auteur embarks on an often melancholy…

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​“You Were Never Really Here”: Ramsay and Phoenix team for instant cult classic

March 28th, 2018

Only Lynne Ramsay knows the details behind her departures on a couple of movies, but we have been fully rewarded by her picky, methodical project choices. With just a trio of previous features, all undeniably brilliant, the Scottish filmmaker delivers an instant cult classic with her fourth, the visceral “You Were Never Really Here.”

Once upon a time, Ramsay circled “The Lovely Bones,” “Jane Got a Gun,” and a long-rumored sci-fi “Moby-Dick” without completing any of them.…

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​‘Sami Blood’ named best narrative feature at FFF18

March 14th, 2018

A captivating lead performance by Lene Cecilia Sparrok anchors the stout and handsome “Sami Blood,” winner of the award for Best Narrative Feature at the 2018 Fargo Film Festival.

Set principally in the 1930s, director Amanda Kernell’s inaugural feature film identifies fiercely and intimately with Sparrok’s teenage Elle-Marja, who plots to leave her family and way of life for a different future in the city.

A member of the indigenous Scandinavian people known as the Sami,…

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​‘Seeing Allred’: Sundance doc on iconic attorney now on Netflix

March 7th, 2018

Attorney Gloria AllredIconic feminist and women’s rights attorney Gloria Allred is the subject of Sophie Sartain and Roberta Grossman’s “Seeing Allred,” now on Netflix Instant Watch following its debut at the 2018 Sundance Film Festival in the U.S. documentary competition.

The veteran filmmakers craft an unapologetically worshipful highlight reel of Allred’s life and career, successfully recontextualizing the widespread public and media perception of the lawyer as a publicity-seeking celebrity…

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​‘Annihilation’: Garland steps inside the Shimmer

February 28th, 2018

Considerably less accessible than his directorial debut “Ex Machina,” veteran writer Alex Garland’s “Annihilation” very loosely adapts Jeff VanderMeer’s novel into a demanding thought experiment bound to frustrate viewers counting on some of the trailer’s promise and premise.

As multiple critics have pointed out, the new film owes a thematic debt to Andrei Tarkovsky’s “Stalker,” a movie that Alissa Wilkinson suggests is, like “Annihilation,” about the…

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