March 22nd, 2017
By Kaley Sievert
Movies have this magic. An emotional pull that lures audiences into their universe. Filmgoers can get lost in stories painted in dazzling lights, electric colors and robust sounds. They mourn over the hardships of the characters on screen, experience nostalgia when a relatable childhood memory flashes in front of them, and hold their breath in anticipation for the monster lurking around the corner.
Crowds are starting to feel that pull again as the annual Fargo Film…
March 22nd, 2017
Lately (especially over the past year) media coverage has been almost as much about biased media coverage as it is about the stories that the media typically cover. But a cynical view of how slanted and exploitive media reports can be is nothing new.
Less than two years ago, Lewis Milestone’s newspaper genre classic “The Front Page” (1931) finally came out in a high-quality Blu-ray edition from Kino Video.
Based on a darkly satiric hit 1928 Broadway play, the double-plot deals with…
March 22nd, 2017
Writer-director Brett Haley spoke with Greg Carlson ahead of the Fargo Film Festival’s screening of “The Hero.”
Greg Carlson: Congratulations on “The Hero.” I was at the second Sundance screening. The one where you had been up all night and had just sold it.
Brett Haley: That was a great screening.
GC: We are so happy to have “The Hero” at the Fargo Film Festival.
BH: I am very excited about the film. It is getting released by The Orchard. They’re a great fit for us, and…
March 15th, 2017
Big news for film buffs lately was the long-awaited February Blu-ray release of film noir classic “The Big Sleep” (1946). But three notable noir variations on a theme also came out on Blu-ray in recent months, another major classic and two lesser-known titles that deserve more widespread recognition. None is truly an archetypal film noir like “The Big Sleep,” or say “Out of the Past” or “Double Indemnity,” but all share a number of elements identified with noir (postwar…
March 15th, 2017
Filmmaker Brett Haley carves out a juicy and glorious victory lap for golden-voiced treasure Sam Elliott in “The Hero,” a thematic companion piece to the warm “I’ll See You in My Dreams,” which gave Blythe Danner a similar showcase. Elliott is Lee Hayden, an imagined version of the actor himself. In his early seventies and paying the bills with commercial voiceover work for Lone Star BBQ sauce (“The perfect partner for your chicken”), Lee spends his considerable downtime…
March 8th, 2017
The genre, or as some say the style, of film noir, which deals with crime and various other unsavory activities usually happening at night, developed in Hollywood around 1940.
Its focus on mostly antiheroic protagonists and a pervasive sense of doom separates it from standard crime or mystery-thrillers, consciously or unconsciously reflecting the dark times of a troubled world during World War II. Even the “good guys” have their bad points and sometimes may be nearly as corrupt…
March 8th, 2017
In Raoul Peck’s monumental documentary “I Am Not Your Negro,” one of the best moments – and there are several dozen from which to choose – comes courtesy of a clip from the 74th episode from the first season of “The Dick Cavett Show.”
Originally aired June 13, 1968, the broadcast included an intellectual joust between James Baldwin and the Yale philosopher Paul Weiss. After listening to a ponderous, condescending, and clueless Weiss counter his initial comments, Baldwin…
March 1st, 2017
Grapevine Video has recently started releasing a few films on Blu-ray (BD-R), films that major distributors are unlikely to consider worth their effort. This is partly due to the films’ extreme obscurity, but also the fact that many survive only in old 16mm prints that often look quite sharp, but cannot quite rival the clarity of films whose camera negatives or original 35mm prints still exist.
Grapevine’s Blu-rays present the films “as-is,” with no digital cleanup work or…
March 1st, 2017
The U.S. documentary grand jury prize winner at the 2017 Sundance Film Festival, Antonio Santini and Dan Sickles’ “Dina” is an empathetic portrait of love and resilience.
Following the ups and downs of the wedding preparations undertaken by title subject Dina Buno and her husband-to-be Scott Levin in greater Philadelphia, the film cultivates and carefully manages its precise point of view. Buno and Levin live with a number of recognizable neurodevelopmental disorders, and the…
February 22nd, 2017
A virtually critic-proof three-ring circus of toy-based programming and winking self-reference guaranteed to give even the most devoted admirer whiplash, “The Lego Batman Movie” duplicates some of the charm of its 2014 Phil Lord and Christopher Miller-directed predecessor.
Led by Chris McKay, the “new” adventure is pure postmodern pastiche: a feature-length fantasia of Easter eggs, throwbacks, inside jokes, and mock lessons fully trading on the Dark Knight’s most commonly…
By Josette Ciceronunapologeticallyanxiousme@gmail.com What does it mean to truly live in a community —or should I say, among community? It’s a question I have been wrestling with since I moved to Fargo-Moorhead in February 2022.…