Tracker Pixel for Entry

​In a word, in a look: Kent scares up “The Babadook”

Cinema | December 24th, 2014

Earning accolades for its stylish design on a modest budget, its reliance on character and storytelling instead of CGI, and its reverence for several legendary genre hallmarks, Jennifer Kent’s “The Babadook,” like its namesake ghoulie, can be tough to banish from your head. Tracing the downward spiral of a struggling widow who loses her husband in a car wreck on the way to the hospital to deliver their son, Kent grounds her breakthrough film in the horror of the everyday before she unleashes the supernatural frights of the title figure, a bogeyman who first appears in the pages of a mysterious pop-up book.

Amelia (Essie Davis) and the now about-to-be-seven Samuel (Noah Wiseman) manage the best they can, although the odd little boy’s constant disruptions and “disobedience” hint at longstanding behavioral issues, which we suspect stem from the tragic circumstances attending Samuel’s birth. Single parent Amelia, at her wit’s end, sacrifices her own sleep every night, since Samuel complains of regular torment by a monster who visits his bedroom. With her job at stake, Amelia’s stress is palpably conveyed by the sympathetic Davis, and Kent introduces the unsettling idea that mother harbors ill will, maybe even blame, toward her child.

Amelia is less dismissive of Samuel’s claims after she discovers “Mister Babadook,” an authorless tome filled with grisly monochromatic images and prophetic rhymes. Featuring a menacing evildoer reminiscent of Lon Chaney’s repulsive “Man in the Beaver Hat” disguise from the lost “London After Midnight,” the twisted text grows more disturbing with each turn of the page. The creepy red-covered album, designed by Alex Juhasz, is a marvel of illustration and engineering, and “Mister Babadook” steals one of the film’s best scenes, immediately assuming a place alongside some of cinema’s most effective false documents.

Shrewd and ambitious – Kent famously wrote a letter to Lars von Trier that landed her the opportunity to work for the director on “Dogville” – the filmmaker manages to load plenty of potential readings into that dreaded volume and the creature it spawns. From the draining demands of motherhood to the unthinkable rejection of one’s own child to the bottomless grief of a marriage cut short, the Babadook can easily symbolize any number of demons. Kent leaves open the possibility that Amelia constructed the book herself, an idea that should give even the most hardened horror aficionado the shivers.

“The Babadook” is Kent’s inaugural feature following a long time spent as a performer, and given the movie’s confidence and imagination, it is hopefully just the first in a series of projects. Take one look at “Monster,” the 2005 short that forms the basis of the story that would become “The Babadook,” and Kent’s gifts as a visual storyteller are evident. A motif in “The Babadook” is the use of mediated imagery to intensify the jaw-clicking disequilibrium and hallucinations experienced by the exhausted Amelia while she stares at her television. Kent selects tantalizing clips from Rupert Julian’s “The Phantom of the Opera,” Lewis Milestone’s “The Strange Love of Martha Ivers” and Mario Bava’s “Black Sabbath,” along with dazzling magic tricks from several evocative Georges Melies shorts.

One of Kent’s most challenging moves is to dive deep into Amelia’s psychological anguish, switching from a perceived external threat posed by the Babadook to an internal battle operationalized as a kind of possession. Narratively, the shift dampens the immediacy of the Babadook as an intriguing and involving instrument of fear, but parents may find Amelia’s filicidal tendencies every bit as harrowing as similar depictions in films like “Bigger Than Life,” “Eraserhead” and “The Shining.”

“The Babadook” is now available on demand.

Recently in:

By Alicia Underlee Nelsonalicia@hpr1.comDairy Queen restaurants across the country will raise funds for Children’s Miracle Network hospitals during Miracle Treat Day on Thursday, July 31. At least one dollar from every Blizzard…

By Michael M. Millermichael.miller@ndsu.edu The Northwest Blade, from Eureka, South Dakota, published a wonderful story in August 2020. It’s called “Granddaughter keeps Grandmother’s precious chamomile seeds,” by Cindy…

October 3-5, 2025Memorial Union at NDSU, 1401 Administrative Ave., Fargo With the theme of “Existence is Resistance: Healing Through Unity,” this year’s summit will kick off with a professional development day followed by a…

By John Strandjas@hpr1.com Yes, we know, everywhere you look, the world situation is mental. It’s almost inescapable just how tenuous life’s circumstances are. And how they are mostly — pretty much entirely — out of our…

By Ed Raymondfargogadfly@gmail.comWhat are the four freedoms of Donald John Trump? Nearly a century ago, President Franklin Delano Roosevelt said every citizen in the United States of America should have four freedoms: Freedom from…

By Rick Gionrickgion@gmail.com Holiday wine shopping shouldn’t have to be complicated. But unfortunately it can cause unneeded anxiety due to an overabundance of choices. Don’t fret my friends, we once again have you covered…

By Rick Gion and Nichole Hensenrickgion@gmail.com The wait is finally over. Those who have visited Nichole’s Fine Pastry & Cafe lately know about the recent major additions and renovations that have taken place over the past…

By Sabrina Hornungsabrina@hpr1.com Dakotah Faye is a hip-hop artist from Minot, North Dakota, and he’s had a busy year. He’s released two albums. This summer he opened for Tech N9ne in Sturgis and will be opening for Bone…

By Greg Carlsongregcarlson1@gmail.com As a follow-up to “The Whale,” a raucous adaptation of the first novel in Charlie Huston’s Henry Thompson series was a good choice for eclectic auteur Darren Aronofksy, whose bold visions…

By HPR staffsubmit@hpr1.com Mark the first weekend of October on your calendar. It’s the weekend of the Studio Crawl, which takes us all on a wonderful, metro-wide tour of our talented (and often wacky) arts community. On October…

Alicia Underlee Nelsonalicia@hpr1.comPenn & Teller are returning to their roots. The legendary magic and comedy duo will appear on the Crown Stage at the Minnesota Renaissance Festival in Shakopee, Minnesota, where they first…

By Annie Prafckeannieprafcke@gmail.com AUSTIN, Texas – As a Chinese-American, connecting to my culture through food is essential, and no dish brings me back to my mother’s kitchen quite like hotdish. Yes, you heard me right –…

By Sabrina Hornungsabrina@hpr1.comNew Jamestown Brewery Serves up Local FlavorThere’s something delicious brewing out here on the prairie and it just so happens to be the newest brewery west of the Red River and east of the…

By Ellie Liveranieli.liverani.ra@gmail.com Loneliness is on the rise in North Dakota, where there is one of the highest rates of people living alone. The challenging winter can be a major contributor, yet North Dakota is not alone.…

By Alicia Underlee NelsonProtests against President Trump’s policies and the cuts made by Elon Musk’s Department of Government Efficiency (DOGE) are planned across North Dakota and western Minnesota Friday, April 4 and…

By Vern Thompsonvern.thompson@rocketmail.com Working in the Bakken oil fields of the Williston Basin is so different from my home in Fargo. I'm not judging, because the people working and living in western North Dakota are very…