Tracker Pixel for Entry

​Poitras Brings ‘Risk’ to Showtime

Cinema | December 27th, 2017

The indomitable Laura Poitras adds to her fascinating filmography with “Risk,” a years-in-the-making (and unmaking) portrait of WikiLeaks co-founder Julian Assange, beginning prior to his retreat into the embassy of Ecuador in London under threat of eventual extradition to the United States.

Less immediate and urgent than her Oscar-winner “Citizenfour,” “Risk” continues the filmmaker’s investigation of the post-9/11 conditions of the widespread and largely unchecked illegal surveillance state and the often shocking countermeasures against whistleblowers like Chelsea Manning and Edward Snowden, both of whom factor significantly in this film.

The principal portrait, however, is made of Assange, and the 2017 version presented by Showtime differs from the original cut that Poitras debuted at the 2016 Cannes Film Festival. Anyone with an interest in the ongoing saga of WikiLeaks presumably knows the broad strokes of much of the timeline presented in “Risk,” but Jim Rutenberg’s April 9, 2017 “New York Times” article offers an indispensable explanation of the substantive way in which the movie changed following its premiere. Rutenberg writes of how allegations of sexual misconduct leveled at “privacy activist” Jacob Appelbaum, a man with whom Poitras was briefly involved, triggered modifications to the film.

In “Risk,” Poitras narrates entries from what she refers to as her “production journal,” revealing ways in which she must constantly sort out issues stemming from the interpersonal relationships that have developed from the highly unusual circumstances of her years-long production process. A number of critics have voiced concerns about the kind of access Poitras has enjoyed with this circle of subjects, questioning the limits of journalistic objectivity, such as it is -- especially in light of Poitras disclosing in the film her romantic relationship with Appelbaum.

In the Washington Post, Alyssa Rosenberg asks several important questions, including “Should I interpret this disclosure as a blanket statement of belief in women who come forward with sexual assault allegations? Do I trust Poitras less for getting involved with one of her subjects, or more for her transparency?

Do I see Poitras primarily as a journalist or an artist or something in between, and depending on which one I choose, how should this revelation make me feel about her work?” That last question won’t bother the viewer who recognizes all approaches to filmmaking -- fiction, nonfiction, cinema verite, advocacy, editorial, journalism, etc. -- as constructed texts.

Positions of visual philosophy and moviemaking ethics aside, Poitras manages a feat of penetration most documentary filmmakers would envy. Assange’s transition from sprawling countryside estate to the narrow, cell-like compartments of the embassy is fascinating, especially when the typically icy and unflappable celebrity works out with a personal trainer in a space the size of a large closet or agrees to be interviewed by Lady Gaga.

“Risk” ends by bringing the viewer up to date, fleetingly, on the terrifying saga of Russian meddling in the U.S. presidential election contest between Hillary Clinton and Donald Trump. Poitras ends this particular story prior to revelations that Assange and WikiLeaks provided direct advice, help, and support to the Trump campaign, and then lied about doing so. Perhaps that tale will be told in a future film.  

Recently in:

By Winona LaDukewinona@winonaladuke.comIt’s been eight years since the Water Protectors were cleared off the banks of the Cannonball and Missouri Rivers. It was a bitter ending to a battle to protect the water; and for most of us…

By Sabrina Hornungsabrina@hpr1.com Rodeo is a family tradition for sisters Kate and Tera Flitton. The duo performs under the moniker Stellar Trick Riding Cowgirls. The Utah natives will be performing along with bareback riders,…

Saturday, April 19, 8 p.m. doors open at 7 p.m.Fargo Theatre, 314 N Broadway, FargoCheck out this cult classic on the big screen as a live band performs along with David Bowie’s vocals, all while basking in the Art Deco glory…

By Sabrina Hornungsabrina@hpr1.com I feel like reading a newspaper is the equivalent of listening to music on vinyl. Not only is it analog, it’s an experience. I might be a little biased, but there's something about the rustling…

By Ed Raymondfargogadfly@gmail.comA column on How Trumusklicans are trying to change historyIt took William L. Shirer a couple decades to write and then publish “The Rise and Fall of the Third Reich: A History of Nazi Germany,”…

By Rick Gionrickgion@gmail.com Holiday wine shopping shouldn’t have to be complicated. But unfortunately it can cause unneeded anxiety due to an overabundance of choices. Don’t fret my friends, we once again have you covered…

By Rick Gionrickgion@gmail.com Photos by Rick GionLiving in downtown Fargo has its perks. One of them is taking walks along Broadway and peeking into the restaurants and shops for a glimpse of what’s new. Sometimes this makes a…

Mooncats and Pert Near Sandstone play Empire TheatreBy Sabrina Hornungsabrina@hpr1.comThe MoonCats describe themselves as “Americonscious Campfire Folk.” They have a clear acoustic folk sound with a sense of whimsy — think…

By Greg Carlsongregcarlson1@gmail.com Making her feature directorial debut, Rachael Abigail Holder guides “Love, Brooklyn” to a satisfying conclusion, even if some viewers might have hoped for a different outcome for the…

By Sabrina Hornungsabrina@hpr1.comTelling Queer History is an LGBTQIA+ organization that utilizes oral storytelling and community building to educate, honor and collect oral histories. To honor its final year in operation, the …

By John Showalterjohn.d.showalter@gmail.comHigh Plains Reader had the opportunity to interview two mysterious new game show hosts named Milt and Bradley Barker about an upcoming event they will be putting on at Brewhalla. What…

By Annie Prafckeannieprafcke@gmail.com AUSTIN, Texas – As a Chinese-American, connecting to my culture through food is essential, and no dish brings me back to my mother’s kitchen quite like hotdish. Yes, you heard me right –…

By Sabrina Hornungsabrina@hpr1.comNew Jamestown Brewery Serves up Local FlavorThere’s something delicious brewing out here on the prairie and it just so happens to be the newest brewery west of the Red River and east of the…

By Josette Ciceronunapologeticallyanxiousme@gmail.com What does it mean to truly live in a community —or should I say, among community? It’s a question I have been wrestling with since I moved to Fargo-Moorhead in February 2022.…

By Faye Seidlerfayeseidler@gmail.com Somewhere lost in the cultural scuffle of what it means to be transgender is that it is an absolute joy to experience the world in such a way. When you take away the societal prejudice and…

By Gilbert Kuipersgilbertkuipers@outlook.com I live in North Dakota District 24 and have been challenging the district Republicans about their understanding of climate science for years. There has been no serious response to my…