January 7th, 2023
By Greg Carlson
gregcarlson1@gmail.com
Few reviews of Maria Schrader’s sturdy “She Said” go without mentioning “All the President's Men” and “Spotlight.” The new film, in line to pick up some award season recognition on the basis of its subject matter alone, follows the work of Pulitzer-winning New York Times reporters Megan Twohey (played by Carey Mulligan) and Jodi Kantor (played by Zoe Kazan) as they doggedly pursue on-the-record confirmation of the sexual misconduct,…
December 18th, 2022
By Greg Carlson
gregcarlson1@gmail.com
How many “Babylon” reviews and essays will at some point use the words orgiastic and overlong to describe Damien Chazelle’s raucous Hollywood fable? To date, the filmmaker remains the youngest winner of the Oscar for Best Director, which he received for “La La Land” during a ceremony enshrined in Academy legend for the embarrassing Best Picture envelope gaffe at the end of the telecast. That film, which also mines movie-mad dreamscapes,…
December 15th, 2022
By Greg Carlson
gregcarlson1@gmail.com
Veteran critic Elvis Mitchell’s excellent documentary/essay “Is That Black Enough for You?!?” gazes deeply and lovingly at the rich and varied historical contributions of African American film artists, focusing especially on the vibrant and tumultuous 1970s. Extending beyond Blaxploitation to consider the complete cinematic spectrum from independent productions to the output of the major studios, Mitchell’s guided tour is every bit as…
November 27th, 2022
By Greg Carlson
gregcarlson1@gmail.com
“Citizenfour” Oscar-winner Laura Poitras profiles photographer and activist Nan Goldin in “All the Beauty and the Bloodshed.”
Like its talented subject, the movie cannot be confined to a single category or story arc. Along with a penetrating, candid examination of Goldin’s career trajectory, the film spends considerable time on the artist’s efforts to hold Purdue Pharma and members of the Sackler family accountable for the overprescribing…
November 17th, 2022
By Greg Carlson
gregcarlson1@gmail.com
Premiering at the Toronto International Film Festival in September, “Catherine Called Birdy” lands on Amazon Prime Video following a short theatrical window.
One of two 2022 films directed by the perpetually controversial Lena Dunham, the medieval bildungsroman was a labor of love based on the filmmaker’s professed affection for Karen Cushman’s 1994 Newbery Honor Book. Dunham, who also adapted the novel for the screen, delivers the most…
November 17th, 2022
By Greg Carlson
gregcarlson1@gmail.com
Amy Bandlien Storkel and Bryan Storkel dispense delights of all kinds in their breezy documentary “The Pez Outlaw,” an imaginative portrait of wily entrepreneur Steve Glew. A single-minded obsession with the colorful candy containers sets the stage for a tongue-in-cheek drama that casts Glew as himself in a series of “Unsolved Mysteries”-meets-Wes Anderson reenactments. Some viewers may not receive the title subject’s idiosyncratic…
October 30th, 2022
By Greg Carlson
gregcarlson1@gmail.com
Photography buffs and silent film aficionados will enjoy Marc Shaffer’s feature documentary “Exposing Muybridge,” a visually engaging account of curious cinematic forefather Eadweard Muybridge. Muybridge’s place as a film pioneer was ultimately secured via the influential motion studies he produced following his ill-fated collaboration with railroad baron Leland Stanford in the early 1870s.
But Shaffer attempts to put his subject’s entire…
October 24th, 2022
By Greg Carlson
gregcarlson1@gmail.com
Known in the original French as “Avec amour et acharnement” (“With Love and Fury” or “With Love and Relentlessness”), the first of two Claire Denis features released in 2022 swapped original English language title “Fire” for the more satisfying and effective “Both Sides of the Blade.” The latter name is taken from a song by longtime Denis collaborators Tindersticks, and its evocative lines suggesting the pain of being cut in two…
October 22nd, 2022
By Greg Carlson
gregcarlson1@gmail.com
In “Nothing Compares,” director Kathryn Ferguson builds an airtight case for the reevaluation of music icon Sinead O’Connor, the Irish recording artist who achieved worldwide success and critical acclaim during the course of a career that attracted negative media attention like a magnet collecting nails.
The film, now available on Showtime following a Sundance debut in January, transports viewers back three decades (and more) to focus initially…
October 20th, 2022
By Greg Carlson
gregcarlson1@gmail.com
Veteran documentarian Brett Morgen clamps down on the experimental and the experiential in “Moonage Daydream,” an odyssey traversing the starfields of the late, great David Bowie.
Touted as the first feature to be fully authorized by the Bowie estate (a claim that could signal something good or something bad, depending on how you feel about attached strings), Morgen’s film draws from a purported “five millions assets” to dazzle the senses…