Cinema

‘Bottoms’ Up: Seligman and Sennott Re-Team for Wild Comedy

September 17th, 2023

By Greg Carlson

gregcarlson1@gmail.com

Rachel Sennott and Ayo Edebiri play best pals PJ and Josie, woebegone nerds hot for cheerleaders Brittany (Kaia Gerber) and Isabel (Havana Rose Liu) in a high school caste system that looks and feels quite familiar to fans of the durable teen sex comedy.

In “Bottoms,” directed by Emma Seligman – who co-wrote the screenplay with her “Shiva Baby” star Sennott – the satire, the visual gags, the gross-outs, and the gusto combine to form one…

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​Regan Takes Sundance Grand Jury Prize with Debut ‘Scrapper’

September 3rd, 2023

By Greg Carlson

gregcarlson1@gmail.com

In Sundance Grand Jury Prize winner “Scrapper,” her feature debut as writer and director, Charlotte Regan establishes a much more whimsical tone than the darker notes sounded by Charlotte Wells in her masterful “Aftersun.” There are more than enough stories exploring difficult father-daughter relationships to chalk up the similarities between the two movies as a fluke of timing, but Regan’s film faces the unenviable challenge of premiering…

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Jalali Welcomes Viewers to ‘Fremont’

August 27th, 2023

By Greg Carlson

gregcarlson1@gmail.com

In Sundance standout “Fremont,” the outwardly mundane and inwardly tumultuous experiences of a young woman from Afghanistan are spun by filmmaker Babak Jalali into gold.

Donya (Anaita Wali Zada) has left her home country for the California community of the title after spending time as a military translator. Hiding, repressing, or simply refusing to deal with complex emotions and likely PTSD (though she would deny it), Donya takes up residence in…

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Beckermann Talks About Sex in ‘Mutzenbacher’

August 21st, 2023

By Greg Carlson

gregcarlson1@gmail.com

Ruth Beckermann’s “Mutzenbacher” invites viewers to consider the traditional dynamics of the erotic novel – and subsequent filmic depictions of eroticism – by rearranging the visual furniture most closely associated with the voyeuristic gaze privileging the straight, white, male producer/consumer.

The filmmaker uses “Josephine Mutzenbacher or, The Story of a Viennese Whore as Told by Herself,” the anonymously published 1906 book, as a…

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​Adrian Tomine’s Cult Comic ‘Shortcomings’ Adapted by Randall Park in Directorial Debut

August 18th, 2023

By Greg Carlson

gregcarlson1@gmail.com

Randall Park, making his feature directorial debut, convincingly adapts Adrian Tomine’s excellent 2004-2007 graphic serial “Shortcomings.”

Tomine wrote the screenplay, which comes as a relief to longtime “Optic Nerve” fans worried that a movie wouldn’t adequately capture the particularities of the author’s beautifully minimalist lines and the mood contained in the spaces within and between the panels. The collaborators are so obviously…

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Lovers Walk in Allen-Millers Sparkling Debut ‘Rye Lane’

August 6th, 2023

By Greg Carlson

gregcarlson1@gmail.com

Available on Hulu following a world premiere at Sundance and a spring release date in the U.K., director Raine Allen-Miller’s feature debut “Rye Lane” is an ebullient drop of sunshine with more than enough charm to match its fresh and earnest spin on the romantic comedy. Even the rom-com averse will find plenty to like in the story of a meet-cute (or, given the initial sobbing, meet-pitiful) between two twenty-something Londoners reeling from…

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Squaring the Circle: The Story of Hipgnosis (2022)

July 31st, 2023

By Greg Carlson

gregcarlson1@gmail.com

Corbijn Covers Hipgnosis in ‘Squaring the Circle’

Dutch photographer, music video creator, and film director Anton Corbijn – now in his late 60s – brings his artistic insider touch to “Squaring the Circle: The Story of Hipgnosis,” an engaging and entertaining documentary examination of the massively influential team responsible for some of the most recognizable album covers of the 1970s.

Suited to the likes of rock fans and graphic design…

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​33 Years Later, ‘Paris Is Burning’ Is Still in Vogue

July 26th, 2023

By Annie Prafcke

annieprafcke@gmail.com

A bold white title card reads, “New York 1987.” Wide shots of the glimmering nighttime NYC skyline appear before we move into a lively neighborhood. Upbeat music kicks in. People are out. They’re dressed up, dancing in the street, laughing.

We follow an elegant Black drag queen, covered head to toe in sparkly, shiny gold. She struts into a dimly lit dance hall. It’s not a place of wealth but it conveys O-P-U-L-E-N-C-E opulence. Red velvet…

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Gerwig Plays With ‘Barbie’

July 23rd, 2023

By Greg Carlson

gregcarlson1@gmail.com

As fans dress up and Warner and Mattel executives celebrate box office returns, Greta Gerwig’s “Barbie” finally arrives – along with Christopher Nolan’s “Oppenheimer” – to jolt attendance and launch thousands of essays on everything from the film’s use of the Old Testament creation myth to its mockery of male fragility and the stranglehold of the patriarchy.

A rainbow-colored fantasia not aimed at the intellectual capacity of the…

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​Writer-Director Parmet’s Convincing Debut: The Starling Girl

July 20th, 2023

By Greg Carlson

gregcarlson1@gmail.com

Photo by Brian Lannin; courtesy of Bleecker Street

Laurel Parmet’s feature directorial debut “The Starling Girl” arrives on demand following a Sundance Film Festival premiere and a short theatrical window via Bleecker Street.

Finding fresh ways to depict coming-of-age stories involving matters of socially taboo topics is a tall order, but Parmet handles the story of a 17-year-old girl and her predatory youth minister with a strong sense of…

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