Cinema

Art House Heist: McQueen’s Stylish Widows

by Greg Carlson | .(JavaScript must be enabled to view this email address) | November 28th, 2018

Were it not for Steve McQueen’s professed admiration of the 1980s television series upon which his new movie is based, “Widows” might seem an unusual choice for the prestige filmmaker of “12 Years a Slave,” “Shame,” and “Hunger.” An often ridiculous Chicago-set heist movie with thematic interests in race, politics, gender, and power, McQueen’s film is easily better than utterly forgettable junk like “Triple 9” and “Den of Thieves.” McQueen shares screenplay…

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The Old Man & the Gun: Lowery Directs a Redford Victory Lap

by Greg Carlson | .(JavaScript must be enabled to view this email address) | November 28th, 2018


For my money, David Lowery has been as much fun to watch as any filmmaker of his generation. He’s a veteran editor, and it shows in the sensibilities, qualities, and pacing of his previous trio of features, the curious line-up of “Ain’t Them Bodies Saints,” “Pete’s Dragon,” and “A Ghost Story.” Lowery has also directed episodic television, a whole bunch of short subjects, the 2009 feature “St. Nick,” and shares directorial credit with three others on the 2005…

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A Holiday Special in a Grindflicks Far, Far Away

by John Showalter | .(JavaScript must be enabled to view this email address) | November 14th, 2018


photograph provided by Grindflicks Fargo

A long time ago (1977) in a galaxy far, far away (20th Century Fox) there was a film released called “Star Wars Episode IV: A New Hope.” George Lucas introduced the world to his Flash Gordon-inspired space opera featuring a plucky Rebel Alliance of freedom fighters battling the oppressive regime of the Galactic Empire. The rest, as they say, is history. The tales of intergalactic derring-do captured the public’s imagination and “Star Wars” became an entertainment…

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Danse Macabre: Guadagnino Reimagines “Suspiria”

by Greg Carlson | .(JavaScript must be enabled to view this email address) | November 14th, 2018


WARNING: The following review reveals plot information. Read only if you have seen “Suspiria”

Luca Guadagnino’s ambitious reimagining of Dario Argento’s “Suspiria,” the first installment of the cult director’s Three Mothers trilogy, honors its inspiration with shocking spasms of gore and mind-bending phantasmagoria. Expectedly, Guadagnino also approaches the remake with carefully considered storytelling, stretching the 1977 film’s 98-minute running time to a near…

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Oh hi Mark…

by James Osborne | .(JavaScript must be enabled to view this email address) | November 7th, 2018


graphics by Raul Gomez

If you Google something, anything, about halfway down the page you’ll find the “People Also Ask” section. The results of this section are, not surprisingly, determined by the most commonly asked questions which leads users to the most commonly clicked links. When I Googled “The Room Movie” last year “Is the movie “The Room” a comedy?” was at the top of that list.

By the way, "The Room", for those of you who just found out about media, is the 2003 film funded, produced…

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Hill Looks Back at the “Mid90s”

by Greg Carlson | .(JavaScript must be enabled to view this email address) | November 7th, 2018

Jonah Hill’s feature directorial debut, which he also wrote, is a textbook bildungsroman of the hetero-masculine variety, a finely tuned throwback to the “Mid90s” of its title smart enough to locate the universal experiences that everyone -- regardless of generation -- recognizes. Shot on gorgeous Super 16mm in a 4:3 aspect ratio by ace photographer and regular Kelly Reichardt collaborator Christopher Blauvelt, Hill’s lean slice of life, which runs a fleet 84 minutes, is as…

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Filmworker: In Kubrick’s Shadow

by Greg Carlson | .(JavaScript must be enabled to view this email address) | October 31st, 2018

Unknown to the general public but fascinating to followers of Stanley Kubrick, the name Leon Vitali takes center stage in Tony Zierra’s “Filmworker.” Vitali, who moved from the onscreen role of Lord Bullingdon in “Barry Lyndon” to the offscreen one as Kubrick’s general factotum for a quarter of a century, may have been credited as the famous director’s “personal assistant,” but Zierra reveals the astonishing extent of Vitali’s loyalty. Drawing from a deep trove of…

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Turkish flix mega mix

by Greg Carlson | .(JavaScript must be enabled to view this email address) | October 24th, 2018


design by Raul Gomez

On Thursday, November 15 at the Sanctuary Events Center, Grindflicks will present “Turkish Movie Showcase: A Mega Mix of Turkish Flix.” Tickets for the 21+ event are five dollars at the door, which opens at 7:00 p.m. The movie starts at 8:00 p.m.

HPR film editor Greg Carlson talked to Grindflicks founder and events coordinator Randal Black, who has been bringing the best in exploitation cinema to Fargo audiences since 2010, about the wild allure of unofficial re-imaginings of some…

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First Man: Chazelle and Gosling Take a Moonwalk

by Greg Carlson | .(JavaScript must be enabled to view this email address) | October 17th, 2018

Damien Chazelle’s fourth feature follows the trajectory common to the careers of many ambitious and talented filmmakers honored with Academy Awards: the dissipation of rawness and experimentation as budgets, expectations, and stakes increase. “First Man,” a deeply self-serious adaptation of James R. Hansen’s Neil Armstrong biography of the same name, is the first of Chazelle’s features written by someone other than the director (the screenplay is the work of “Spotlight”…

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A Star Is Born

by Greg Carlson | .(JavaScript must be enabled to view this email address) | October 10th, 2018


Carlson - A Star is Born

WARNING: The following review reveals plot information. Read only if you have seen “A Star Is Born”

Bradley Cooper directs himself and Lady Gaga in the fourth version of the show business perennial “A Star Is Born.” Despite looking, at least on the surface, like a calculated shot at Oscar recognition and glory, Cooper’s own history with substance abuse and suicidal ideation marks the familiar story with a deep personal connection. The chemistry between the leads and the…

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by HPR Contributor

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