Cinema

​Reichardt pulls a heist: ‘The Mastermind’

January 19th, 2026

By Greg Carlson


There is a great scene in the middle of Kelly Reichardt’s excellent movie “The Mastermind” when protagonist James Blaine Mooney (Josh O’Connor) is chastised by criminally-connected wheelman Jerry (the wonderful Matthew Maher), who dresses down the would-be art thief for his gross incompetence and naivete. J.B., whose goose by now is seemingly cooked, sulks in the back seat while Jerry chuckles at all the mistakes that led his passenger to failure. The perpetually…

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​Naomi Jaye directs Britt Lower in ‘Darkest Miriam’

January 12th, 2026

By Greg Carlson


Writer-director Naomi Jaye adapts fellow Canadian Martha Baillie’s 2009 novel “The Incident Report” as a potent and introspective character study. Retitled “Darkest Miriam,” Jaye’s movie stars Britt Lower as a Toronto librarian quietly observing a parade of quirky patrons whose behavior occasionally necessitates the filing of official workplace memos. Bibliophiles and public library supporters might represent some of the likeliest potential fans of the…

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​Fastvold marks the agony and the ecstasy of ‘The Testament of Ann Lee’

January 5th, 2026

By Greg Carlson

gregcarlson1@gmail.com

Director Mona Fastvold’s “The Testament of Ann Lee” frequently writhes and gesticulates with a hypnotizing mysticism that mirrors the fervor of its title character. At its absolute best when reaching for the strange and inexplicable, the movie — stunningly photographed by William Rexer — also shrinks and retreats when focused on the more basic historical outlines of the early development of the Shaker faith in the northwest of England and then…

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​Making the Magazine: Curry Subscribes to ‘The New Yorker at 100’

December 29th, 2025

By Greg Carlson

gregcarlson1@gmail.com

Available on Netflix, Marshall Curry’s “The New Yorker at 100” takes the measure of the venerable publication as a compact primer aiming to please longtime readers and potential new converts. The Oscar-winning filmmaker toggles between key historical moments and the preparation of the magazine’s centennial issue, following several personalities devoted to the care and keeping of the special recipe that has enthralled us decade after decade.…

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​‘Marty Supreme’ Looks for a Big Bounce

December 29th, 2025

By Greg Carlson


There is no rule demanding that our main characters be good human beings. Paul Newman’s Hud Bannon? A charming, selfish snake. Robert De Niro’s Travis Bickle? A ticking time bomb. Jason Schwartzman’s Max Fischer? A conniving, immature pest. And now we can add Timothée Chalamet’s mid-twentieth century table tennis hustler Marty Mauser to the list of folks we would likely cross the street to avoid should we have the misfortune to encounter them in our real lives.…

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Peck explores world and words in ‘Orwell: 2+2=5’

December 16th, 2025

By Greg Carlson

gregcarlson1@gmail.com

The brilliant film essayist and documentarian Raoul Peck tackles the looming shadow of contemporary American and international totalitarianism in “Orwell: 2+2=5.” Following a May debut at Cannes and a fall theatrical release, the troubling and worthwhile movie is now available to rent from the major streaming services. Meticulously researched and exactingly visualized, Peck’s critique would reverberate even more like a desperate and…

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​Be here now: Zhao stages a powerful “Hamnet”

December 9th, 2025

By Greg Carlson

gregcarlson1@gmail.com

Cinephiles who fell in love early with Chloe Zhao’s remarkable moviemaking gifts will point to the blend of unpolished performances, raw emotion and stunning visuals on display in “Songs My Brothers Taught Me” and “The Rider.” Those two features laid the groundwork that earned Best Picture, Best Director and Best Actress Oscars for mainstream breakthrough “Nomadland” and then the odd and polarizing Marvel superhero entry…

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​Trier’s family ties: ‘Sentimental Value’

December 2nd, 2025

By Greg Carlson

gregcarlson1@gmail.com

Joachim Trier’s “Sentimental Value” continues to make an award-season push for recognition as it expands to additional screens following its initial premiere in May at the Cannes Film Festival, where it was awarded the Grand Prix. Both longtime and more recent fans of the filmmaker will be dazzled by Trier’s command of the cinematic medium. The auteur, writing again with longtime collaborator Eskil Vogt, locates the sweet spot between…

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​All in the ‘Rental Family’

November 24th, 2025

By Greg Carlson

gregcarlson1@gmail.com

Japanese director Hikari, born in Osaka and originally named Mitsuyo Miyazaki, is poised for a significant stateside breakthrough with “Rental Family,” the new film she co-wrote with Stephen Blahut. Already generating some limited (and possibly wishful) Oscar nomination buzz for lead Brendan Fraser, “Rental Family” joins “The Phoenician Scheme,” “One Battle After Another,” and “Sentimental Value” in a curious group of recent…

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DaCosta and Thompson go to work on Ibsen

November 18th, 2025

By Greg Carlson

gregcarlson1@gmail.com

In “Hedda,” Nia DaCosta’s bold adaptation of Henrik Ibsen’s celebrated 1891 play, the filmmaker reunites with longtime collaborator Tessa Thompson, who starred in DaCosta’s directorial debut “Little Woods” (screened, among other places, in the Fargo Film Festival). DaCosta makes several audacious alterations to the original text, switching the setting from Kristiania (Oslo) to 1950s England. The writer-director also centralizes a queer…

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