Cinema

​Be here now: Zhao stages a powerful “Hamnet”

December 9th, 2025

By Greg Carlson

gregcarlson1@gmail.com

Cinephiles who fell in love early with Chloe Zhao’s remarkable moviemaking gifts will point to the blend of unpolished performances, raw emotion and stunning visuals on display in “Songs My Brothers Taught Me” and “The Rider.” Those two features laid the groundwork that earned Best Picture, Best Director and Best Actress Oscars for mainstream breakthrough “Nomadland” and then the odd and polarizing Marvel superhero entry…

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​Trier’s family ties: ‘Sentimental Value’

December 2nd, 2025

By Greg Carlson

gregcarlson1@gmail.com

Joachim Trier’s “Sentimental Value” continues to make an award-season push for recognition as it expands to additional screens following its initial premiere in May at the Cannes Film Festival, where it was awarded the Grand Prix. Both longtime and more recent fans of the filmmaker will be dazzled by Trier’s command of the cinematic medium. The auteur, writing again with longtime collaborator Eskil Vogt, locates the sweet spot between…

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​All in the ‘Rental Family’

November 24th, 2025

By Greg Carlson

gregcarlson1@gmail.com

Japanese director Hikari, born in Osaka and originally named Mitsuyo Miyazaki, is poised for a significant stateside breakthrough with “Rental Family,” the new film she co-wrote with Stephen Blahut. Already generating some limited (and possibly wishful) Oscar nomination buzz for lead Brendan Fraser, “Rental Family” joins “The Phoenician Scheme,” “One Battle After Another,” and “Sentimental Value” in a curious group of recent…

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DaCosta and Thompson go to work on Ibsen

November 18th, 2025

By Greg Carlson

gregcarlson1@gmail.com

In “Hedda,” Nia DaCosta’s bold adaptation of Henrik Ibsen’s celebrated 1891 play, the filmmaker reunites with longtime collaborator Tessa Thompson, who starred in DaCosta’s directorial debut “Little Woods” (screened, among other places, in the Fargo Film Festival). DaCosta makes several audacious alterations to the original text, switching the setting from Kristiania (Oslo) to 1950s England. The writer-director also centralizes a queer…

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​Lawrence plays spiraling new mother in ‘Die My Love’

November 12th, 2025

By Greg Carlson

gregcarlson1@gmail.com

Scottish moviemaker Lynne Ramsay adds the fifth feature to her filmography with “Die My Love,” an adaptation of Argentine writer Ariana Harwicz’s 2012 novel. Co-written by Ramsay, Enda Walsh and Alice Birch, the movie eavesdrops on the unraveling of a young woman struggling to adjust to life following the acquisition of a new husband, a new home and a new baby. Jennifer Lawrence, in an expectedly committed performance, plays the tellingly…

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​Lanthimos and Stone seek more honey in fourth film together

November 3rd, 2025

By Greg Carlson

gregcarlson1@gmail.com

As a reflection on our perilous political landscape, “Bugonia,” from the ever curious and boundary-stretching auteur Yorgos Lanthimos, joins several other 2025 releases that have something to say about a deeply divided populace and the fine line between order and chaos. Landing somewhere between “One Battle After Another” and “Eddington” on the “both sides are bad” spectrum, “Bugonia” is smaller in scale than either of those…

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​Merlant Rounds Up ‘The Balconettes’

October 28th, 2025

By Greg Carlson

gregcarlson1@gmail.com

Noémie Merlant, working from a script she wrote with Pauline Munier and her “Portrait of a Lady on Fire” collaborator Celine Sciamma, directs herself in “The Balconettes” (the clever/cheeky English-language retitling of the original French “Les femmes au balcon”). An antic and frantic feminist horror-comedy thriller, “The Balconettes” nods to Hitchcock’s classic “Rear Window” by way of Pedro Almodovar’s many candy-colored…

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​Hanks remembers a Titan: ‘John Candy: I like me’

October 20th, 2025

By Greg Carlson

gregcarlson1@gmail.com

Now available on Amazon Prime following its world premiere last month as the opening night selection of the Toronto International Film Festival’s golden anniversary, “John Candy: I Like Me” is a heartfelt and star-studded appreciation of the late actor, who died in 1994 at the age of 43. The movie’s director is actor/filmmaker Colin Hanks, and his connections prove most valuable in attracting a phenomenal gallery of household-name talent who…

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Philippe connects with Hollywood legend in ‘Kim Novak’s Vertigo’

October 13th, 2025

By Greg Carlson

gregcarlson1@gmail.com

Dream-factory documentarian Alexandre O. Philippe connects with a Hollywood legend in “Kim Novak’s Vertigo,” the latest in a series of features exploring the filmmaker’s many movie-related passions and obsessions. In my 2022 review for the fascinating and accomplished “Lynch/Oz,” I wrote, “Philippe has continued to develop a confident storytelling voice somewhere between the accessibility of Laurent Bouzereau and Jamie Benning and the…

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​Morgan has fun with some stiff competition in ‘Bone Lake’

October 6th, 2025

By Greg Carlson

gregcarlson1@gmail.com

The multiple meanings of the title location in Mercedes Bryce Morgan’sBone Lake” cover the sex and death spectrum that will flummox Diego (Marco Pigossi) and Sage (Maddie Hasson) as soon as they discover their well-appointed getaway rental has been double-booked to Will (Alex Roe) and Cin (Andra Nechita). Well before the age of Airbnb and Vrbo, storytellers have enjoyed toying with the possibilities of frustrated travelers who must figure…

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