Cinema

​Wedding bell blues: outstanding “Anora” one of the year’s best

November 13th, 2024

By Greg Carlson

gregcarlson1@gmail.com

Sean Baker’s Palme d’Or winner “Anora” is one of the year’s best. Fans of the formidable filmmaker might not claim that the beautifully crafted melodrama, which can turn on a dime between outrageous comic farce and heartbreaking humanist plea, is necessarily a better movie than “The Florida Project,” but “Anora” is of a piece with the grand thematic arc of Baker’s filmography. Memorably, the director dedicated the Cannes honor to…

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​Kuras and Winslet imagine the life of World War II photographer Miller in “Lee”

November 4th, 2024

By Greg Carlson

gregcarlson1@gmail.com

The brilliant cinematographer Ellen Kuras makes her narrative feature directorial debut with the long-gestating biopic “Lee.” Reuniting with Kate Winslet, with whom she worked on “Eternal Sunshine of the Spotless Mind,” Kuras explores the career highlights of model turned World War II photographer Lee Miller, whose images of Buchenwald and Dachau are among the most immediate and gripping concentration camp photos of the historic record.…

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​Lindy seeks love and romance with ‘Your Monster’

October 28th, 2024

By Greg Carlson

gregcarlson1@gmail.com

Caroline Lindy expands her short film “Your Monster” to feature length with mixed results. The movie premiered in the Midnight section of the Sundance Film Festival in January, but makes for a thematically appropriate Halloween season experience for romantics and theater kids seeking a not-too-scary fantasy. Despite the somewhat exaggerated and limiting appellation tagging her as a new “scream queen,” star Melissa Barrera comfortably steps…

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​Pugh and Garfield make ‘We Live in Time’ work

October 21st, 2024

By Greg Carlson

gregcarlson1@gmail.com

The unsurprising reality that director John Crowley offers absolutely nothing new should not — and will not —deter fans of the weepie from purchasing tickets to “We Live in Time.” The opportunity to see the impossibly appealing domesticity and sparking chemistry of Florence Pugh and Andrew Garfield as a fantasy couple faced with a double dose of ovarian cancer implores us to get out our very best embroidered hankies and buckle up for a ride on…

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​We all scream for ‘We Watch Shudder’

October 17th, 2024

By John Showalter

john.d.showalter@gmail.com

It’s that time of year again: October, the so-called “Spooky Season” where people partake in everything macabre. From costume parties to scary movie marathons, folks can’t get enough chills leading up to Halloween. However, for one locally hosted podcast, the spirit of Halloween is a year-long affair. “We Watch Shudder” is the passion project of JD Provorse and Michelle Roller.

“We met many years ago at, I believe, the Red Raven,…

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​‘The Outrun’: Ronan and Fingscheidt dive into the ocean of alcoholism

October 14th, 2024

By Greg Carlson

gregcarlson1@gmail.com

German filmmaker Nora Fingscheidt’s adaptation of Amy Liptrot’s 2016 memoir “The Outrun” premiered at the Sundance Film Festival in January to mostly favorable reviews. Star Saoirse Ronan’s performance attracted the most acclaim, but praise was also bestowed on Yunus Roy Imer’s impressive cinematography, which paints the fierce beauty of Scotland’s Orkney Islands as a character equal to Ronan’s Rona, a woman in her late 20s…

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​Park’s double fantasy: ‘My Old Ass’

October 7th, 2024

By Greg Carlson

gregcarlson1@gmail.com

My Old Ass,” the title of Megan Park’s sophomore feature, probably didn’t do the movie any favors at the box office, but it is as spiky and forward as protagonist Elliott, an 18-year-old caught between adolescence and adulthood. Currently finishing up a theatrical run following a world premiere at the 2024 Sundance Film Festival, Park’s movie is a bittersweet coming of age tale that blends romance, melodrama, and even a touch of science…

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​Two in one: Fargeat applies ‘The Substance’

October 1st, 2024

By Greg Carlson

gregcarlson1@gmail.com

The epic ambitions of Coralie Fargeat’s sophomore feature “The Substance” are trumpeted by its whopping 141-minute running time, a length that may please body horror aficionados and exhaust the less patient. Demi Moore is brilliantly cast as Elisabeth Sparkle, a longtime media personality and aerobics segment host whose cruel boss (an absolutely repulsive Dennis Quaid) fires her in favor of a newer and younger ingénue. A devastated Elisabeth…

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​Wilcha Drops the Needle on ‘Flipside’

September 30th, 2024

By Greg Carlson

gregcarlson1@gmail.com

Chris Wilcha’s excellent documentary “Flipside,” now available to rent on major streaming platforms following a successful run of film festival appearances, is essential viewing for Gen X pop culture hounds and any artists who have abandoned more creative projects than they have finished. Despite a thriving career as a director of television spots for major corporate clients, Wilcha confesses a familiar conundrum for so many film and media…

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​Sun, moon and stars: Baker orbits ‘Janet Planet’

September 16th, 2024

By Greg Carlson

gregcarlson1@gmail.com

The Pulitzer Prize-winning playwright Annie Baker makes an auspicious feature directorial debut with the bracing and stimulating coming-of-age story “Janet Planet.” Focusing on the microscopic details of a complex mother-daughter relationship, the movie is now available to rent on major streaming services following a theatrical run. Baker’s transition from the stage to the screen proves to be a best-of-both-worlds proposition; “Janet…

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