Cinema

​Ferguson Looks at a Movie Icon

January 27th, 2025

By Greg Carlson

gregcarlson1@gmail.com

In a little more than a quarter of the 20th century spanning the 1930s, 1940s and part of the 1950s, Humphrey Bogart built one of the quintessential American filmographies. Stubborn, tenacious, and devoted to his craft, the actor played plenty of thugs and toughs before the eventual turn that would establish leading man bona fides and open the door to a more satisfying range of roles. Belfast-born filmmaker Kathryn Ferguson, whose excellent…

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​We danced with the dream man

January 20th, 2025

By Greg Carlson

gregcarlson1@gmail.com

For so many of us, the news announcing the death of the brilliant David Keith Lynch — who died just a few days short of his 79th birthday — interrupted beautiful blue skies and golden sunshine all along the way. Close followers and fans were shocked but not necessarily surprised. In August of 2024, Lynch addressed concerns about his declining health, issuing a statement that read in part, “I have to say that I enjoyed smoking very much, and I do…

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​King Ghezo’s homecoming: Mati Diop’s excellent documentary ‘Dahomey’ among Best of 2024

January 13th, 2025

By Greg Carlson

gregcarlson1@gmail.com

The Paris-born filmmaker Mati Diop made a major splash in 2019 with the fascinating feature “Atlantics,” which received the Grand Prix at Cannes. A supernatural reimagining inspired by her 2009 nonfiction short, Diop’s movie also marked the first time a film directed by a Black woman played in competition at the famous festival. Diop’s father is the Senegalese musician Wasis Diop and her late uncle Djibril Diop Mambéty directed the landmark…

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​Kapadia’s City Song: ‘All We Imagine as Light’

January 6th, 2025

By Greg Carlson

gregcarlson1@gmail.com

Indian filmmaker Payal Kapadia’s narrative fiction feature debut “All We Imagine as Light” is, among other things, a cinematic consideration of place. The movie begins but does not end in Mumbai, and the viewer hears multiple languages spoken throughout the deceptively simple and seductive story. Like Varda’s Paris in “Cléo From 5 to 7” (1962), Wong’s Hong Kong in “Chungking Express” (1994), and the titular Rio suburb in Meirelles…

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​Reijn Introduces ‘Babygirl’

December 30th, 2024

By Greg Carlson

gregcarlson1@gmail.com

Dutch filmmaker Halina Reijn’s previous feature, “Bodies Bodies Bodies,” was a dizzy, snarky riff on the Old Dark House motif and one of 2022’s most slept-on cinematic treats. Now, with a major Oscar-winning star in Nicole Kidman and a high-visibility Christmas Day release, the director — who also wrote the screenplay and produced — is poised to raise her profile with “Babygirl.” A throwback to the era of psychologically-motivated…

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​Made in England: Powell/Pressburger documentary hits the bullseye

December 23rd, 2024

By Greg Carlson

gregcarlson1@gmail.com

Essential viewing for cinephiles of any generation, director David Hinton’s engrossing documentary, “Made in England: The Films of Powell and Pressburger,” celebrates one of cinema’s most fruitful partnerships. Hosted by on-screen narrator Martin Scorsese, whose personal relationship with Powell is addressed in the film, “Made in England” is a heartfelt tribute to the uncompromising vision of a pair of remarkable artists. Like previous…

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Corbet designs the American dream/nightmare in ‘The Brutalist’

December 17th, 2024

By Greg Carlson

gregcarlson1@gmail.com

Brady Corbet, the American screen actor turned auteur, is only 36 years old. He doesn’t enjoy the same level of fan adoration that accompanies the projects of Paul Thomas Anderson, Wes Anderson, Christopher Nolan and the like, but one imagines that the filmmaker hopes that his third feature film could change that status. Alexandra Schwartz’s fresh profile of Corbet and “The Brutalist” in The New Yorker acknowledges the risks of old-fashioned…

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​Eggers Unwraps New “Nosferatu” on Christmas Day

December 9th, 2024

By Greg Carlson

gregcarlson1@gmail.com

For the better part of a decade, filmmaker Robert Eggers has worked toward the realization of an adaptation of “Nosferatu,” the genre-defining horror masterpiece originally brought to the screen by F. W. Murnau in 1922. The wait, as it turns out, has been well worth it. Murnau’s German Expressionist creepshow, still commanding attention more than a century after its unholy birth, previously inspired Werner Herzog’s 1979 stab featuring…

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Arnold takes flight with ‘Bird’

December 2nd, 2024

By Greg Carlson

gregcarlson1@gmail.com

The Oscar-winning writer-director Andrea Arnold returns to scripted, feature-length fiction filmmaking with the quintessentially Arnoldian “Bird,” an unsettling coming-of-age tale set in the hard-edged environs of northern Kent. Arnold’s own personal history, which includes teenage parents and a council estate residency during childhood, has previously inspired the autobiographical impulse in her filmmaking. The fantasy elements that govern…

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Cousins imagines the master: ‘My Name Is Alfred Hitchcock’

November 25th, 2024

By Greg Carlson

gregcarlson1@gmail.com

For many years, Mark Cousins has been one of the most ambitious chroniclers of movie culture. The indefatigable documentarian might be best known for his 2011 project “The Story of Film: An Odyssey.” That 930-minute epic was programmed in America on Turner Classic Movies and is now available on physical media along with its 2021 sequel, “The Story of Film: A New Generation.” “My Name Is Alfred Hitchcock,” running a “mere” 120…

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