Cinema

​Kapadia’s City Song: ‘All We Imagine as Light’

January 6th, 2025

By Greg Carlson

gregcarlson1@gmail.com

Indian filmmaker Payal Kapadia’s narrative fiction feature debut “All We Imagine as Light” is, among other things, a cinematic consideration of place. The movie begins but does not end in Mumbai, and the viewer hears multiple languages spoken throughout the deceptively simple and seductive story. Like Varda’s Paris in “Cléo From 5 to 7” (1962), Wong’s Hong Kong in “Chungking Express” (1994), and the titular Rio suburb in Meirelles…

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​Reijn Introduces ‘Babygirl’

December 30th, 2024

By Greg Carlson

gregcarlson1@gmail.com

Dutch filmmaker Halina Reijn’s previous feature, “Bodies Bodies Bodies,” was a dizzy, snarky riff on the Old Dark House motif and one of 2022’s most slept-on cinematic treats. Now, with a major Oscar-winning star in Nicole Kidman and a high-visibility Christmas Day release, the director — who also wrote the screenplay and produced — is poised to raise her profile with “Babygirl.” A throwback to the era of psychologically-motivated…

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​Made in England: Powell/Pressburger documentary hits the bullseye

December 23rd, 2024

By Greg Carlson

gregcarlson1@gmail.com

Essential viewing for cinephiles of any generation, director David Hinton’s engrossing documentary, “Made in England: The Films of Powell and Pressburger,” celebrates one of cinema’s most fruitful partnerships. Hosted by on-screen narrator Martin Scorsese, whose personal relationship with Powell is addressed in the film, “Made in England” is a heartfelt tribute to the uncompromising vision of a pair of remarkable artists. Like previous…

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Corbet designs the American dream/nightmare in ‘The Brutalist’

December 17th, 2024

By Greg Carlson

gregcarlson1@gmail.com

Brady Corbet, the American screen actor turned auteur, is only 36 years old. He doesn’t enjoy the same level of fan adoration that accompanies the projects of Paul Thomas Anderson, Wes Anderson, Christopher Nolan and the like, but one imagines that the filmmaker hopes that his third feature film could change that status. Alexandra Schwartz’s fresh profile of Corbet and “The Brutalist” in The New Yorker acknowledges the risks of old-fashioned…

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​Eggers Unwraps New “Nosferatu” on Christmas Day

December 9th, 2024

By Greg Carlson

gregcarlson1@gmail.com

For the better part of a decade, filmmaker Robert Eggers has worked toward the realization of an adaptation of “Nosferatu,” the genre-defining horror masterpiece originally brought to the screen by F. W. Murnau in 1922. The wait, as it turns out, has been well worth it. Murnau’s German Expressionist creepshow, still commanding attention more than a century after its unholy birth, previously inspired Werner Herzog’s 1979 stab featuring…

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Arnold takes flight with ‘Bird’

December 2nd, 2024

By Greg Carlson

gregcarlson1@gmail.com

The Oscar-winning writer-director Andrea Arnold returns to scripted, feature-length fiction filmmaking with the quintessentially Arnoldian “Bird,” an unsettling coming-of-age tale set in the hard-edged environs of northern Kent. Arnold’s own personal history, which includes teenage parents and a council estate residency during childhood, has previously inspired the autobiographical impulse in her filmmaking. The fantasy elements that govern…

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Cousins imagines the master: ‘My Name Is Alfred Hitchcock’

November 25th, 2024

By Greg Carlson

gregcarlson1@gmail.com

For many years, Mark Cousins has been one of the most ambitious chroniclers of movie culture. The indefatigable documentarian might be best known for his 2011 project “The Story of Film: An Odyssey.” That 930-minute epic was programmed in America on Turner Classic Movies and is now available on physical media along with its 2021 sequel, “The Story of Film: A New Generation.” “My Name Is Alfred Hitchcock,” running a “mere” 120…

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​Grimonprez’s music history lesson: ‘Soundtrack to a Coup d’Etat’

November 18th, 2024

By Greg Carlson

gregcarlson1@gmail.com

Certain to be included on a sizable number of 2024 best-of lists, Johan Grimonprez’s striking “Soundtrack to a Coup d’Etat” is essential viewing for political history and jazz music aficionados. The ambitious essay-style documentary experience, clocking in at a hefty (but never dull) 150 minutes, connects the dots linking the 1961 assassination of Congolese politician Patrice Lumumba to a grand narrative pulling together race, power,…

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​Wedding bell blues: outstanding “Anora” one of the year’s best

November 13th, 2024

By Greg Carlson

gregcarlson1@gmail.com

Sean Baker’s Palme d’Or winner “Anora” is one of the year’s best. Fans of the formidable filmmaker might not claim that the beautifully crafted melodrama, which can turn on a dime between outrageous comic farce and heartbreaking humanist plea, is necessarily a better movie than “The Florida Project,” but “Anora” is of a piece with the grand thematic arc of Baker’s filmography. Memorably, the director dedicated the Cannes honor to…

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​Kuras and Winslet imagine the life of World War II photographer Miller in “Lee”

November 4th, 2024

By Greg Carlson

gregcarlson1@gmail.com

The brilliant cinematographer Ellen Kuras makes her narrative feature directorial debut with the long-gestating biopic “Lee.” Reuniting with Kate Winslet, with whom she worked on “Eternal Sunshine of the Spotless Mind,” Kuras explores the career highlights of model turned World War II photographer Lee Miller, whose images of Buchenwald and Dachau are among the most immediate and gripping concentration camp photos of the historic record.…

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