June 17th, 2024
By Greg Carlson
In their previous feature, the 2021 Sundance Film Festival Next selection “We’re All Going to the World’s Fair,” director Jane Schoenbrun shaped the raw materials of electronically-mediated internet communication to explore thresholds, boundaries, and the construction of identities. “I Saw the TV Glow,” while no less raw and unsettling, marks a significant step in the filmmaker’s evolution, shifting from the more directly participatory…
June 3rd, 2024
By Greg Carlson
A more than serviceable portrait of the beloved artist, “Jim Henson: Idea Man” debuts on Disney+ this weekend. As organized by director Ron Howard, the documentary presents a primarily chronological overview of career highlights mixed with behind-the-scenes considerations of children and marriage. While the latter component is sanitized — predictably, given the full participation and cooperation of the Henson family — Howard circles the…
June 1st, 2024
By Greg Carlson
gregcarlson1@gmail.com
Ilana Glazer is the co-writer and co-star of director Pamela Adlon’s comedy “Babes,” an appealing, if familiar, buddy movie that builds around the ups and downs of an unexpected pregnancy. The busy Glazer, best known for “Broad City,” returns to the general thematic territory she explored in the 2021 horror film “False Positive” (for which she also served as performer and co-screenwriter), trading the dread – if not the anxiety –…
May 20th, 2024
By Greg Carlson
Horror fans who loved director Tomas Alfredson’s terrific 2008 adaptation of John Ajvide Lindkvist’s vampire novel “Let the Right One In” will find much to appreciate about “Handling the Undead.” Based on Lindkvist’s second book, Norwegian filmmaker Thea Hvistendahl’s movie reimagines the slow zombie premise with a seemingly contradictory blend of the elegant and the macabre. An instant classic right at home within the popular…
May 15th, 2024
By Greg Carlson
Now available to stream following a quiet and disappointing North American theatrical release, filmmaker Alice Rohrwacher’s “La Chimera” should not be missed. Josh O’Connor, whose recent work for another Italian director in “Challengers” has been more widely seen, gives an equally compelling performance alongside a supporting cast worthy of Fellini. Expanding the remarkably personal storytelling developed since feature narrative debut…
May 6th, 2024
The undeniable chemistry between stars Emily Blunt and Ryan Gosling in David Leitch’s “The Fall Guy” is a significant selling point in what is surely one of the most heavily marketed movies of the year. A mashup of the rom-com and the action/crime thriller, Leitch’s latest is an inside-baseball wink and a frisky and frolicsome spree that gets a lot of mileage from its additional genre status as a movie-quoting Hollywood metanarrative. Loosely based on the 1981 to 1986 ABC series…
April 30th, 2024
By Greg Carlson
“I’m not a homewrecker,” insists Zendaya’s Tashi Duncan as she prematurely ends a three-way encounter involving doubles partners and best pals Art Donaldson (Mike Faist) and Patrick Zweig (Josh O’Connor). Tashi’s instincts will hold serve throughout Luca Guadagnino’s sweaty, sexy, and ridiculously entertaining “Challengers.” Guadagnino’s fascinating, enviable filmography is stocked with triumphs large and small. From 2009…
April 22nd, 2024
By Greg Carlson
Surely one of the year’s unlikeliest and most wondrous theatrical experiences, “Sasquatch Sunset,” from beloved indie storytellers David and Nathan Zellner, premiered at the Sundance Film Festival to a range of critical responses that match the breadth of the film’s own expansive agenda. Following a quartet of hairy hominids — of the familiar bipedal cryptid sort that has fueled legends of Bigfoot and Yeti in cultures around the world — …
April 15th, 2024
By Greg Carlson
Documentarian Lance Oppenheim’s “Spermworld” boasts a killer hook to attract the curious: unregulated sperm donors who use social media to offer services to women unhappy with the options provided by traditional “banks.” The filmmaker’s latest feature was inspired by the 2021 New York Times article by Nellie Bowles titled “The Sperm Kings Have a Problem: Too Much Demand.” Using a range of techniques that often mirror the way dramatic…
April 8th, 2024
By Greg Carlson
Nobody will mistake director Thea Sharrock’s undercooked “Wicked Little Letters” for Henri-Georges Clouzot’s 1943 “Le Corbeau.” Or, for that matter, Otto Preminger’s “Le Corbeau” remake “The 13th Letter” (1951). The poison pen concept has fueled many film plots, and this latest iteration at least has the good sense (or fortune) to feature first-rate performances by Jessie Buckley and Olivia Colman, along with a sturdy…