January 18th, 2024
By Greg Carlson
gregcarlson1@gmail.com
The rough UK equivalent of America’s hedonistic spring break rite of passage, the annual descent of sun-seeking young people on tourist-friendly coastal resorts in Greece, Spain, and other spots following stressful academic exams conjures up youthquake fantasies and parental nightmares in equal measure. The provocative title of filmmaker Molly Manning Walker’s feature directorial debut “How to Have Sex” partially obscures the layered meanings…
January 11th, 2024
By Greg Carlson
gregcarlson1@gmail.com
The combination of biographical information and artist statement found under the “about” tab at Ann Oren’s website partly reads, “By dissolving distinctions between plant, animal and human, she asks what it is to be human in an ecosystem immersed in digital culture. Questions about intimacy and identity keep emerging through various audio-visual approaches, while exploring gender, fictosexuality, animality, interspecies and other hybrid…
December 22nd, 2023
By Greg Carlson
gregcarlson1@gmail.com
In a movie year that brought to life an iconic plastic fashion doll and a theoretical physicist who ushered in the Atomic Age, there was no shortage of memorable characters.
But for my money, the crown for the most remarkable cinematic creation of 2023 sits atop the head of reanimated adventurer Bella Baxter. Brought to life (after death) by Emma…
December 18th, 2023
By Greg Carlson
gregcarlson1@gmail.com
Loosely based on the 2014 novel by Martin Amis, Jonathan Glazer’s adaptation of “The Zone of Interest” makes a perfect visual companion to the great political thinker Hannah Arendt’s most quoted concept.
Introduced in her 1961 work for “The New Yorker” and then incorporated into the title of the 1963 book “Eichmann in Jerusalem: A Report on the Banality of Evil,” Arendt’s argument that the Nazi bureaucrat fulfilled his duties…
December 10th, 2023
By Greg Carlson
gregcarlson1@gmail.com
Bubbling up on multiple 2023 best-of lists and qualified for a possible Oscar nomination as Argentina’s international feature entry (prior to the eventual finalists, the fifteen shortlisted titles will be announced on December 21, 2023), Rodrigo Moreno’s excellent “The Delinquents” is a thoroughly satisfying slice of contemplative slow cinema.
A simmering heist movie (in the loosest sense), the film uses the basic premise of an inside job as…
December 3rd, 2023
By Greg Carlson
gregcarlson1@gmail.com
Australian filmmaker Kitty Green’s brilliant nonfiction movies, including the superb “Casting JonBenet,” laid the groundwork for the director’s recent interest in narrative features.
In “The Royal Hotel,” Green reteams with Julia Garner (who starred in Green’s “The Assistant”) for another searing depiction of the ways in which women must carefully navigate a world filled with what one character almost offhandedly refers to as…
November 27th, 2023
By Greg Carlson
gregcarlson1@gmail.com
“Saltburn,” the highly anticipated follow-up to “Promising Young Woman” – which earned Oscar gold for Best Original Screenplay – doesn’t quite equal the bite and sting of writer-director Emerald Fennell’s feature debut, but not for lack of trying. The deafening buzz isn’t likely to translate into its predecessor’s award season accolades, but the curious will be drawn to Fennell’s wicked sense of bleak and black comedy, the…
November 19th, 2023
By Greg Carlson
gregcarlson1@gmail.com
Aired just one time on CBS the evening of November 17, 1978, “The Star Wars Holiday Special” was the first sanctioned, long-form Luscasfilm media extending the cultural phenomenon of the blockbuster movie directed by George Lucas.
Over the years, the show’s reputation spread through word of mouth and bootleg VHS dubs sold at sci-fi conventions until the internet made access easier.
Filmmakers Jeremy Coon and Steve Kozak celebrate the 45th…
November 12th, 2023
By Greg Carlson
gregcarlson1@gmail.com
Focus Features gets a nifty opening credits layout as part of a throwback sequence capitalizing on the heavy New Hollywood nostalgia that suffuses Alexander Payne’s comic melodrama “The Holdovers.”
Reuniting with “Sideways” star Paul Giamatti, Payne’s new movie is his first feature since the bizarre 2017 sci-fi misfire “Downsizing.” Closer in spirit to the more intimate emotional nakedness of “Nebraska,” “The Holdovers” lacks…
November 5th, 2023
By Greg Carlson
gregcarlson1@gmail.com
Several reports discussing behind-the-scenes communications and differences of opinion between Priscilla Presley (credited as one of the new film’s executive producers), the late Lisa Marie Presley (who died in January), and others with financial and personal interests in the legacy of Elvis add a fascinating intertextual layer to Sofia Coppola’s “Priscilla.”
The movie’s title and the director’s filmography should offer strong indications…
By Josette Ciceronunapologeticallyanxiousme@gmail.com What does it mean to truly live in a community —or should I say, among community? It’s a question I have been wrestling with since I moved to Fargo-Moorhead in February 2022.…