August 22nd, 2018
Spike Lee’s stated desire to comment on current events through the colorful prism of a 1970s-set period piece reaps tremendous rewards in Cannes Grand Prix winner “BlacKkKlansman,” a startling and brilliant addition to the veteran filmmaker’s top tier. Loosely based on Ron Stallworth’s autobiographical memoir, Lee’s film dramatizes the utterly unbelievable story of the first African-American officer and detective on the force of the Colorado Springs Police Department.…
August 15th, 2018
Elsie Fisher’s Kayla Day is the lonely but indefatigable middle-school protagonist of first-time feature filmmaker Bo Burnham’s “Eighth Grade,” a winning addition to the pantheon of the adolescent cinematic bildungsroman. What details and nuances other performers might have brought to the role we wouldn’t dare to imagine, so perfect is Fisher’s take. She constructs a brilliant characterization utterly unselfconscious in its self-consciousness. There are millions like Kayla,…
August 8th, 2018
Tim Wardle’s documentary “Three Identical Strangers” shares the seemingly impossible tale of brothers Eddy Galland, David Kellman, and Bobby Shafran, separated-at-birth identical triplets who discovered one another as young adults in 1980. Recipient of the U.S. Documentary Special Jury Award for Storytelling shortly after its world premiere at the 2018 Sundance Film Festival, the movie draws on new interviews and a strong archive of visual material to paint a colorful but…
August 1st, 2018
Making his feature directorial debut, “The Grudge” writer Stephen Susco scares up a handful of unnerving images and grim thoughts in “Unfriended: Dark Web,” a standalone follow-up to the incredibly profitable 2014 Blumhouse film. Like the first “Unfriended,” “Dark Web” was produced at a cost of roughly one million dollars, practically guaranteeing a big return on investment by the conclusion of its opening weekend. The second installment retains the visual gimmick of…
July 25th, 2018
Brett Haley follows “The Hero” with another intimate and small-scale drama that touches on love and loss, looking back and moving forward. Nick Offerman, who provided memorable support in “The Hero” as Sam Elliott’s drug connection, assumes lead duties as Brooklyn record store proprietor Frank Fisher. Coming to grips with the imminent closure of his shop and the cross-country relocation of his daughter Sam (Kiersey Clemons) to UCLA medical school, widower Frank avoids the…
July 11th, 2018
Boots Riley hallucinates a wildly funny feature debut with “Sorry to Bother You,” a sharp-fanged social satire that mashes up the innovative handmade aesthetics of Michel Gondry with the fierce truth-to-power consciousness of Spike Lee. As uneven as it is addictively watchable, the movie caroms from sharply on-point to murkily broad. Fans of alternate reality dystopian nightmares like Mike Judge’s “Idiocracy” and Richard Kelly’s “Southland Tales,” two of a smallish…
June 27th, 2018
Filmmaker Debra Granik’s “Leave No Trace,” based on Peter Rock’s novel “My Abandonment,” demonstrates some spiritual and stylistic kinship with the director’s tremendous “Winter’s Bone,” but the new film stakes out the emotionally intense territory shared by a father and his daughter living off the grid as a means of self-care/self-preservation and survival. Ben Foster turns in a predictably excellent performance as Will, a veteran with serious PTSD. Will’s…
June 20th, 2018
Scaring up early buzz as a premiere in the Midnight section of the 2018 Sundance Film Festival, Ari Aster’s “Hereditary” is the horror film of the year. Anchored by the vital performance of Toni Collette as grieving, disintegrating mother Annie Graham -- arguably the actor’s career-best work -- the movie’s other noteworthy MVP may just be Pawel Pogorzelski’s sharp cinematography, which features one breathtaking day/night cut so perfect it serves as a reminder that not even…
June 13th, 2018
Writer-director Chloe Zhao’s sophomore feature “The Rider” cements her status as one of contemporary filmmaking’s most promising voices. A carefully curated blend of fact and fiction, the movie focuses on the aftermath of a traumatic head injury suffered by a young Sioux rodeo cowboy. Played by Brady Jandreau, the fictional Brady Blackburn is faced with an impossible choice: accept the reality that his riding days are done or court almost certain death by returning to…
June 6th, 2018
In a bit of fortuitous timing. Oscar-winning filmmaker Morgan Neville turns his attention to public television superstar Fred Rogers, an almost universally beloved figure whose unwavering message of peace, friendship, love and kindness contrasts diametrically with today’s bullying tone of undignified late-night tweets issuing from a certain well-covered account.
One wonders how Rogers, a devoted Republican, might have dealt with the grim political partisanship that currently…
By Josette Ciceronunapologeticallyanxiousme@gmail.com What does it mean to truly live in a community —or should I say, among community? It’s a question I have been wrestling with since I moved to Fargo-Moorhead in February 2022.…