Cinema

When asked about the origins of the LGBT Film Festival, Raymond Rea, MSUM film instructor and LGBT Film Festival founder said, “When I lived and taught in San Francisco I taught many classes on many variations of Queer Film. So, on moving to F-M and starting to teach in the Film program at MSUM I had the drive to keep that area of focus going by leading a Queer Film Series.”He went on to say, “We met on Wednesdays nights, I introduced a film, we watched and then discussed. That…

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The year 2019 ushers in the 17th annual Fargo Fantastic Film Festival, which will be featuring over 250 films this year alone. The festival not only features filmmakers from over 40 countries, it holds a special section for local talent from all levels of expertise. We had the opportunity to speak to Tony Tilton, the man behind the Fargo Fantastic Film Festival and Mr. Valleycon himself.

High Plains Reader: Can you tell us the origin story of the Fargo Fantastic Film Festival (FFFF)--Was…

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Based on “The Hustlers at Scores,” Jessica Pressler’s 2015 “New York Magazine” article, Lorene Scafaria’s “Hustlers” dives headfirst into the world of sex work through the eyes of the women who make a living at it. Shaping her narrative around the complexities of female friendship and the pressures wrought by the financial crisis of 2008, Scafaria -- who also wrote the screenplay -- convincingly paints a psychologically resonant portrait that allows the viewer a seat on…

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Marketed as “The Banana Splits Movie” even though the only on screen titles stick with “The Banana Splits,” Danishka Esterhazy’s bottom-shelf slasher flick marks the first R-rated adaptation of a Hanna-Barbera property since the dawn of the brand more than 60 years ago. A brazen attempt to cash in on the curiosity of audience members old enough to have enjoyed any of the 31 episodes of “The Banana Splits Adventure Hour” that debuted on NBC in 1968 and stretched until 1982…

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The Radio Silence creative team that includes directors Matt Bettinelli-Olpin, Tyler Gillett and producer Chad Villella mark a career highlight with “Ready or Not,” a rollicking horror-comedy that happens to be Fox Searchlight’s widest release to date. The movie’s thematic elasticity -- which many critics peg as a timely critique of Trump-era, one-percenter avarice -- plays to multiple audiences. Politics, however, don’t need to stand in the way of the film’s breathless race…

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Based on a memoir by journalist and superfan Sarfraz Manzoor, the inoffensive music-themed bildungsroman “Blinded by the Light” licenses the songs of Bruce Springsteen to communicate the growing pains shaping the life of 16-year-old Javed Khan (Viveik Kalra) in late-1980s Great Britain. Javed, whose mother and father came to England from Pakistan in search of opportunity, contend with the genre’s familiar parental roles: exaggerated disdain for the “rebel” attitudes of their…

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A dispiriting negative critical consensus and the worst opening numbers to date for Melissa McCarthy and Tiffany Haddish nailed shut the coffin lid of Andrea Berloff’s directorial debut “The Kitchen,” which the veteran, Oscar-nominated screenwriter adapted from the Vertigo series of the same name. The disappointing reaction to the story of a trio of mob wives who successfully run an organized crime operation in New York in the late 1970s is not particularly surprising. The month…

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By Scott Ecker
notharrisonford@gmail.com

Last Tuesday I joined many local artists and audience members for Theatre B’s season preview at the Hjemkomst Center. As one of their board members, I see Theatre B regulars very often. But the annual preview always makes me realize how much of a community this organization has cultivated. Every August I joined with a variety of ensemble and board members, participating artists, and fans to learn about the upcoming season. All of us there…

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Writer-director Lulu Wang finds inventive ways to freshen up the terminal cancer tale in “The Farewell,” a worthwhile diversion to so much summer blockbuster fare. The popular subgenre, which comfortably intersects with drama, comedy, and romance, has attracted filmmakers and audiences for decades. Akira Kurosawa (“Ikiru”), Ingmar Bergman (“Cries & Whispers”), and Mike Nichols (“Wit”) all brought their considerable talents to the associated tropes of the category, and…

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In recent years, scores of essays have addressed the rapid transformation of the home video industry. Focused on topics including the impact of Netflix’s streaming model, the death of the brick-and-mortar rental store, and the shrinking sales of physical media, most of the critiques lament one alarming reality: when it comes to tracking down and seeing specific movies, we can’t always get what we want. Whether we can at least get what we need remains an open question. Ryan Beitz…

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