July 25th, 2018
Brett Haley follows “The Hero” with another intimate and small-scale drama that touches on love and loss, looking back and moving forward. Nick Offerman, who provided memorable support in “The Hero” as Sam Elliott’s drug connection, assumes lead duties as Brooklyn record store proprietor Frank Fisher. Coming to grips with the imminent closure of his shop and the cross-country relocation of his daughter Sam (Kiersey Clemons) to UCLA medical school, widower Frank avoids the…
July 11th, 2018
Boots Riley hallucinates a wildly funny feature debut with “Sorry to Bother You,” a sharp-fanged social satire that mashes up the innovative handmade aesthetics of Michel Gondry with the fierce truth-to-power consciousness of Spike Lee. As uneven as it is addictively watchable, the movie caroms from sharply on-point to murkily broad. Fans of alternate reality dystopian nightmares like Mike Judge’s “Idiocracy” and Richard Kelly’s “Southland Tales,” two of a smallish…
June 27th, 2018
Filmmaker Debra Granik’s “Leave No Trace,” based on Peter Rock’s novel “My Abandonment,” demonstrates some spiritual and stylistic kinship with the director’s tremendous “Winter’s Bone,” but the new film stakes out the emotionally intense territory shared by a father and his daughter living off the grid as a means of self-care/self-preservation and survival. Ben Foster turns in a predictably excellent performance as Will, a veteran with serious PTSD. Will’s…
June 20th, 2018
Scaring up early buzz as a premiere in the Midnight section of the 2018 Sundance Film Festival, Ari Aster’s “Hereditary” is the horror film of the year. Anchored by the vital performance of Toni Collette as grieving, disintegrating mother Annie Graham -- arguably the actor’s career-best work -- the movie’s other noteworthy MVP may just be Pawel Pogorzelski’s sharp cinematography, which features one breathtaking day/night cut so perfect it serves as a reminder that not even…
June 13th, 2018
Writer-director Chloe Zhao’s sophomore feature “The Rider” cements her status as one of contemporary filmmaking’s most promising voices. A carefully curated blend of fact and fiction, the movie focuses on the aftermath of a traumatic head injury suffered by a young Sioux rodeo cowboy. Played by Brady Jandreau, the fictional Brady Blackburn is faced with an impossible choice: accept the reality that his riding days are done or court almost certain death by returning to…
June 6th, 2018
In a bit of fortuitous timing. Oscar-winning filmmaker Morgan Neville turns his attention to public television superstar Fred Rogers, an almost universally beloved figure whose unwavering message of peace, friendship, love and kindness contrasts diametrically with today’s bullying tone of undignified late-night tweets issuing from a certain well-covered account.
One wonders how Rogers, a devoted Republican, might have dealt with the grim political partisanship that currently…
May 30th, 2018
Betsy West and Julie Cohen assemble a welcome biographical portrait of Supreme Court Justice Ruth Bader Ginsburg, the octogenarian icon whose legacy already includes her groundbreaking work in the area of gender-based discrimination and her powerful dissents in cases decided by an increasingly conservative high bench. “RBG,” which playfully alludes to the meme-based appellation linking the jurist to hip-hop’s Christopher Wallace, a.k.a. the Notorious B.I.G., is but one boulder in…
May 23rd, 2018
Writer-director Alexandra Dean’s “Bombshell” recounts the remarkable life and achievements of Hedy Lamarr, the Golden Age screen goddess whose physical beauty and career as a Hollywood actor long overshadowed her groundbreaking technological inventions. The documentary, which premiered at the 2017 Tribeca Film Festival, will be broadcast on PBS as an installment of “American Masters” on May 18, 2018. The cult of Lamarr, which flowered following a 1990 “Forbes” profile by…
May 16th, 2018
Earning a limited theatrical release following a successful run of festival appearances and a streaming deal with Shudder, writer-director Coralie Fargeat’s “Revenge” simultaneously embraces and subverts many tropes of the rape-revenge subgenre. Powered by a supercharged central performance by Matilda Lutz, Fargeat’s film also draws from the implied isolation of its evocative locations and the saturated hues of Robrecht Heyvaert’s dazzling cinematography. Given the nature of…
May 9th, 2018
In the most Gus Van Sant scene in a very Gus Van Sant movie, John Callahan (Joaquin Phoenix) spills out of his wheelchair and into the street after picking up a little too much speed. The predicament elicits immediate concern for Callahan’s well-being, so the kind assistance from a group of skateboarding kids melts our fear into a glimmer of faith and hope for the world. “Don’t Worry, He Won’t Get Far on Foot” is named for the pitiless, Vantablack caption accompanying one of…
By Josette Ciceronunapologeticallyanxiousme@gmail.com What does it mean to truly live in a community —or should I say, among community? It’s a question I have been wrestling with since I moved to Fargo-Moorhead in February 2022.…