August 28th, 2019
Based on a memoir by journalist and superfan Sarfraz Manzoor, the inoffensive music-themed bildungsroman “Blinded by the Light” licenses the songs of Bruce Springsteen to communicate the growing pains shaping the life of 16-year-old Javed Khan (Viveik Kalra) in late-1980s Great Britain. Javed, whose mother and father came to England from Pakistan in search of opportunity, contend with the genre’s familiar parental roles: exaggerated disdain for the “rebel” attitudes of their…
August 28th, 2019
A dispiriting negative critical consensus and the worst opening numbers to date for Melissa McCarthy and Tiffany Haddish nailed shut the coffin lid of Andrea Berloff’s directorial debut “The Kitchen,” which the veteran, Oscar-nominated screenwriter adapted from the Vertigo series of the same name. The disappointing reaction to the story of a trio of mob wives who successfully run an organized crime operation in New York in the late 1970s is not particularly surprising. The month…
August 14th, 2019
By Scott Ecker
notharrisonford@gmail.com
Last Tuesday I joined many local artists and audience members for Theatre B’s season preview at the Hjemkomst Center. As one of their board members, I see Theatre B regulars very often. But the annual preview always makes me realize how much of a community this organization has cultivated. Every August I joined with a variety of ensemble and board members, participating artists, and fans to learn about the upcoming season. All of us there…
August 14th, 2019
Writer-director Lulu Wang finds inventive ways to freshen up the terminal cancer tale in “The Farewell,” a worthwhile diversion to so much summer blockbuster fare. The popular subgenre, which comfortably intersects with drama, comedy, and romance, has attracted filmmakers and audiences for decades. Akira Kurosawa (“Ikiru”), Ingmar Bergman (“Cries & Whispers”), and Mike Nichols (“Wit”) all brought their considerable talents to the associated tropes of the category, and…
August 7th, 2019
In recent years, scores of essays have addressed the rapid transformation of the home video industry. Focused on topics including the impact of Netflix’s streaming model, the death of the brick-and-mortar rental store, and the shrinking sales of physical media, most of the critiques lament one alarming reality: when it comes to tracking down and seeing specific movies, we can’t always get what we want. Whether we can at least get what we need remains an open question. Ryan Beitz…
July 31st, 2019
For superstar auteur Quentin Tarantino, there’s no business like show business -- never has been for the whole arc of his career -- and “Once Upon a Time in Hollywood” doubles down on everything that fanboy and fangirl (mostly fanboy) disciples have studied with religious devotion since the days of “Reservoir Dogs.” A nonstop pastiche of pop culture references both iconic and obscure, the new feature embraces revisionism and fantasy in its interpretation of events surrounding…
July 24th, 2019
Writer-director Riley Stearns confronts the foul odor of hypermasculinity and misogyny in “The Art of Self-Defense,” a pitch-black comedy featuring Jesse Eisenberg, Alessandro Nivola, and Imogen Poots. Eisenberg’s Casey Davies is another of the actor’s signature submissives, a “35-year-old dog owner” (according to a local news report) victimized by a group of motorcycle thugs while on his way to purchase chow for his dachshund. The brutal physical assault merely adds to…
July 17th, 2019
Legendary British skipper Tracy Edwards, who in 1989 led the first all-female crew of sailors to compete in the tough-as-nails, 33,000-mile Whitbread Round the World Yacht Race, makes for a convincing heroine in filmmaker Alex Holmes’ thrilling sports documentary “Maiden.” Named for the refurbished, King Hussein of Jordan-sponsored vessel Edwards piloted in the competition, the film unfolds with a strong sense of adventure and excitement -- due in part to the likely ignorance of a…
July 10th, 2019
“Hereditary” director Ari Aster’s sophomore feature “Midsommar” firmly cements the filmmaker’s auteur bona fides. A visually stunning slice of art-house “folk horror” that draws from several touchstone movies -- most notably Robin Hardy’s 1973 masterpiece “The Wicker Man” -- Aster once again explores the insidious devastation of grief, this time within the framework of a romantic relationship break-up. Bereft of jump scares and absent the visceral action of many of…
July 10th, 2019
Writer-producer-director-photographer Rachel Lears teams with writer-producer-editor (and spouse) Robin Blotnick and producer Sarah Olson on advocacy doc “Knock Down the House,” now streaming on Netflix following a world premiere in January at the Sundance Film Festival. A direct response to the election of Donald Trump, Lears follows the grassroots campaigns of a quartet of political newcomers: Cori Bush in Missouri, Alexandria Ocasio-Cortez in New York, Paula Jean Swearengin in…