September 11th, 2019
Marketed as “The Banana Splits Movie” even though the only on screen titles stick with “The Banana Splits,” Danishka Esterhazy’s bottom-shelf slasher flick marks the first R-rated adaptation of a Hanna-Barbera property since the dawn of the brand more than 60 years ago. A brazen attempt to cash in on the curiosity of audience members old enough to have enjoyed any of the 31 episodes of “The Banana Splits Adventure Hour” that debuted on NBC in 1968 and stretched until 1982…
September 4th, 2019
The Radio Silence creative team that includes directors Matt Bettinelli-Olpin, Tyler Gillett and producer Chad Villella mark a career highlight with “Ready or Not,” a rollicking horror-comedy that happens to be Fox Searchlight’s widest release to date. The movie’s thematic elasticity -- which many critics peg as a timely critique of Trump-era, one-percenter avarice -- plays to multiple audiences. Politics, however, don’t need to stand in the way of the film’s breathless race…
August 28th, 2019
Based on a memoir by journalist and superfan Sarfraz Manzoor, the inoffensive music-themed bildungsroman “Blinded by the Light” licenses the songs of Bruce Springsteen to communicate the growing pains shaping the life of 16-year-old Javed Khan (Viveik Kalra) in late-1980s Great Britain. Javed, whose mother and father came to England from Pakistan in search of opportunity, contend with the genre’s familiar parental roles: exaggerated disdain for the “rebel” attitudes of their…
August 28th, 2019
A dispiriting negative critical consensus and the worst opening numbers to date for Melissa McCarthy and Tiffany Haddish nailed shut the coffin lid of Andrea Berloff’s directorial debut “The Kitchen,” which the veteran, Oscar-nominated screenwriter adapted from the Vertigo series of the same name. The disappointing reaction to the story of a trio of mob wives who successfully run an organized crime operation in New York in the late 1970s is not particularly surprising. The month…
August 14th, 2019
By Scott Ecker
notharrisonford@gmail.com
Last Tuesday I joined many local artists and audience members for Theatre B’s season preview at the Hjemkomst Center. As one of their board members, I see Theatre B regulars very often. But the annual preview always makes me realize how much of a community this organization has cultivated. Every August I joined with a variety of ensemble and board members, participating artists, and fans to learn about the upcoming season. All of us there…
August 14th, 2019
Writer-director Lulu Wang finds inventive ways to freshen up the terminal cancer tale in “The Farewell,” a worthwhile diversion to so much summer blockbuster fare. The popular subgenre, which comfortably intersects with drama, comedy, and romance, has attracted filmmakers and audiences for decades. Akira Kurosawa (“Ikiru”), Ingmar Bergman (“Cries & Whispers”), and Mike Nichols (“Wit”) all brought their considerable talents to the associated tropes of the category, and…
August 7th, 2019
In recent years, scores of essays have addressed the rapid transformation of the home video industry. Focused on topics including the impact of Netflix’s streaming model, the death of the brick-and-mortar rental store, and the shrinking sales of physical media, most of the critiques lament one alarming reality: when it comes to tracking down and seeing specific movies, we can’t always get what we want. Whether we can at least get what we need remains an open question. Ryan Beitz…
July 31st, 2019
For superstar auteur Quentin Tarantino, there’s no business like show business -- never has been for the whole arc of his career -- and “Once Upon a Time in Hollywood” doubles down on everything that fanboy and fangirl (mostly fanboy) disciples have studied with religious devotion since the days of “Reservoir Dogs.” A nonstop pastiche of pop culture references both iconic and obscure, the new feature embraces revisionism and fantasy in its interpretation of events surrounding…
July 24th, 2019
Writer-director Riley Stearns confronts the foul odor of hypermasculinity and misogyny in “The Art of Self-Defense,” a pitch-black comedy featuring Jesse Eisenberg, Alessandro Nivola, and Imogen Poots. Eisenberg’s Casey Davies is another of the actor’s signature submissives, a “35-year-old dog owner” (according to a local news report) victimized by a group of motorcycle thugs while on his way to purchase chow for his dachshund. The brutal physical assault merely adds to…
July 17th, 2019
Legendary British skipper Tracy Edwards, who in 1989 led the first all-female crew of sailors to compete in the tough-as-nails, 33,000-mile Whitbread Round the World Yacht Race, makes for a convincing heroine in filmmaker Alex Holmes’ thrilling sports documentary “Maiden.” Named for the refurbished, King Hussein of Jordan-sponsored vessel Edwards piloted in the competition, the film unfolds with a strong sense of adventure and excitement -- due in part to the likely ignorance of a…
By Josette Ciceronunapologeticallyanxiousme@gmail.com What does it mean to truly live in a community —or should I say, among community? It’s a question I have been wrestling with since I moved to Fargo-Moorhead in February 2022.…